The structural characteristics of Yan-ti characters can be summarized in four words: round, neat, even and sparse.
First, qi: strict words seek stability through fairness. When writing, they usually shrink most and expand a small part.
Second, the circle: the vertical hooks in Yan characters are all written in an arc with a rotating pen, such as four and south. In fact, the stroke combination on the left side of the two words is also slightly curved.
Third, sparseness: Yan Zi's greatest feeling is generosity, which is because Yan Zi adopted a way of dealing with internal sparseness and external secrecy when writing.
4. Equivalence: In the processing of left-right structural characters, Yan-style characters rarely use size collocation and positive-negative dependence to gain momentum, but mostly use left-right balance processing methods, such as county (county), collar and unique characters.
Yan style
Yan Ti is a font created by Yan Zhenqing, a calligrapher in the Tang Dynasty. Yan Ti and Liu Gongquan are collectively called "Yan Liu" and "Yan Liu Jingu". "Yan Ti" is aimed at Yan Zhenqing's regular script. Its regular script structure is square and dense, the strokes are horizontal and light, the brushwork is vigorous and round, and the momentum is solemn and vigorous.
Regular script, contrary to the calligraphy style of the early Tang Dynasty, changed from thin and hard to vigorous and vigorous, with broad structure, magnificent momentum, vigorous bones and awe-inspiring spirit. This style also embodies the prosperous style of the Tang Dynasty empire, which is in line with his noble personality and is a typical example of the perfect combination of calligraphy beauty and personality beauty.