What are Zhao Mengfu's original views on calligraphy?

Zhao Mengfu has an important position and far-reaching influence in the history of calligraphy in China. His contribution to calligraphy lies not only in his calligraphy works, but also in his calligraphy theory.

Zhao Mengfu has many insights into calligraphy. He believes that there are two ways to learn books, one is brushwork, and the other is font. Exquisite brushwork, although good and evil; The shape is wonderful, although it is still cooked. Learning books can solve this problem, and then you can learn books. While pondering over ancient books, it is beneficial to learn books and know the meaning of using a pen.

Zhao Mengfu's article is out of date and bypasses the study of Buddhism and Taoism. His paintings, landscapes take Dong Yuan and Li Cheng; Characters, pommel horse teacher, Li and Tang people; Bamboo, flowers and birds are all known for their mellow and elegant brushwork, painting stones with flying white and writing bamboo with calligraphy.

In the field of literature and art in Yuan Dynasty, Zhao Mengfu was a figure who created a generation of ethos. Proficient in poetry, Taoism, temperament, identification and seal cutting. His achievements in painting and calligraphy are particularly high. Mountains and rivers, wood and stones, flowers, bamboo horses and Taoist gods are all exquisite. The painting style has been stripped of fiber by the Tang people, and the heroes of the Northern Song Dynasty have taken off their rigor, so we can know their exquisiteness and natural interest.