Appreciation of banner calligraphy works

Let's enjoy the beauty of calligraphy in banner calligraphy works. What is the beauty of banner calligraphy? The following are your selected calligraphy works, I hope they are useful to you!

Appreciation of banner calligraphy works

Selected calligraphy pictures of banners 1

Selected pictures of banner calligraphy works 2

Selected pictures of banner calligraphy works 3

Selected pictures of banner calligraphy works 4

Yu Youren's experience in learning calligraphy.

In 38 years, Yu Youren moved to Taiwan Province with the Central Committee. Under the profound connotation of Wei Bei Studies in Han Dynasty, he cultivated various forms of true calligraphy, which was awe-inspiring and swaying, shaking every soul who loved calligraphy. It has brought the greatest inspiration to Taiwan Province Province, where monuments are burning day by day; At that time, Luoyang paper was expensive, and the book seekers were overwhelmed, and those who got books regarded it as a treasure. In the past two decades, many people in the book circle, society and even the military have been fascinated by the study of stone carvings in Han and Wei Dynasties. Others directly follow the standard cursive script. The influence of a generation of Cao Sheng is more brilliant than that of any calligrapher in Taiwan Province Province in the past 300 years.

You Ren (1879- 1964), whose real name is Bo Xun, was originally from Jingyang, Shaanxi, and was born in Sanyuan. He has successively studied under Mao Banxiang, Zhu Foguang, Mao Junchen, Liu Guyu and other famous Confucian scholars, and laid a profound literary foundation. As for his learning style and attitude, he benefited from a lot of court training because of his aunt Mrs. Fang's respected people's extensive reading and strict supervision. You Ren's process of learning books can be traced back to his childhood when he walked and grazed with shepherds. At that time, as long as he saw the words engraved on the tablet next to the tomb, he would imitate painting at will, or pull out the weeds next to the tomb, tie a ghost pen, and still draw and write. At the age of eleven, I entered Mao Banxiang's private school. In my memory, Mao is a master. He likes to write cursive script and the word "goose" written by Wang Xizhi. He has all kinds of gestures and a young mind, which is deeply influenced. When he was a child, his calligraphy was appreciated by Maoban Shengxiang.

You Ren once said that he had been interested in calligraphy since he was nineteen. Because Shaanxi is located in the birthplace of Central Plains culture, there are many opportunities to contact the original works and inscriptions left by ancient great calligraphers. Just like 1990, the "Guangwu General Monument" unearthed in Shiguan Village, Baishui County once shocked him! He even praised the poem: the scale of the monument began in the Six Dynasties, and the price of the world sound rose by two.

In 15 years, he was ordered to bypass Russia and Mongolia to help Shaanxi. After joining hands with the Central Plains, he traveled to Nanjing, Shanghai, Beiping and other places and used various opportunities to buy historical sites. This constant enthusiasm for learning has led to an increasing number of stone tablets. By the time of the Anti-Japanese War, there were * * * 380 pieces, and the original epitaph stone was * * * 159 square meters; He also donated these precious historical and calligraphy materials to Xi 'an Stele Forest, which belongs to the country. I have to admire his persistence in calligraphy and selfless patriotism.

In the 19th year of the Republic of China, You Ren wrote poems, expressing his suffering and persistence in learning books: "I wrote stone inscriptions in the morning, and spent more than 20 hours in the evening, gathering poems at night, but I didn't know that tears were wet on my pillow. This poem illustrates the best way to get started by surpassing admirers. It also pointed out that his care object during this period was to focus on the North Monument. The common steles on the desk are Sangong Mountain Monument, Fengchan National Mountain Monument, Congbaozi Monument, Cao E Monument, Longmen Statue, Zheng Wengong Monument, Yang Yi Monument, Zhang Menglong Monument, Xia Cheng Monument and Huashan Temple Monument. It was not until 1934 that you really realized the fun of writing books. Especially after contact with General Guangwu's Monument, he had the idea of devoting himself to cursive writing. Around the Republic of China 16, he began to collect and study the works of the previous generation of cursive writers and calligraphy theory. As for the temporary writing, it should be twenty years late. In the same year, You Ren thought that China's characters and strokes were complicated and difficult to write, so he founded "cursive script Du", hoping to find out the reason why the "practical purpose" of cursive script was abandoned, and to find the cursive script author of later generations. He paid too much attention to artistic value, which made the writing methods different and more difficult to identify. He decided to carry out the writing reform of "standardization of cursive script" to make the collated cursive script practical and benefit the world. In fact, in the early years of the Republic of China, Zhang Taiyan (1868- 1936), Li Bin (1855- 1965) and Zhuo Junyong (1882- 1965). Unfortunately, the succession was weak, but the work of sorting out and upgrading the right post never stopped.

