Xing dong's artistic achievements.

Xing Dong learned from other people's strengths and made a great impact in the Tang and Song Dynasties. The beauty of its clinic is mainly Zhong, Suo and Wang, especially the book of the right army, which has won the essence of the right army. He himself said: "I have been sitting and lying with you Junshu for decades before I can join the WTO." In the Ming and Qing Dynasties, scholar Youhe Tang Motuo said: "In modern times, Xing Zi was willing to write books and study two kings, and his brushwork always seemed to mean seventeen articles;" In other words, the volume of the book and the traces of Wang Tie can be said to be extremely interested in copying. Song and Qi Dynasties, calligraphy declined, Wei and Jin Dynasties swept the floor. This is no longer an overnight thing. It was the public (Dong) who got rid of bad habits and pursued less. No matter what its essence is, that is, its determination, it is already superior. "

Xing Dong's cursive script and seal script are wonderful. He is good at cursive script. In his later years, he was especially good at Cao Zhang. At that time, it was called "East-South Prosperity" with Dong Qichang, and "Zhang Xing Mi Dong" with Mi Wanzhong. But artistic creativity is far less than that of Dong Qichang, Zhang Ruitu and Huang Daozhou. Xing Dong's strength is that it was rare in the past, and his masterpieces were mostly temporary works. His works are various, especially cursive, because the mud is not ancient and lacks individuality. He was very disgusted with the madness of calligraphy in the late Ming Dynasty, and his imitation of ancient calligraphy was a warning to these poor calligraphy, which was also the historical value of calligraphy. There are four books handed down from generation to generation, such as Zhi Tie, Lun Shu, Ancient Poetry Volume and Linjin Rentie. Besides the Palace Museum, today's London Museum, Japan and Southeast Asian countries all have their books.