Cai Wenji's life is miserable. "Returning home" and "mother-child reunion" are both beautiful, and everyone should enjoy them, but she can't have both.
Poem of Sorrow and Indignation is called the first autobiographical five-character narrative poem written by literati in the history of China's poetry. "True feelings are poor in nature" and passion is sour, which is integrated into Jian 'an's poems.
In fact, the above eight words are enough. If you must analyze it, you can analyze it like this. My humble opinion is as follows:
1, Wen Xi is brilliant, and she is a rare talented woman in the history of China. However, it is sad for a talented woman to live in such an era. It is not difficult to imagine and understand his inner fear and helplessness. This poem is as follows:
The local people are very fragile, and all the soldiers are Hu Qiangren. Hunting wild cities and besieging cities, I know what I want to break.
There is nothing left, and the remains support each other. A horse hangs a man's head, and a horse carries a woman behind it.
Driving west to enter the customs, the road is dangerous and blocked. I still care. My liver and spleen are rotten.
2. Such troubled times directly led to Wen Xi's arrest and exile in a foreign country. At that time, the Xiongnu, a wilderness, committed himself to a foreign country. How can he learn from talented people? Excerpts from poems are as follows:
Bianhuang is different from China, who is vulgar and unreasonable. There is a lot of frost and snow in the place, and Hu Feng starts in spring and summer.
In the third beat, the more the Han State entered Hu Cheng, the more she lost her virginity. Felt hair is shocking and flesh and blood, and what goes around comes around is boring to curb my feelings. Drums and drums have been ringing since the night, and the wind is vast and dark. Hurt the present, feel the past, feel the past, feel the sadness, feel the pain, feel the pain, feel the pain! The fourth beat, I miss my hometown day and night, which is the most bitter. Natural disasters make the country chaotic and the people have no owners. I am the only one who has no luck. The vulgarity of the mind is different from the difficulties of the body, and so is the desire. Who can talk to? Thinking about how difficult it is to get into the calendar, four beats are good and sad.
Whether a talented woman or a writer, it is probably a mother's greatest pain that mother and son can't meet each other separately.
Suddenly, every Chinese ambassador called Jin and sent his daughter to redeem me. I am very happy to be alive and to see the holy king, so I will say goodbye to my second son for no reason.
If I regain the favor of Xi in Korea, my heart will become deeply full of memories and worries. The sun and the moon are selfless and have never expected anything. It is difficult for the mother and son to be separated. The same day is more and more like a business reference, and life and death are unknown.
It can be said that being able to return to the old country of the Central Plains in the Han Dynasty is a rare pleasure in Wenxi's tragic life. However, behind this joy is another great sadness, and he can only sigh his fate!
4. Wenxi's experience is unique, just like the poem "I am the most bitter because I am full of life" and "I am the only one who is unlucky" (see four beats). However, through his own special experience, he showed his homesickness for his parents and children, which was full of characteristics of the times and embodied the fine tradition of national spirit. In that era of great turmoil (the first shot), homesickness and affection were the feelings of the broad masses of people and foot soldiers who had left their homes and abandoned their wives and children.
Although she was captured, she was proud of Xiongnu, and Zuo loved her more. But when China's special envoy came to redeem him, Wenxi showed great attachment to the country. At that time, he had lost his family in the Central Plains, and then she resolutely embarked on the road back to her hometown. Why did she come? Just an infinite attachment to the motherland!
As a weak woman, living in a foreign country, she was accepted as a concubine, gave birth to two sons, won the honor (the eleventh shot of "Hu People spoiled me and gave birth to two sons"), and decided to return to China, which is different from Su Wu's behavior of being exiled to Beihai 19 by Xiongnu in the Western Han Dynasty without changing national integrity. RoyceWong's Ode to the Building said: "When you play quietly and Chu, Zhuang Xian sings more and more. Human feelings are the same as cherishing the soil, poor and disloyal. " It is a comprehensive summary of this unique and persistent feeling of "cherishing the soil". Cai Yan in the poem is not only attached to the hot land where she was born, but also full of national feelings. Judging from her attachment to the erhu when she left Hu Di, her persistent dream and endless sorrow after losing her flesh and blood, she is still a woman with strong traditional virtues of maternal love. But the touching feature of this artistic image lies not only in its beautiful moral character and rich feelings, but also in its misfortune, that is, the tragic fate of the characters. After being plundered, she lived in Alakazam, her heart was tied to her motherland, and she was always tortured by physical and mental contradictions. When her long-cherished wish to return to China came true, the pain of losing new flesh and blood followed. "Returning home" and "mother-child reunion" are both beautiful, and everyone should enjoy them, but she can't have both. People always sympathize with the weak and the unfortunate, not to mention a weak woman, but also a weak woman with good moral character and rich feelings, which can not help but make people shed tears of sympathy.
