Question 2: What are the four forms of China's calligraphy? Regular script, cursive script, running script and official script
Question 3: What are the four styles of regular script? Ou Yangxun in Tang Dynasty (European style), Yan Zhenqing in Yuanbao Dynasty (Yan style), Liu Gongquan in Tang Dynasty (Liu style), Zhao Meng in Yuan Dynasty? \ (Zhao Ti).
Ou Yangxun (557-64 1) was born in Linxiang, Tanzhou (now Changsha, Hunan). His calligraphy achievements are based on regular script, with bold brushwork and unique structure, which is called "European style" by later generations.
Ou Yangxun (European Style) in Tang Dynasty: Regular script is rigorous and precipitous, and is praised as "the first regular script in Tang Dynasty" by the world, with its masterpiece "The Ritual Spring Inscription in Jiucheng Palace".
Yan Zhenqing, (709-785), a native of Wanzhao, Jingzhao, was born in Linyi (now Linyi, Shandong) in the Tang Dynasty. In the history of calligraphy, he is the most accomplished and influential calligrapher after the two kings. His book was first learned in Zhang Xu's four years in the early Tang Dynasty. Later, it was widely collected and learned, changed the ancient method, opposed the calligraphy style of the early Tang Dynasty, and used the pen of seal script to make it thin and hard, with a broad structure and magnificent momentum. This style also embodies the style of the prosperous Tang Dynasty, which is consistent with his noble personality. This is the beauty of calligraphy.
Yan Zhenqing (Yan Ti) in Tang Dynasty: Regular script is dignified and majestic, known as "Yan Ti" in the world, and his masterpiece is "Many Pagodas Monument".
Liu Gongquan (778 -865), whose real name was Cheng Xuan, was a Jingzhao Chinese in the Tang Dynasty. He is a prince's official and is called "Liu" in the world. Later generations called it "Yan Liu", which became a model of calligraphy in past dynasties. His calligraphy is vigorous and vigorous, and his words are rigorous and meticulous. As far as the characteristics of Chinese characters are concerned, they are famous for their thinness and strength. The regular script written is beautiful and strong, and the running script and regular script are the most exquisite.
Liu Gongquan (Liu Ti) in Tang Dynasty: His regular script is clean and vigorous, with rigorous structure, delicate brushwork and straight brushwork. He is known as "Liu Ti" in the world, and his masterpieces include Mysterious Tower Monument and Shence Army Monument.
Zhao Meng? \, (1254- 1322) is a passerby in Song Xue, Huzhou (now Xing Wu, Zhejiang). Good at seal cutting, official script, authentic works, calligraphy and cursive script, especially regular script and cursive script. "Yuan Shi" is a biography, "Meng? Calligraphy is divided into real grass, which is the highest in ancient and modern times, so the title is the world. " Yuan Xianyu wrote the Collection of Xue Kunzhai: "Zi Angyin, Li, Zhen, Xing and Dian Cao are the first in the contemporary era, and Xiao Kai is the first among Zi Ang's books." His elegant style, neat structure and skillful brushwork are praised as "Zhao Ti" by the world.
Zhao Meng in the Yuan Dynasty? \ (Zhao Ti): His regular script is round and delicate, correct and rigorous, yet elegant and graceful. Known as "Zhao Ti" by the world, his masterpiece "Rebuilding the Three Storeys of the Xuandian".
Question 4: What do you mean by "four calligraphy styles"? China Chinese characters should have five styles; The first four bodies are; Seal, official, truth, line, followed by grass.
Question 5: What are the four styles of calligraphy? China's calligraphy is customarily divided into four styles: Zhengcaoli seal.
1. China's calligraphy is customarily divided into four types: Zheng, Cao, Li and Zhuan.
1, official script refers not only to regular script, but also to Wei Bei.
2. Cursive script refers to the wild grass represented by Zhang Xu and Huai Su, and also refers to the big grass; It also refers to a cursive script that is more standardized than wild grass, which is called "Book Score" by Sun in the Tang Dynasty. In addition, there is an urgent official script called Cao Zhang. Between grass and grass is a running script.
3. Lishu came into being in the late Qin Dynasty and early Han Dynasty. At first, it was mainly used to copy official documents in order to be concise, and later it was also used to write inscriptions and cliff carvings.
