The combination of poetry, books and paintings has always been called three beauties or three wonders. When Zheng Banqiao painted bamboo, there were many poems on paintings. The inscription and postscript, also known as the inscription and postscript, is an important part of the second half of a calligraphy work, which shows the author's name, writing place and reason.
Self-writing is an indispensable part of a complete calligraphy work. At first, funds were generated by actual needs. Originally, it refers to ancient Chinese characters carved on Zhong Ding to record time.
basic concept
Money is a female word, and knowledge is a male word. Money is outside, knowledge is inside. Pattern is a paragraph, and seal cutting is learning. See volume 33 of Tongya. Later generations wrote titles and names in books and paintings. In the Tang dynasty, people only hid roots and stones in small print, and what didn't work often fell on the back of the paper. In the Song Dynasty, they began to remember the years and months, and they only wrote small words, and the book was not two lines.
However, some people in Su Shi wrote letters or wrote three or five lines of postscript. In the Yuan Dynasty, people developed from being famous for knowing the year to writing poems with inscriptions, with more than 100 words. In the Ming and Qing Dynasties, the wind of inscription and postscript flourished and never weakened. It can be seen that style has two meanings, which refer to the signature of the last paragraph in calligraphy and painting and the words cast on an ancient Shen Ding device.