The latter paragraph is taken from Baidu Encyclopedia and is well written:
Cai Wenji and Eighteen Beats In Hu Jia's Eighteen Beats, the music is eighteen movements and the lyrics are eighteen paragraphs. In the first beat, the so-called "playing the piano for a while" means that when Hu Jia blows a paragraph and an ensemble rings, it is just a movement of the piano music. The form of this poem has the characteristics of both Sao style (with the word "Xi" in the sentence) and Bai Liang style (with seven rhymes in each sentence), but it is not pure, or it can be called quasi-Sao style and quasi-Bai Liang style. The structure of the whole article can be divided into three parts: beginning, middle and end. The first beat is the beginning, always talking about the turmoil of the times and the humiliation suffered by individuals; From the second shot of being exiled to the west to the seventeenth shot of being released to the east, the middle abdomen lasted for twelve years, which was divided into two periods: homesickness and missing children. The last shot is the end, echoing the beginning of the article and bearing resentment. The lyric hero's experience is unique, just as the poem repeatedly wrote "I am the most bitter because I am full of life" and "I am the only unlucky person who is not arrogant" (see four beats). However, through his own special experience, he showed his homesickness for his parents and children, which was full of characteristics of the times and embodied the fine tradition of national spirit. In that era of great turmoil (the first shot), homesickness and affection were the feelings of the broad masses of people and foot soldiers who had left their homes and abandoned their wives and children. From the perspective of historical inheritance, as a weak woman, being in a foreign country, she was accepted as a concubine, gave birth to two sons, and won the honor (The Hu People spoil me, I have two sons), which is the same as Su Wu's behavior of being exiled to Beihai by Xiongnu for 19 years without changing national integrity. RoyceWong's Ode to the Building said: "When you play quietly and Chu, Zhuang Xian sings more and more. Human feelings are the same as cherishing the soil, poor and disloyal. " It is a comprehensive summary of this unique and persistent feeling of "cherishing the soil". Cai Yan in the poem is not only attached to the hot land where she was born, but also full of national feelings. Judging from her attachment to the erhu when she left Hu Di, her persistent dream and endless sorrow after losing her flesh and blood, she is still a woman with strong traditional virtues of maternal love. But the touching feature of this artistic image lies not only in its beautiful moral character and rich feelings, but also in its misfortune, that is, the tragic fate of the characters. After being plundered, she lived in Alakazam, her heart was tied to her motherland, and she was always tortured by physical and mental contradictions. When her long-cherished wish to return to China came true, the pain of losing new flesh and blood followed. "Returning home" and "mother-child reunion" are both beautiful, and everyone should enjoy them, but she can't have both. People always sympathize with the weak and the unfortunate, not to mention a weak woman, but also a weak woman with good moral character and rich feelings, which can not help but make people shed tears of sympathy. The greatest feature of this poem in shaping the artistic image of the lyric hero is its strong subjective lyricism, which is first reflected in the handling of the relationship between lyricism and narrative. Poets completely abandon pure objective narration, which is always full of emotion. Narrative passages in the poem, such as the second beat about exile in the West, the eleventh beat about the birth of the second son in Alakazam, the thirteenth beat about the return of another son, and the seventeenth beat about his re-entry into Chang 'an, are all affectionate sighs. It's also about being exiled to the west. In the five-character "Poems of Sorrow and Anger", it is written that "there is no remnant, and the corpses support each other." Horses hang heads, horses carry women ",which is famous for its meticulous narrative and realistic details;" In the second beat of "Eighteen Beats of Hu Jia", it is said: "Yunshan is heavy and rushing, and the wind is thousands of miles away. Many people are as violent as snakes, controlling arrogance and extravagance, which shows the poet's distinct feelings of loving monks everywhere-"Yunshan" is connected with the thought of homeland, and "flurry" is connected with the suffering of the road. The metaphor of "snake" in the sentence of "many people" and the evaluation of "arrogance" in the sentence of "serial control" are all true feelings. There are not many paragraphs in the poem, and more often they are brought out by the way when they are lyrical, that is to say, they are narrated for lyricism. For