Reject poetry and calligraphy works

The calligraphy works of Rejection Poems, first of all, are Rejection Poems: It describes the scene that Kuang Zhong, the magistrate of Suzhou in Ming Dynasty, went to Beijing to report on his work, and Suzhou local officials prepared gifts to see him off, but he refused them all.

Calligraphy is an artistic expression of the unique beauty of words in China and neighboring countries and regions deeply influenced by China culture. Including China calligraphy, Mongolian calligraphy, Arabic calligraphy and English calligraphy. His China Calligraphy is a unique traditional Chinese character art in China.

This poem is also a true portrayal of Kuang Zhong's life of being an honest official and benefiting the people.

Every time I read this poem, a vivid scene will emerge in my mind: the people are around the road and the magistrate is looking back step by step.

This is estimated to be the highest state of doing things for officials, and it is also the expectation of every public official. Especially, as cadres on the front of discipline inspection and supervision, they should learn from Kuang Zhong's "Clean hands, no inch of brocade in the south of the Yangtze River".

Kuang Zhong's cool breeze and healthy atmosphere germinated from the initial heart for the people, rooted in the initial heart for the people and evergreen in the initial heart for the people.

Suzhou is prosperous and rich, and there are many records of corrupt officials in past dynasties. Kuang Zhong worked in Suzhou for 13 years, but he never did anything corrupt. Why is this?

This stems from Kuang Zhong's firm initial intention of seeking welfare for the people before he took charge of Suzhou.