Ma Wenyan, a native of Fuping, Shaanxi, is a famous contemporary calligrapher in China. Member of China Calligraphers Association, consultant of Shaanxi Calligraphers Association, member of Shaanxi Artists Association, national first-class artist (calligraphy), president of Shaanxi Longhai Painting and Calligraphy Institute, honorary president of Shaanxi Qinling Painting and Calligraphy Institute, honorary president of Angudu Chinese Painting and Calligraphy Institute, and consultant of Shaanxi Military Painters Association.
Chinese name: Ma Wenyan.
Nationality: China.
Ethnic group: Han nationality
Place of birth: Fuping, Shaanxi
Occupation: calligrapher
Main achievements: Consultant of Shaanxi Calligraphers Association.
Representative works: Time is like a song. Ma Wenyan's calligraphy works
outline
Ma Wenyan, a native of Linyi, Shandong, 65438-0949, a native of Fuping, Shaanxi, has a bachelor's degree. Influenced by my family since childhood, I like the art of calligraphy. I have been writing for decades, visiting famous sages' posts, finding myself in tradition and gradually forming my own style. Real cursive script is ok, especially writing. His works have been exhibited and won prizes in dozens of national and provincial exhibitions, and thousands of works have been collected by calligraphy collectors at home and abroad. He is currently a member of China Calligraphers Association, a consultant of Shaanxi Calligraphers Association, a member of Shaanxi Artists Association, a national first-class artist (calligraphy), and the president of Shaanxi Longhai Painting and Calligraphy Institute.
Achievement honor
In 2000, his calligraphy works were included in "Cross-Strait Cultural Exchanges and Atlas of Famous Calligraphers" in Taiwan Province Province.
In 2004, he won the first prize of calligraphy in the calligraphy exhibition of Shaanxi Federation of Literary and Art Circles and Provincial Calligraphy Association.
In 2005, he won the third prize of calligraphy in the 4th Shaanxi Art Festival.
In 2005, his works were included in China Calligraphy Today series.
In 2005, his works were compiled into Selected Calligraphy Works of Shaanxi Scholars.
In 2006, his works were selected for the large calligraphy exhibition of Lanting Cup between China and Japan.
In 2007, his works were selected for the 9th National Calligraphy and Seal Cutting Exhibition.
In 2008, his works entered the sixth national exhibition of new people's works.
In 2009, he went to Korea for calligraphy exchange between China and South Korea.
20 1 1 Enter the second outstanding member exhibition of China Calligraphers Association.
20 12 went to Thailand for calligraphy and painting exchange on the 37th anniversary of the establishment of diplomatic relations between China and Thailand, and his works were collected by the National Museum of Thailand.
Calligraphy works
Evaluation by all parties.
Li Chenghai: Reading Yan Wen's calligraphy, I have known Mr. Yan Wen for several years. He is both a good friend and a fellow traveler. Yan Wen is very modest and especially likes writing. After dinner, calligraphy became the theme of his words. Starting from the tradition, Yan Wen's calligraphy has benefited a lot from studying the inscriptions of ancient famous artists and understanding the true meaning of calligraphy. Seeing that his works are fresh, beautiful, solid and unique, they have long been widely collected and favored. I believe that in the future calligraphy inheritance and innovation, Yan Wen will definitely go to by going up one flight of stairs and make a name for himself in Sanqin calligraphy circle.
Zhao Xiong: The collection and publication of Mr. Yan Wen's personal calligraphy collection not only reflects his phased achievements in learning calligraphy, but also is the starting point of a new course. Based on tradition, Mr. Yan Wen started from the script and started from the script. These years have also started with scripts. This shows that his comprehensive understanding of calligraphy has improved. The former sages advocated "being broad and profound", so did learning books. Only under the premise of refinement can there be the possibility of depth. I would like to congratulate Mr. Yan Wen.
Li Jiemin: Calligraphy is an aesthetic symbol to experience the noumenon life. Its charm lies in expressing the calligrapher's free artistic interest and independent personality spirit. Brother Yan Wen has devoted himself to studying calligraphy for decades and has a high artistic attainments. The Calligraphy Collection published this time is a collection of his artistic masterpieces in recent years and a concentrated presentation of his current calligraphy creation achievements. These works are natural and refreshing. It embodies the author's understanding and pursuit of the essence of China traditional culture, the author's skill and accomplishment in calligraphy art, and the author's calm artistic feeling and inclusive personality charm. Calligraphy is an art with lines as its life. The lines in calligraphy are "invisible phase, silent voice", and "the feelings of pens like ink are all based on human nature". The reason why Wen's calligraphy works leave a deep impression on people is that his understanding and grasp of lines are just right, and his free and simple line rhythm makes the human body feel a kind of sparse, vigorous and fresh aesthetic feeling. Because of this, I have long admired Wen and his books.
