Chinese calligraphy is not only an art, but also an important symbol of Chinese cultural consciousness and self-confidence. Chinese characters lay the national foundation of Chinese calligraphy and determine the difference between Chinese calligraphy and Western art. What I bring to you below is the hard-pen calligraphy work of Ailian Shuo. I hope you like it.
Appreciation of Ailian’s hard-tipped calligraphy works:
Ailian’s hard-tipped calligraphy works 1
Ailian’s hard-tipped calligraphy works 2
Ailian talks about hard-tipped calligraphy works 3
A brief introduction to the six methods of copying calligraphy:
Copying calligraphy is the only way and an effective means to learn calligraphy. Copying is an effective method for practicing basic skills in the initial stage of learning. It is easy to obtain the posture structure of ancient calligraphy, but its biggest disadvantage is that it is difficult to understand the essence and charm of calligraphy. Learning any art, in the final analysis, is to grasp the mystery of the art. What is reflected in calligraphy is the understanding and application of rules, techniques and charm. In the process of imitating excellent Dharma books, in order to effectively make up for the shortcomings of "copying" and gaining a deeper understanding of the rules, techniques and charm, we often use the "linting" method.
Actual approach
This is the most commonly used approach. This method is to put the model in front of you, use a brush (hard pen) to write against it, and imitate the model characters by observing and understanding the calligraphy. At the beginning, you can read one word and write one word, and then write one word after another. When you are familiar with it, you can read a few words or a few lines and write them. This is what is usually called antithesis. I have a thorough memory and understanding of every word and line in the template. Then you can write the entire post based on your impressions. This is the backing. The invitation will come as close as the back. Because it can fully integrate the eyes, hands and brain and is very effective, it is widely used by every scholar.
Pointing method
This method can be used when paper and pen are not available. For example, during a break in the middle of work or on the train, you can use your fingers in the air or on objects such as tables and stools to practice or create based on the memory of the characters. In this unique calligraphy learning, you can often deepen your understanding and grasp of the feel of the pen and the speed of the pen. This method was not only adopted in contemporary times; even in the Qing Dynasty, there was an interesting example of Zheng Banqiao using his wife's body to practice calligraphy while sleeping, which was widely praised.
Mind-based practice
It is also an interesting and effective method to practice calligraphy with a piece of paper and a pen in your mind. In fact, this method is used invisibly by every scholar. When studying the Dharma calligraphy, you should first observe the model characters to deepen your understanding. When you start to write, you will have the process of practicing or showing the model characters in your mind, even if it is fleeting. This coincides with the calligraphy theory that the intention lies in writing first. In fact, during the rest and leisure time, if we can effectively use the method of "mind presence" - progress will often be revealed in the next experience.
Implementing the method
This is a method of practicing the method to match the charm and artistic conception, and is widely used by many calligraphers. When studying Dharma calligraphy, you don't want every word or picture to be perfect, but you want the overall charm to be vivid and natural. This is a creative practice method and is not suitable for beginners.
Creative practice method
Some books call it "Ji Guzi". Select the characters in the Dharma stickers to "transplant and create", or couplets, or banners, or fans. Ability to use arrows to create a perfect combination of writing and creation. The title post of Wang Xizhi's book "Holy Religion Preface" was composed of monk Huairen's collection of Wang's characters. This kind of temporary practice method can effectively eliminate the boring and psychological shortcomings of writing inscriptions, and improve the interest and perception of inscriptions. It is a method deeply loved by calligraphers.
Copying and complementation method
The traditional copying and complementation method is a method of using a brush (hard pen) to copy first and then copy. Here we introduce a new "copying and complementation" method that is quietly emerging in today's society. First, use a hard pen to outline the "skeleton" of the word "Fan". Then use a brush to add flesh on the skeleton.
First, copy the "skeleton" of the written characters, which are beautiful and well-structured, and then. The addition of meat and the stippling form shown are the process of regeneration of the word "Fan". This method allows you to learn both hard-pen calligraphy and brush calligraphy at the same time. It is indeed a good method that is both simple and easy to implement and achieves the best of both worlds.