The first stage of the work from Ren You to the establishment of the standard cursive script Du in the 21st year of the Republic of China was also to revise a perfect Urgent Chapter. He also made an in-depth study of "Jizhang", and in 23 years ordered Liu Yantao to participate in and even collect cursive scripts in Shanghai. Some people are peddling posts such as "Urgent Chapter" and "Letters from Wu Huang" of Taihe Pavilion, and Youren has won the most perfect version in the world, which is extremely exciting. In the same year, I also got a remnant post of Jiaxiutang, which contained Xiao Ziyun's Ode to a Master. Although it is suspected to be a version near Suo Jing, it is very rare. Li Chucai, a subordinate of You Ren in mainland China, once said, "When I was with my husband, every time I saw him send out Ode to a Teacher, it was more than fifty times." I think it refers to this collection. In addition, Cao Zijian's manuscript and the ink of Zhong You's Tao Te Ching were obtained. After thirty years' investigation in the northwest, I was even more surprised to get the ink map of Suo Jing's Reading Post in Dunhuang! Although it is hard to tell the truth from the false, these precious materials of Cao Zhang are the dream of every cursive lover.

In 22 years, You Ren invited the famous Cao Zhang Wang Shitang to Shanghai for discussion. You Ren's office and study never hang his calligraphy, but there are some kings. After the boredom of the world, he once wrote a poem: "For 300 years, I wrote a pen, either for Suo Jing or for Cecilia Cheung." It can be said that it is Wang's bosom friend. And Wang's coming to the south should be helpful to the cultivation of good.

Later, due to the inconsistency, backwardness and inapplicability of cursive script, the standard cursive script society gave up sorting. However, You Ren has a good command of cursive script, which can be proved by the epitaphs of Zhou Xiangchuan, Sun Jingshan, Sun Shanshu, Zhao Yin and Zhou in the 23rd year of the Republic of China.

Because of talent, courage, hard work and the cooperation of many human resources, You Ren has obtained a wide range of calligraphy rubbings, which is unique in the history of calligraphy. In the back of this paper, various opinions different from those of predecessors are described, so that later scholars can better understand his calligraphy experience and the connotation of "forgiveness"

Calligrapher Li Chao published "Eight Ways to Appreciate Masters" in 1957, in which he said: "Yu Xiansheng's words ... according to himself, are all due to the richness of Chu and Henan." Li Putong had another view, and he was afraid of Li Chaozai's mistakes or any words he made. Indeed, according to his whole creative process and analysis of his works, the influence of Wang Xizhi, Huai Su and Yan Zhenqing is much greater than that of Chu Suiliang.

Lin Xiongxiang, a famous poet and calligrapher in Taiyi, said in The Original Theory of Calligraphy: "Yan Zhenqing made Zhang bow, ... while playing with his strokes, he wrapped his needle in cotton." The epitaph of Elder Wang ... is magnificent, its conception is novel, and Mr. Yu Youren has something in common with it. 」

It is worth noting that the aforementioned Shaanxi native Li Chucai also said: "When Yu Xiansheng ran a newspaper in Shanghai in his youth, he specially studied the inscriptions of the Northern Wei Dynasty and carefully studied He's calligraphy, especially the collection of Epitaph of the Black Woman, which was very similar; Where to start, I will write "Shimen Ming" and "Longmen Twenty Products". " This statement was rejected by Youren philosopher Yu Wangde and his disciples Li Putong and Hu Heng. Both of them pointed out that You Ren never paid attention to He's brushwork and artistic concept, and it was impossible to think that calligraphy was based on it.

In addition, bricks and tiles in Qin and Han dynasties, quicksand in Han bamboo slips and caves in Tang dynasty are all reference objects. Among them, the newly unearthed wooden slips in Dunhuang, Loulan and Juyan are the most exquisite. 1946, academia sinica announced the Juyan wooden slips excavated by the northwest scientific investigation team. You Ren wrote three poems for this purpose, one of which is: "You can look at Juyan bamboo slips in this life, treat each other for 20 years, thank you for your diligent support, so you are safe from arms." When you ren edited cursive script in Shanghai in his early years, he was very eager to see Juyan Han bamboo slips as reference materials for sorting out cursive script, but he couldn't do it. Twenty years later, I was finally able to integrate the charm of Juyan Han bamboo slips into my own grass method.