Zhao Mengfu's Calligraphy Works

Zhao Mengfu's calligraphy works are as follows:

1, Zhao Mengfu, a calligrapher with the highest achievement and the greatest influence in Yuan Dynasty, is a master of Wang Xizhi's calligraphy. He is excellent in all aspects, especially in regular script and running script, and his achievements are even higher. His calligraphy works include Three Volumes of Song Xue's Ink Painting, Tao Yuanming's Portrait, Nanny Brick, Pei Xingjian's Calligraphy, and Xiangyang Song in Regular Script.

2. Su Gong Gong Gong Gong Gong Ye Bei, Yin Chengwu, Jing County, Zhao Jiuge, Flying Man Painting Collection, Red Lohan, Liaoning Museum, Nine Books Posting, Running Script Copywriting, Cursive Writing, Huang Tingjing, Colored Ink, Xiaoshan County School Reconstruction.

3. Calligraphy appreciation of The Wonderful Classic of Emperor Tai Shang's Endless Mixed Yuan, Hang Guan Lu Juan, The Monument of Pope Angxuan in Zi Yuan, The Elder of the Stone Chamber of Longjiao Temple. In the world of regular script, it is called "the four masters of regular script" together with Ou Yangxun, Yan Zhenqing and Liu Gongquan.

The influence of Zhao Mengfu's calligraphy works is as follows:

1, Zhao Mengfu is well-read, and literature and art create a generation of ethos. He is also good at all kinds of paintings, including landscape paintings by Dong Yuan and Li Cheng. Characters, pommel horse teacher, Li and Tang people; Bamboo, flowers and birds are famous for their mellow brushwork, stone painting is flying white, and calligraphy writes bamboo with a pen.

2. He strongly advocated changing the style of quadrangles in the Southern Song Dynasty, claiming that "painting is expensive because it has an ancient meaning, even if there is no ancient meaning, it is useless to be meticulous". He pursued the testimonies of the Five Dynasties and the Northern Song Dynasty from a distance. At that time, people praised him for his "ambition" in the Tang Dynasty and "hero" in the Northern Song Dynasty, and removed their "fiber" and "rigor", thus creating a new painting style in the Yuan Dynasty. Amin Wang Shizhen once said: "Scholars painted from Dongpo to Song Xue."

3. If the interest of Tang and Song painting lies in creating a literary environment, then Zhao Mengfu played a bridge role in it. If the literati painting movement before the Yuan Dynasty mainly showed the preparation of public opinion, and the literati painting movement after the Yuan Dynasty gradually replaced formal painting with its successful practice and became the mainstream of painting, it was Zhao Mengfu who caused this change.