Mr. Xianyun's calligraphy is good in all aspects. His seal script is far from (Li Si and Li) and close to France, Deng, Zhao and Wu Changshuo. His structure is rigorous and novel, and his brushwork is old and frank. Lishu won the essence of the Han tablet, and Deng He was trained hard, with a stretched brushwork and full of ancient charm. The inscriptions on the patriarchal clan system, such as Longmen Twenty and Zhang Menglong, have won Zhao's interest, revealing a natural and elegant wind between the gods and the heroes, giving people a leisurely aesthetic feeling.
The main characteristics of Xian Yun's running script are: it combines the strengths of Soviet Union, Yellow River, Rice, and Sichuan, and each has its own characteristics. His words are tight and handsome, and the pen heart and flank are combined into one, which is both strong and light and elegant, showing a simple, natural, calm and extraordinary aesthetic interest in his unrestrained writing.
Mr. Xianyun attaches great importance to tradition and emphasizes that learning calligraphy must pay attention to statutes and exquisiteness. So he has been studying law for more than 20 years. His calligraphy is an ingenious creation on the basis of inheritance, which is essentially different from those so-called innovations that are divorced from the calligraphy tradition.