Appreciation of Li Feng's Calligraphy, Director of China Calligraphy Association and Vice Chairman of Tianjin Calligraphy Association

Notes on Li Feng's Calligraphy/Han Bingwen

Influenced by his father, Mr. Feng Li focused on Chinese painting in his early years, graduated from the Art Department of Tianjin Normal University, and received systematic professional training. Later, he studied under two masters of Chinese painting in Tianjin, Sun Kegang and Yu Fuqian, and his works of art were selected for Tianjin Art Exhibition many times. Just as he was emerging in the cause of American painting, at the prompt of his teacher, he began to practice calligraphy in order to improve his writing ability of painting. I didn't expect to plant willow trees unintentionally, and calligraphy opened another door to art for him. Since then, calligraphy research has become his main business. Li Feng's calligraphy has successively won the Silver Award in the 12th Stars Award of the Ministry of Culture, the Bronze Award in the 5th National Couplet Calligraphy Exhibition, the Silver Award in the 1st "Cup of Xi" National Calligraphy Competition, the Gold Award for Calligraphy Creation in Tianjin Staff Art Festival, and the Gold Awards in the 1st, 2nd and 3rd Stars Awards of Tianjin, and won the titles of Top Ten Young Calligraphers in Tianjin and Handicraft Calligraphers in Tianjin. Calligraphy works have been exhibited in many exhibitions sponsored by China Calligraphy Association, such as National Exhibition, Zhongqing Exhibition, Zhengshu Exhibition, Caocao Exhibition, Couplet Exhibition, Hundred Excellent Calligraphy Exhibitions, National Famous Artists Invitation Exhibition, etc., and many works have been collected by national important halls such as the Great Hall of the People and Zhongnanhai.

? Li Feng has been devoted to the study of cursive writing for many years. In his pen and ink traces, there are two kings' implications, Sun Guoting's shadow, the inheritance of arrogant elements, Song Sijia's pen and ink elements, and the free and easy traces of various schools in Yuan and Ming Dynasties. A hundred schools of thought are integrated into one furnace, and Li Feng's cursive writing is eloquent and eloquent, which forms his strong personal face. From the back of the work, we can see that Mr. Li Feng has integrated the advantages of all previous generations' post studies, and achieved a natural and harmonious realm of pen and ink through years of pen and ink study.

His cursive lines are charming, vivid and fluent, full of water and wind, full of elasticity, strong in texture, which makes people linger; Its composition layout is natural, without any traces of affectation and careful arrangement. It is white and black ink, refreshing and natural, and the ink color changes naturally, and the shade is dry and wet, which highlights the three-dimensional sense and heavy feeling of the work in the natural change of ink color and the conversion of thick and thin strokes. The layout is generous and decent, and the charm is vivid; Word-to-word, line-to-line, scattered size, dense relationship, up and down connection, left and right interspersed to avoid, all kinds of relationships are handled subtly and appropriately. His works not only exude elegance and tranquility, but also have some leisurely Wei and Jin spirit, and sometimes feel an atmosphere and calmness!

? Summary Mr. Li Feng's cursive script is famous in China. It is not only rigid and flexible, but also graceful, especially with modern aesthetic taste and careful taste. All of them are infected by its dark and dry Mo Yun and the beautiful lines with high and low priorities. From the perspective of composition, it has an overwhelming majestic atmosphere and a powerful rhythm of symphony.

It is particularly commendable that although Mr. Li Feng is the director of China Book Association and the vice chairman of Tianjin Book Association, it can be said that his calligraphy status has been established, but Mr. Li is low-key, tireless in hype, and does not regard his calligraphy as a cash cow, so he has to sell words, and most of his income is also invested in social and cultural undertakings. In this sense, his works are more rare, more collectible and have room for improvement.

The two works shown in this article are Mr. Li Feng's classic cursive masterpiece, film, 138x68cm, which are new works this autumn. Please pay attention to them.

extended information in 215, the China Book Association elected the seventh new presidium, Zhang Jianhui, executive vice chairman of Tianjin Book Association, was elected as the vice chairman of China Book Association, Li Feng, vice chairman of Tianjin Book Association, and Ran Fanying, secretary general, were elected as directors of China Book Association. (Northern Network)

Tianjin writer, Bao Chengzhai is the master of ice

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