What are the calligraphy works of the Southern Song Dynasty writer Jiang Kui?
Jiang Kui is also a calligrapher. His sequel "Pu" was written after Sun's "Pu", but it was not a continuation of "Pu". The whole volume is divided into eighteen chapters, such as general introduction, original works, calligraphy, cursive script, calligraphy, running script, copying, Fiona Fang, back-to-back, position, density, Shen Feng, belatedness, brushwork, emotion, blood, calligraphy and Dan. All aspects of calligraphy art have been truly expressed. It is the most accomplished and influential academic work in the Southern Song Dynasty. Jiang Yan? Worship gold and belittle Tang dynasty? Opposing vulgar books is consistent with Su Dongpo, Huang Tingjian and Mi Fei who advocate literati interest. But he's right? Tang Fa? It's not that I don't ask for it indiscriminately, but I spend a lot of space on it. Law? It is systematically and comprehensively expounded and extended from affirmation and explanation. Jinyun? Ancient law.
Speaking of Jiang Kui's calligraphy, we should start with his early experience. When he was young, his poor family encouraged him to study and make progress. He dabbled in poetry, literature, calligraphy, music and so on, so he has made outstanding achievements in all aspects. Because Jiang Kui's various talents are world-famous, he has won the reputation of all-rounder as Su Shi, and is regarded as a rare all-rounder after Su Shi by the world. Although Jiang Kui was brilliant and ambitious, he didn't get his cherished official position because of in our nature. After falling into Sun Shan for many times, he resolutely chose to travel the rivers and lakes to express his homesickness for mountains and rivers, and left a series of masterpieces with his beautiful calligraphy.
Continuation is the pinnacle of Jiang Kui's calligraphy. The book is divided into eighteen parts to show his calligraphy skills, summarize his writing experience, and describe the extensive and profound calligraphy system in a concise and clear style. Although the book "Continued Book Score" is made by imitating Sun's "Book Score", it is not simply copied, but a veritable masterpiece handed down from generation to generation.
Introduction of Yongmei Thought in Jiang Kui's Calligraphy Works
Jiang Kui, a writer in the Southern Song Dynasty, is quite accomplished in poetry. His career was bumpy and tortuous, and he had no ambition all his life. He is versatile and has an indissoluble bond with the rhythm of poetry. He often expresses his feelings in his poems. Jiang Kui has been obsessed with his lovers in Hefei all his life, and often expresses his affection with plum blossoms, so he often writes Yongmei poems to remember his lovers.
Quote Yin's words:
It is easy to leave this world for a long time. See plum branches. I suddenly miss you a few small windows that dreamers carry with them. I have nowhere to find in my dream tonight, wandering around.
Cold current invasion unknown.
Wet red hates ink shallow printing. Bao Zheng is empty, and geese fly by. Handsome patrolling the streets is empty, and old trees are inclined. The ship of the old testament, the mind has become wrong. The song "Huai Nan Chun Cao Fu" is popular again. Wandering guests, tears full of skirts.
Among them, Jiang Meiyin was written when Jiang Kui lived in Wuxi Manor. It was when wintersweet was in full bloom that Jiang Kui met an old friend of Mace and wrote lyrics to express his nostalgia. What are the words? How long does it take to leave this world? This shows that Jiang Kui and his girlfriend in Hefei have been separated for a long time, and now they are homesick. I don't know when they will meet again. A few small windows, the dreamer carries with him. ? It shows that poets often travel in dreams because of missing, and tell the sadness of parting in dreams.
After that? Wet red hate ink shallow print? 、? What are you thinking about? It shows that the poet Jiang Kui wants to correspond with him, and the letter has been written, but there is nowhere to communicate, and no one can say the love of acacia. In the last part of the poem, Jiang Kui summed up the whole text with "Huainan Fu", remembering his feelings and waking up from his dream, showing the sadness of the poet's hate and meeting each other.
With what? Drifting away, tears full of skirts? Lamenting one's own life experience, the fate of being dependent on others, wandering and unable to succeed, is the sublimation of the emotional thought of the whole word.