Alias Qiao Weng, Master Yangxin Tang. Contemporary famous calligrapher and lettering artist. National first-class artist, expert of special government allowance of the State Council. He used to be the executive vice president of China Calligraphy Institute of Chinese Academy of Art, the director of China Calligraphers Association, the consultant of Lanting Pen Club in the United States, the postgraduate tutor, the national calligraphy lettering exhibition and the judge of the "Stars Award" of the Ministry of Culture. He has served as a special jury member of international visual art exhibitions in France and Macao. Calligraphy works began to be published in the 1980s. His works pursue the organic integration of heavy pen and ink cultural tradition and contemporary aesthetic orientation, and are unique in contemporary book circles with colorful, elegant and meaningful art forms. Works as national gifts or collected by domestic and foreign institutions, museums and celebrities. China CCTV, Singapore and other professional publications and important media have made special reports. He has written monographs such as China Calligraphy, a calligrapher must carry it with him, Li Xinzhong, a famous contemporary calligrapher in China, and many academic theoretical articles such as China Calligraphy and the Art of Chinese Characters and Calligraphy Creation in Contemporary Cultural Context. In recent years, his academic opinions, teaching achievements and artistic style are remarkable. As an active advocate and specific person in charge of China's calligraphy application to become "the intangible cultural heritage of mankind", he initiated the "China Calligraphy Annual Report" system, which had a positive and far-reaching impact on the calligraphy circle. Twice, he was named "Top Ten People of the Year in China Book Circle".
Calligraphy and lettering works have been selected into international and national calligraphy (lettering) art exhibitions for many times and won many awards; Invited to visit Korea, Japan, New Zealand, the United States, France, Hong Kong, Macao and Taiwan and other dozens of countries and regions for exhibitions or artistic exchanges. Published "thousand-word prose line stickers" and so on.