Wang Dingcheng: Impression of Mr. Guan's calligraphy: Mr. Guan's calligraphy has accumulated decades of experience in Linchi, blending the taste of Jin, Tang and Tang, studying it carefully, and his skill is quite good. His regular script is steady and rigorous, but his lines and grass are getting better and better, blending into his own aesthetic personality, and his style is gradually emerging. Its solid foundation of regular script has supported Mr. Wang's cursive script. The passion he poured into the book often infected me.
Zongkang Qiu: I have known Mr. Yan Wen for many years. I know that he once held a busy and important job in the railway system, and I also know that he loves calligraphy after work. He not only assiduously pursued the calligraphy skills of ancient sages, but also seriously absorbed the essence of contemporary famous artists. Therefore, his calligraphy style is elegant but not rigid, with unique aesthetic orientation and self-pursuit goals and directions, which is commendable. Especially in recent years, I have devoted myself wholeheartedly, and my works are getting better and better, and my realm is good. This has a direct and important relationship with his heavy and steady character cultivation. We should cheer for him!
Cao Ke: Sprinkle your heart on rice paper. Every painting and calligraphy is a lyric poem. If you sow the seeds of art with diligence, calligraphers will reap rich fruits. A person who is loyal to the art of calligraphy, as long as he does these two things, will make great achievements and climb the peak again. Mr. Ma Wenyan, a calligrapher, is a man who loves his heart. So he succeeded!
Chen: Brother Yan Wen's calligraphy is just like his, kind and dignified. He pursues interest in plain words and seeks the source in innovation. I look forward to Wen's summit and perseverance, and there will be new gains.
Wei Liang: Wen's calligraphy collection was published, and I was asked to write a few words. I responded with limerick, regardless of the clumsiness of my work. Brother Ma said with a smile: Literati and scholars have loved calligraphy since ancient times, but Anno has never prospered. Books can be traced back to the Han and Tang Dynasties, and ancient calligraphy relied on the heart.
Zhang Hongchun: Confucius said, "Knowing is not as good as being kind, and being kind is not as good as being happy. For art, if you enjoy it, you will integrate it into your life and make your life artistic. Ma Wenyan's fascination with calligraphy can be described as "being happy" and "keeping in good health, getting carried away and being cynical". In fact, in ancient times, calligraphy was not only practical, but also a kind of enjoyment for literati in a great sense. It attaches importance to the harmony of inner life and the unified realm of moderation, coordination, neutralization and moderation. It is about being unassuming, accommodating, generous, and "firm in the middle and soft in the outside", which is also the ultimate goal of calligraphy learning. It is expected that Ma Wenyan's calligraphy will eventually reach the state of "seeing mountains as mountains and water as water".
Shi Xingwen: The title of the play is Xiong, a great man in Guanzhong. Kindness and simplicity, calm nature. I used to control Tielong, but now I like to dye John. Integrity, superb art. Writing at dusk sweetens food. When you open your chest, all the rivers flow into the sea. Chasing the Golden Pulse Hall is really good for grass and grass. This book is simple and natural. Gather ink and energy, and then set a benchmark. Write down your heart and wish you good luck and health.
Shi Ruifang: I have known Mr. Ma Wenyan for more than ten years. I have always praised him for his modesty and fluent writing. I'm glad that Mr. Jin will publish a collection of calligraphy works soon. Congratulations. Mr. Ma has studied calligraphy for many years, especially the classics of past dynasties. In the early years, I studied Europe and Yan, and appreciated the "two kings" in the middle period. In recent years, I have devoted myself to Zhong You's regular script (I especially love his small script). Pursue the unity of plain and elegant, ethereal and vigorous, fine and broad, and beautiful. From his works, I saw his respect for tradition and his closeness to classics, and I felt the harmony between grandeur and frankness. In the free and easy, the book style is firm and upright, and the book quality is acceptable, showing the vigorous literati atmosphere between ancient style and gorgeous. For many years, he has been writing with heart, heart and emotion. As sincere as he is to his friends in life. He thinks that writing is as expensive as being honest. Honesty is the emotion of the soul and the first life of calligraphy. Therefore, his sincere mood determines that his books are dignified, restrained and unrestrained, showing various trends of combining rigidity with softness in elegance and generosity, thus reaching the artistic realm of the core of cultural spirit.