4. Seal script is the general name of Oracle Bone Inscriptions, Zhong Ding, Shigu and Xiao Zhuan.
Second, on behalf of calligraphers' works:
Regular script: Inscription of Liquan in Jiucheng Palace, Biography of Magu Xiantan by Yan Zhenqing, Monument of Shence Army by Liu Gongquan, and Gongbei by Zheng, the representative work of Wei Bei.
Cursive script: In addition to the above, there are the Seventeen Articles by Wang Xizhi, the works by Huang Tingjian and Mi Fei in the Song Dynasty, and the running scripts by Wen Zhiming, Zhu Yunming, Zhang Ruitu, Wang Duo and Xu Wei in the Ming Dynasty: Wang Xizhi's Preface to Lanting Collection, Yan Zhenqing's Manuscript for Sacrificing a Nephew, Su Dongpo's and Mi Fei's official scripts: The Book of Rites, Cao Quanbei's and Zhang Qian's. Seal script: mainly represented by Oracle Bone Inscriptions, the characters on bronzes, Li Si seal script, Tang Li seal script, modern Deng and Wu Changshuo.
Question 6: What are the four words in China's ancient calligraphy? The Book Score of Tang Dynasty represented by Sun. In addition, there is an urgent official script called Cao Zhang. Between grass and grass is a running script. Lishu came into being in the late Qin Dynasty and early Han Dynasty. At first, it was mainly used to copy official documents in order to be concise, and later it was also used to write inscriptions and cliff carvings. Seal script is the general name of Oracle Bone Inscriptions, Zhong Ding, Shigu and Xiao Zhuan. Representative calligrapher's works:
Regular script: Ou Yangxun's Inscription of Liquan in Jiucheng Palace, Yan Zhenqing's Ma Gu Tie, and Liu Gongquan's Shence Army Monument.
Weibei's masterpiece is Zheng's Gongbei.
Cursive script: In addition to the above, there are seventeen posts by Wang Xizhi, works by Huang Tingjian and Mi Fei in Song Dynasty, and works by Wen Zhiming, Zhu Yunming, Zhang Ruitu, Wang Duo and Xu Wei in Ming Dynasty.
Running script: Wang Xizhi's Preface to Lanting Collection, Yan Zhenqing's Sacrifice to Nephew, Su Dongpo, Mi Fei, etc.
Lishu: The descendants of Li Bei, Li Bei, and Li Bei, there were many outstanding calligraphers in the Ming and Qing Dynasties, such as Jin Nong, Yi Bingshou and How.
Seal script: mainly represented by Oracle Bone Inscriptions, the characters on bronzes, Li Si seal script, Tang Li seal script, modern Deng and Wu Changshuo.
Question 7: What are the four styles of calligraphy? China's calligraphy is customarily divided into four styles: Zheng, Cao, Li and Zhuan.
The four are Yan, Liu, Ou and Zhao.
Question 8: What are the four authentic cursive seals in Chinese four-body calligraphy? True books refer to regular script and running script; The cursive script is divided into Cao Zhang and Cao Jin; Official script can be divided into official script and official script of Qin dynasty; Seal script includes inscriptions on bronze, big seal script and small seal script.
Question 9: Four-body calligraphy of Chinese characters in China.
It means Zheng, Cao, Li and Xi.
Zhengshu refers not only to regular script, but also to Wei Bei. Cursive script refers to the wild grass represented by Zhang Xu and Huai Su, and also refers to the big grass; It also refers to a cursive script that is more standardized than wild grass, which is called "Book Score" by Sun in the Tang Dynasty. In addition, there is an urgent official script called Cao Zhang. Between grass and grass is a running script. Lishu came into being in the late Qin Dynasty and early Han Dynasty. At first, it was mainly used to copy official documents in order to be concise, and later it was also used to write inscriptions and cliff carvings. Seal script is the general name of Oracle Bone Inscriptions, Zhong Ding, Shigu and Xiao Zhuan.
In addition, there are six forms of calligraphy.
Six Styles of Calligraphy is a book published by Hubei Fine Arts Publishing House in 2008. The author is Fan Zhongyue. The 3,500 words in this dictionary are based on the List of Modern Chinese Commonly Used Words 1988 published by the State Language Committee and the State Education Commission in March. The dictionary is arranged in the order of strokes, and each character is written in six fonts: regular script, running script, cursive script, official script, seal script and bronze inscription (there is no vacancy in bronze inscription).