Ten years of life and death! Never think, never forget. A lonely grave thousands of miles away, desolate and nowhere to talk about. Source and detailed explanation

Ten years of life and death are two boundless, disapproving and unforgettable. A lonely grave thousands of miles away, desolate and nowhere to talk about. Even if we don't know each other, our faces are dusty and our temples are frosty. At night, I suddenly dreamed of going home, and the window of Xiao Xuan was being decorated. Care for each other without words, only tears thousands of lines are expected to break the heart, and the moon and night are short and loose. Appreciation of Su Shi's Twenty Dreams in the First Month of Jiang —— In the history of China literature, there have been "mourning poems" since the Book of Songs. Until Su Shi in the Northern Song Dynasty, Pan Yue in the Western Jin Dynasty and Yuan Zhen in the Middle Tang Dynasty were the most famous mourning poems (words). In the late Tang Dynasty, Li Shangyin also wrote a play on Shu. Their works are sad and touching. Or write that after his lover left, he was lonely and sad, and he was sad to see the relics; Or the writer is now extremely rich, recalling the past and lamenting that the world is cold and the fate is impermanent; Or express your profound thoughts and memories with vague words and colors, which is heartbreaking to read. Su Shi's Jiangchengzi is also a memorial work. However, compared with predecessors, the expressive art of Dongpo's first words has its own characteristics. The first word is "dreaming", and the day of dreaming is clearly written. But although it is "Remembering Dreams", in fact, only the following five sentences are about remembering dreams, and the rest are all about expressing their feelings and telling their sadness. The writing is sincere and simple, painful and touching. When Su Dongpo was nineteen, he married Wang Fu, who was sixteen. Wang Fu is young, beautiful and very filial. They love each other deeply. Unfortunately, Wang Fu died at the age of 27. This is a great blow to Dongpo, and his inner and spiritual pain is self-evident. Su Shi said in the epitaph of his late wife Wang: "Ding Hai, the wife of Su Shi in Zhao County, died in the capital in May of the second year of Zhiping (1065). In Wu Jia in June, the funeral was held in Jingxi. At noon next June, he will be buried in the tomb of the first gentleman and first lady of Li Kelong, Anzhen Township, pengshan county, northeast of Yumei, eight steps northwest. " In a calm tone, it is extremely painful. In the eighth year of Xining (1075), Dongpo came to Mizhou. On the 20th day of the first month of this year, he dreamed of his beloved wife, Wang, and wrote this eulogy, which will be read through the ages. The first three sentences are empty, frank and touching. Lovers give up forever, time suddenly, and ten years pass by quickly. Although people are dead, the beautiful scenes of the past are unforgettable! Now that I think about it, I feel that people are separated forever, and I feel painful. In the ten years after Wang Fu's death, Dongpo was politically suppressed because he opposed Wang Anshi's new law, and his mood was sad and angry. When I arrived in Michigan, I was busy dealing with government affairs in bad years, and my life was extremely difficult. It coincides with the tenth anniversary of his wife's death, which is a touching day. The past suddenly came to my mind, and the undercurrent of emotion that had been accumulated for a long time suddenly surged out uncontrollably like opening the floodgates. So dreams are real and natural. I am deeply moved at the thought of my lover's death. Thousands of miles away, there is no place to be sad. It's extremely painful to say. The author's loneliness, desolation, helplessness and desire to tell people's feelings are particularly touching. Then "even if we meet, we should not know, our faces are dusty and our temples are frosty." He also confused reality with dreams, and put all kinds of personal troubles and resentments after death, including the aging of appearance and the decline of body. At this time, he is less than forty years old and has been "frosted". We have been dead for ten years, but we have to "meet". This is a desperate assumption, deep, sad and helpless, which shows the author's deep nostalgia for his lover and also depicts personal changes, making the meaning of the word more profound. The next paragraph really enters the "dream". The author returned to his hometown in his dream. There, meet your lover and reunite. Here, the author describes a simple, touching and beautiful scene-Xiao Xuan window, dressing up. The author used such a common and unforgettable scene to express his eternal impression of his lover. However, the wonder of Dongpo's brushwork lies in the following two sentences-no words care for each other, only a thousand lines of tears! It's amazing through the ages Silence is painful. Silence is worth a thousand words. It is silence that makes this dream feel infinitely desolate. "There are more silent complaints than talking". This is the victory of silence. The last three sentences fell from dreams to reality. Imagine the pain of the dead to express condolences. Especially "Moonlit Short Matsuoka", two sentences, sad and lonely, sad and lost. The so-called "everlasting, everlasting; One day both will end, and this endless sorrow will last forever "(Bai Juyi). The last three sentences of Dongpo's ci are profound, painful and lingering, which makes people memorable. Appreciation of the second Su Dongpo is indeed a rare talent, and his prose ranks among the eight masters in Tang and Song Dynasties. His paintings left an allusion of "having answers"; His calligraphy was among the "Four Great Masters" at that time. His poems were also first-class in the Song Dynasty, pointing directly to the prosperous Tang Dynasty. And his achievements in ci not only created a kind of unrestrained style, but also wrote various customs. Let's take his "Jiangchengzi" in memory of his dead wife as an example. When it comes to mourning, we have to start with mourning poems. The earlier Mourning Poem belongs to Pan Yue's Mourning Poem in the Western Jin Dynasty. At that time, Pan Yue was as famous as Lu Ji, and his works were mostly flattering and powerful, expressing his feelings of hurting spring and mourning autumn. His words are flashy and not very desirable. On the contrary, his "Mourning Poem" is really touching: "Time goes by, winter goes to spring, and cold and heat suddenly flow. The son of poor spring, heavy bad forever. ..... Looking at Lu and thinking about myself, I went back to my room to think. There is nothing on the screen, and there are traces of calligraphy. " This poem is very long, so let's look at it in a few sentences. Times have changed, and the whole