Li Bai's Memories of Time Past is the representative work of Huang Tingjian's cursive script in the Northern Song Dynasty. The whole volume is round, unrestrained, unrestrained, and the whole dragon and snake dance in one go.
Cursive script is a font of Chinese characters, which can be divided into broad sense and narrow sense. In a broad sense, regardless of the age, all scribbled words are regarded as cursive. Narrow sense, that is, as a specific font, was formed in the Han Dynasty and evolved on the basis of official script in order to write simply.
About from the Eastern Jin Dynasty, in order to distinguish it from the new cursive script at that time. The cursive script of the Han Dynasty was called Cao Zhang. The new cursive script is relatively called today's grass, which is divided into big grass (also called crazy grass) and small grass. It feels beautiful in madness. Just as Li Zhimin said: approach the pool, consider the reason, learn from things, gain the heart, realize the image, and then enter the wonderful cursive script.
There are rules to follow in the changes of strokes, such as the urgent chapter of the Three Kingdoms Wu in Songjiang Edition. Today's grass is eclectic and fluent, and its representative works include Wang Xizhi's "The First Moon" and Jin Dynasty's "Getting Time". Mad grass appeared in the Tang Dynasty, represented by Zhang Xu and Huai Su, and its brushwork was wild and uninhibited, which became an artistic creation completely divorced from practicality. From then on, cursive script was only the works of calligraphers imitating Cao Zhang, Cao Jin and Kuangcao.
The development of cursive script:
The early cursive script broke the strict rules of official script and was a hasty writing. It's called Cao Zhang. Cao Zhang is an elegant cursive style, which combines early cursive and Han Li. Its waves are distinct, the strokes are connected in waves, the characters are independent, the glyphs are all over the square, and the strokes are horizontal. Cao Zhang was the most popular in the Han and Wei Dynasties, but it was revived in the Yuan Dynasty and transformed into the Ming Dynasty.
At the end of the Han Dynasty, Cao Zhang was further "grassed" and the strokes of Lishu were removed. The upper and lower characters and strokes are connected, and the radicals are simplified and borrowed, which is called "modern grass". Jincao evolved from Cao Zhang, and its calligraphy style has been popular since Wei and Jin Dynasties. In the Tang Dynasty, this kind of grass was described as "wild grass", also known as "big grass", with continuous strokes and changeable glyphs.