What dynasty was the painter' Aries Mountain Man'?

Chen Chun, born in the 19th year of Chenghua, Ming Xianzong (AD 1483), died in the 23rd year of Jiajing, Shizong, Ming Dynasty (AD 1544). Author of Chen Baiyang Collection. Chen Chun's juvenile painting is based on the method of yuan people, which is deeply influenced by ink freehand brushwork. His sketch paintings, which took a flower and a half, are faint and full of ink, which has its own causes of sparse and chaotic history. Some of his works are simple, and it can be seen that they are influenced by Shen Zhou's painting method. From his existing works, we can see his style and pen, which can be both relaxed and restrained. He is good at poetry, calligraphy and painting. Chen Chun and Xu Wei are also called Baiyang and Qingteng. Chen's youth is meticulous in painting, and his brushwork is indulgent after middle age, and he is independent. Chen Chun studied under Wen Zhiming, and his reputation is the highest. He was good at freehand brushwork flowers, and although his works showed a flower and a half, they were dripping and refreshing, which was deeply appreciated by literati at that time. He is a painter who has made great contributions to the development of freehand brushwork flower-and-bird painting after Shen Zhou and Tang Yin. After middle age, Chen Chun intercropped mountains and rivers, and studied Mi Youren and Gao Kegong in techniques. Most of them took the scenery in the south of the Yangtze River as the theme, with concise techniques and great interest in the life of literati. Wen Zhiming once said with a smile: "I am a teacher, and I have my own way of writing and painting, and I am not a disciple." The surviving works include Painting of Red Pear Poems, Painting of Camellia Narcissus, Painting of Kwai Stone, Painting of Tadao, etc. His son Chen Kuo inherited his father's style and was good at flowers. He painted landscapes, following the example of Mi Youren and Gao Kegong, and his ink was dripping with water, which made him very dense. His contribution to splash ink is often seen in painting clouds. In terms of freehand brushwork flowers, Chen Chun has a unique style, and his brushwork is free. He is rich in light and healthy charm, and he uses ink to set colors, just as Xu Qin said, "The traces of light color and light ink are all gone!" Wang Shizhen said in the sequel to Zhou: "Since the victory of the country (Yuan Dynasty), there have been no people who wrote flowers like Wu Jun, and since Shen Qinan (Zhou Dynasty), Wu Jun has been as accurate as Chen Dao and Lu Shuping (governance)." Modern painters such as Pu Hua, Wu Changshuo and Qi Baishi all spoke highly of Chen Chun in their poems and paintings. During the Wanli period of the Ming Dynasty, it was once commented that Chen Chun surpassed Wen Zhiming in terms of attainments and reputation in flowers and became a great master of Wu Family after Shen Zhou. Since Ming and Qing Dynasties, painters, especially in flower-and-bird painting, have been deeply influenced by him. He is as famous as Xu Wei, and is called "Ivy, Baiyang". Most of the existing Chen Chun's works are collected in museums, which are rarely seen by the people. Chen Chun's works have been handed down from generation to generation, and many of them are collected in several major museums in China and spread overseas. new york, USA is the place where Chen Chun's works are auctioned. At present, six works have been submitted for auction, and the price is relatively high, and the difference is not too big, which shows that the market is stable and collectors value Chen Chun's works.