example, in order to express the feelings of "learning from a painful experience" and "mourning for its animals and hating its people", I wrote about the customs of Alakazam (the third beat), and in order to explain that I can't adapt to the daily life of Alakazam, I wrote about the daily life of Hu people (the sixth and seventh beats). Seeking a strong subjective lyric color is mainly reflected in the suddenness of emotional expression. The feelings of poetry often come and go suddenly and become incredible. Sometimes when it comes to the pen, you don't avoid repetition. For example, asking God appears four times before and after, in the first beat, the eighth beat, the ninth beat and the sixteenth beat respectively. Sometimes, there is no trace-for example, the fourth beat ("Day and Night") is a generous expression of grievances from the perspective of personal experience, and the fifth beat ("Nanyan") suddenly becomes a cold artistic conception to express feelings for geese; The tenth beat of writing about the atmosphere of war should be connected with the sixth and seventh beats of writing about food, clothing, housing and transportation, in order to express homesickness, but the eighth and ninth beats of blaming God are inserted in the middle. "The so-called' undirected thinking' just came to the sea and rebuilt Yaochi." (Xie Zhen's Four Poems, Volume 4) The irrationalization of this emotional expression itself is an important symbol of strong subjective feelings. The strong subjective lyricism also left a distinct mark on lyricism and language use. Poets often take the word "I" as the head and do not shy away; I also like to exaggerate and do my best. At the beginning of the poem, the word "I" is used to create momentum, followed by the sentence "Heaven is heartless and I am separated, and the earth is heartless and makes me meet this time", which is "Heaven and earth are heartless and everything is a grass dog" ("Lao Zi"). What courage and guts! The eighth shot of "Why don't you see me drifting alone"? God, what happened? I live up to God. What makes me different? I live up to God's fear of God. Why should I go to the desert state? This series of repeated questions put "Heaven" and "God" on the trial bench as defendants. The article is full of exaggerated statements and words, such as "I don't think about my hometown day and night, I am the most bitter." No one cares about natural disasters in troubled times, but I am unlucky (the fourth beat), but I am not forced to go into exile (the fourth beat), "The sky is boundless and my heart is sad" (the ninth beat), "Everything has four seasons of ups and downs, but I am sad for a while" (the fourteenth beat), "I am bitter and bitter, but the Liuhe is too wide to bear" (the eighteenth beat). The successful shaping of the artistic image of the lyric hero also benefits from the in-depth and delicate psychological description. Why doesn't the heroine take death as the solar term under the condition of "kindness and kindness, saving righteousness and losing money"? The eleventh beat reveals the secret (see the fourth sentence of "I am not greedy for life and hate death" quoted above), which shows that she lives only out of deep local thoughts. Because this explanation reveals the ideological and emotional basis of the character's activities, it not only eliminates the misunderstanding that may be caused to this character image, but also makes her amiable and respectable. The thirteenth beat expresses the pain of another child, and the fourteenth beat tells the pain of remembering a child. Although the specific writing is different-the thirteenth beat is expressed by imagination and action, and the fourteenth beat is based on dreams, but it is vivid and vivid in expressing the psychological changes of the characters under certain circumstances. The most striking psychological description in the poem is the description of the emotional entanglement between returning home and other children. The poet deeply realized that "it is difficult to live in two places again", so he didn't worry about it. He repeatedly said, for example, "I'm glad to be alive, I'm glad to say goodbye to my children for no reason" (the twelfth beat), "I'm willing to return, and I'm glad to return to Han." My heart is full of sadness, the sun and the moon are selfless, and it is difficult to separate mother and child (the fifteenth beat). "I don't want my son to go back to his hometown now, to make up old grievances and new ones" (the sixteenth beat). Through constant repetition, it plays an important role in emphasizing and deepening the performance of ambivalence, thus highlighting the plight and pain of the characters.
I believe that after reading these, you can deeply understand this character from Wenxi's poems. If I were to judge, it would be: a strong, brave, emotional and talented legendary woman. Although life has brought him many misfortunes, she still plays a beautiful role in this world!