Li Jianwen attached great importance to calligraphy practice when studying landscape painting, and kept in mind the teacher's instruction that calligraphy should be painted with a pen. Li Jianwen's landscape paintings are durable, simple and heavy, layered and dyed. The green landscape is rich in color, exquisite in brushwork and lofty in artistic conception, such as her landscape paintings "Beyond the Fairy Dust", "Wandering in the Heart of the Mountain" and "Dawn in the Spring", among which the work "Out of the Cave in the Mountain" shows the continuous mountains, surrounded by clouds, and the clear spring slowly flows into the rivers, mountains and rivers, flowers and trees at the foot of the mountain, which is beautiful. Ingenious conception, profound artistic conception, you can taste the ancient meaning from a distance, and you can feel the charm of Shan Ye, the god of pen and ink. This is closely related to its insistence on the combination of copying and sketching and the law of landscape painting itself.
Li Jianwen likes her works, meditation, Philip Burkart and research. Engaged in education for many years, she has an extraordinary understanding of painting art in the collision with art, in getting along with students and in singing with nature. In her view, since art exists as a spiritual activity, it is necessary to pursue harmony in form and achieve great harmony in spirit. This is the great realm of creation-the unity of mind and pen, the unity of scenery and environment, and the unity of man and nature.
His works have been published in national newspapers for many times, and he has participated in various national and provincial exhibitions and won many awards. Many works are collected by collectors in the United States, Britain and China. In teaching, Li Jianwen has won many national and provincial excellent teacher awards, and his students' works have also won many national, provincial and municipal competitions.
He once drew illustrations for the book Learning Success published by China Social Sciences Publishing House. She used Mr. Xu Beihong's "Happy Horse" for reference, and also used the art of portrait bricks in Han Dynasty for reference to show the charm of horses. She also sketches from the galloping horse in life, grasping the most beautiful galloping moment of the horse, and expressing the speed of the horse is her fascinating artistic realm. "Take its spirit instead of its shape" not only captures the speed of horses, but also expresses people's ever-changing spiritual thoughts.
Li Jianwen said wryly: "The road of art is endless. I just entered the customs, and the road is still long ... "