He has extensive contacts with famous maritime figures, especially Wu Changshuo. Wu Changshuo, the head of Pu Hua, is twelve years old. Chang Shuo painted a name of Wen Puhua when he was a child. The relationship between teachers and friends is that they complement each other and have similar styles.
Make good use of wet pens, and the ink drops are full of brilliance. He is good at flowers and landscapes, especially bamboo paintings, and has the reputation of "Puzhu".
Wu Changshuo wrote a poem "Twelve Friends", and wrote that Pu Hua said, "Pu Shancao painted and painted bamboo, and he learned Fu on the rooftop, and he threw himself out of bed. Born in a poor family, he was self-sufficient in painting, and sometimes he couldn't get promoted. Tao Ran was complacent. I gave a poem: Pu Lao's bamboo leaves are bigger than the palm of his hand, and the ancient temple with painted walls is elegant. The ink is still singing, and the end of the world is poor. The north wind and Lu wine help the wild cry, and the sword is drawn and sung for a feast. Chai Men doesn't knock at noon, and chickens and dogs sleep together. " .
Wu Changshuo prefaces Pu Hua's Fu: "Zuo is an old friend of Yu fifty years ago. It is quite interesting to go with him in the morning and evening. When Xia Yue first tasted it, his clothes were two or three strokes thick, sweating profusely, and his breath was uncertain, that is, he wrote bamboo ink drops. Bamboo leaves are like palms, rustling, rustling, vibrating the forest like a high wind, listening to it and thinking about it. He is open-minded, aboveboard, and beyond the usual. "
Xie said: "Pu Hua's bamboo painting is on a par with Li, while Wu Changshuo's ink bamboo, its system is from Pu Hua.".
In the middle of the year, Pu Huazhong was particularly diligent in calligraphy. He was ill in bed for several days to feed Xu and Su, fighting for more than a thousand pieces of paper. As for the book posts in the Yuan and Ming Dynasties, they were often copied for fun. Painting with calligraphy and painting is unrestrained.
Pu Hua was an old writer in his later years. His calligraphy is honest and colorful; His paintings are dry and moist, vigorous and charming. Your Xi's painting is huge, vast and gray, which is a grand landscape. Landscape axis or album pages are mostly traditional themes such as mountain living and reading, but the layout is novel and the charm is distinct.
The bold and unconstrained painting styles of Pu and Wu made the traditional slim style greatly inferior, and a new painting school rose in Shanghai painting circle.
I'm crazy about guqin. I buy it as soon as I meet it. I regard it as my favorite thing, and I call it "Nine Qin Ten Mo Lou".