Zhang Han's creative process

From 65438 to 0952, he was transferred to Beijing Chinese Painting Research Association and Tianjin Chinese Painting Research Association successively, and studied under Liu Zijiu and Liu Kuiling. There are Wu Jingting,, Sun Qifeng, He,, and others. During the "Cultural Revolution", he was transferred to the mountainous area, and worked in Xianyang means of production company after the "Cultural Revolution". Zhang Han started from the tradition, so he could go in and out freely and learn from the ancient times without being stuck in the mud. His epigraphy was first studied by Huang He Ding Jing, then by Deng He, then by Zhao He and Wu Changshuo. He printed the ancient seal script, seal script and six dynasties characters, merged hundreds of them, created a new flow path and formed his own family. In the 50 years of printing, * * * has published less than 30 seal script works, some of which have been included (modern seal script selection). His paintings are good at landscape freehand brushwork, and his works are mainly feathers and flowers. His calligraphy began in the Tang Dynasty and traced back to the Qin and Han Dynasties. The inscriptions in the Wei, Jin and Six Dynasties all touched the face. Cao Zhuan and Li Junjing, all factions are eclectic. It has been compiled into the Dictionary of China Artists' Surnames published in Beijing and the Dictionary of People's Artists published in Tianjin. 1952 The People's Liberation Army Pictorial published a map of Tibet, 1954 The Beijing Chinese Painting Research Association displayed pine trees in the Forbidden City, 198 1 year. His paintings and calligraphy works have participated in many national exhibitions, and have been exhibited, collected and published in Japan, Singapore, Hong Kong and other places. 1986 In May, Shaanxi Branch of China Artists Association held an exhibition of Zhang Han's paintings and calligraphy works in xi 'an, with more than 200 works on display. He has been a member of China Artists Association, China Calligraphy Association, director of Shaanxi Branch, member of Beijing Chinese Painting Research Association, member of Tianjin Chinese Painting Research Association and member of Shanghai China Jinshi Seal Cutting Research Association. He is good at Chinese painting. He taught himself calligraphy and seal cutting. He was good at green landscape painting in his early years. In his later years, he pursued the charm of pen and ink and worked in Xianyang means of production company. He used to be chairman of Xianyang Fine Arts Calligraphers Association, president of Xianyang Fine Arts Calligraphers Association, honorary chairman of Qindu District Federation of Literary and Art Circles, and member of Xianyang CPPCC. He is the author of Outline of Seal Cutting. His works include Song Ying, Mohe and Busy Farming Season.