poem is always separated by seclusion. The screen and calligraphy used in my house and room are still there, but the human face has lost its affection and it is still a masterpiece, which has opened up a new look of mourning poems. The so-called mourning, in ancient times, specifically refers to the commemoration of the deceased wife, or as far as the wife is concerned, the status of ancient women is not as equal as that of men today, and they are bound by "women without talent are virtue". When her husband died, she only cried once, shed a few tears to show her sadness, and seldom mourned with poetry. Although there were many talented women in ancient times, there was only one poem entitled "Mourning Poems", that is, Shang Jinglan, a talented woman in the late Ming Dynasty, mourned her husband's appearance, which can be said to be the only exception. Besides, as well as Bai Juyi in the Tang Dynasty, Yuan Zhen, known as "Bai Yuan", also has two famous poems in mourning for his dead wife, one is "Mourning for the Past" and the other is "Mourning for Six Years in Spring". A cloud said, "I am sitting here alone, mourning for both of us. A hundred years is a long time. No offspring is fate, and Pan Yue just mourned his dead wife in vain. What do you expect from the same point? His life will be more natural. Only the night will be long, and your forehead will be a lifelong trouble. " The feeling is sincere, and future generations can still feel a true feeling after reading it. The funeral wind changed in Su Dongpo's hands. Describe the background of this word first. Su Dongpo's wife Wang Fu was born in Meishan. When she was sixteen, she married Su Dongpo, who was three years older than him. After marriage, they fell in love with each other and gave birth to their son Mai Su. The epitaph of Dongpo's deceased wife reads: "I can't go to school when I see the stone." Quite a taste of "Bandu night tea adds fragrance". As the saying goes, loving couples don't get married. His wife and his wife died in Beijing at the age of 27, and even the elderly Su Mingyun was deeply saddened by it. "Life history said,' That woman got into trouble from you, so don't forget. One day I will be buried next to my aunt. ""(Epitaph) means that she will be buried with Su Shi's biological mother, which shows that Lao Su also cherishes this virtuous daughter-in-law. One night ten years later, Su Shi had a dream in Mizhou, dreaming of lingering with his dead wife. When he woke up, he could not help crying. He wrote this famous "Remember the 20th Dream of the First Month of Jiang" in memory of his dead wife. Poems and songs in Song Dynasty were regarded as rare masterpieces by later generations, while Ci was a popular literary style at that time, and Song Ci also enjoyed a high reputation in later generations. But Dongpo was the first singer to mourn in writing. Its word says: "ten years of life and death are two boundless, if you don't think about it, you will never forget it." A lonely grave thousands of miles away, desolate and nowhere to talk about. Even if we don't know each other, our faces are dusty and our temples are frosty. At night, I suddenly dreamed of going home, and the window of Xiao Xuan was being decorated. There is nothing to say about each other, only a thousand lines of tears are expected to break every year, and the moon is missing. " The meaning of this word is as clear as the word. Life and death are eternal, and there are secluded roads, not to mention "ten years" and "thousands of miles", and there is no possibility of meeting each other in time and space! "Don't think", pretending to be decisive, is actually thinking too deeply and too hard; The sound of the film is "unforgettable" and unforgettable. Naturally, it can't be turned away and can't be concealed. What the dead leave to the living is eternal memories, but the years continue to add haggard and aging to the living. "Even if we meet, we should not know." This is really the tragedy of the living. Therefore, when I saw the beautiful image of Lin Xuan dressing in my dream, the poet only had mixed feelings and tears in his eyes. And "caring for each other without words", still not complaining about accumulation and "bleak words", missed such a short and precious opportunity, how disappointed the poet should be after waking up! Readers, like poets, "look forward to heartbreak every year" and understand the author's eternal affection and sorrow. Appreciation of Sanshushi 19 years old married Wang Fu of the same county, then became an official in Shu, and the husband and wife reconciled. Ten years later, Wang Fu died and was buried in his hometown Zuying. This word was written by Su Shi ten years after Wang Fu's death after he had a dream in Mizhou. Although the living and the dead are separated forever, the emotional bond is knotted and exists forever. The phrase "never forget" seems ordinary, but it is heartfelt and sincere. "Don't think" is extremely heartless, and "self-destruction" is a life-and-death contract of getting pregnant without tasting one day. This feeling is deeply buried in my heart and it is hard to get rid of it. I am used to the loving words of "I don't think for a day, but I gather my eyebrows a thousand degrees" (Liu Yong). Looking at Su Shi's poems again, we can feel that they are writing emotional types at different stages of life. The former is the feeling of youth, passionate and romantic, but easy to fade. The latter is a normal relationship between husband and wife who have been living together for life after entering middle age. Like daily life, it is bland, yet light and eternal, long and profound. Su Shi has always appreciated the artistic style of "dry outside and paste inside, seemingly light but beautiful in fact", and this is exactly the feeling expressed in this word, so he can never die. Another noteworthy point of this word is that the encounter between husband and wife in this dream clearly marks the difference between life and death. Wang Fu in Sakura Dream is "Xiao Xuan window, dressing up", just like a young woman who has not been married for a long time. Her image is beautiful and brings out the joy of Su Shi's boudoir. But the changes in the world in the past decade, especially the psychological trauma, are obvious to both sides. Su Shi's mood is very old because of the ups and downs of his official career and his running from north to south. When Wang Fu met Su Shi, he was also "caring for each other without words, only tears", as if he were talking about the infinite grief after "Where are you going?" The hardships of life also have a potential and far-reaching impact on unconscious dreams. In the last three sentences, I imagined the loneliness and sadness of my dead wife buried in the ground. In fact, two hearts are interlinked, and the living miss the dead more.