Writing means putting pen to paper first, because words are memorized in your mind.
The upper and lower structures are slightly higher and the left and right structures are slightly wider.
With Tian Zige on his chest, first calculate the stippling position.
Find the vertical line between the center and the middle, and spread out in all directions around the center of the arch.
Horizontal painting is slightly higher on the right, slightly lower on the left, and the lower part is long and flat.
The middle vertical line is aligned with the middle vertical line, and the side vertical back is divided into lengths.
I often practice four, five, six, seven and eight tricks.
The meaning of the strokes is very clear, and the strokes look at each other.
Clever tightening and loosening, connecting the preceding with the following.
Avoid avoiding, cleverly insert, and put it left and right.
Pitch expansion should be moderate, considerate and responsive.
Obey the rules, and take risks in fairness.
The density is uniform and avoids relaxation, and the pulp is full.
There are many changes between the lines.
Learn the rules of regular script
Composition is an important part of the formal beauty of calligraphy. Stippling is the beauty of lines, frame structure is the beauty of local composition, and composition is the beauty of overall composition. The laws of Zhao Ti's regular script can be studied and grasped from two aspects.
First, uniformity. The overall sense of regular script, first of all, is neat. The arrangement of words and lines is equidistant, giving people a steady and solemn visual effect. This form is most suitable for regular script in a strict sense. There are local uneven changes in the shapes with different widths and lengths of knots, so that regular script that is uniform but not stiff will not have the disadvantages of disharmony or monotony.
Second, diversity and unity. The biggest feature of Zhao Ti's regular script is that it contains elements of running script, and its brushwork is changeable, taking characters as shapes, without deliberate arrangement, and it has a very harmonious and unified relationship in diversity and changeability. It gives people the feeling that there is movement in silence and affection in words. A calligraphy work is first infected with its overall effect, which is composed of countless parts.
Therefore, when arranging the composition, we should not ignore the details of each word, such as the shape, length, change, and sense of rhythm, which require careful consideration and strict design. Only after a long period of unremitting tempering can we handle the composition freely, presenting a design beauty that seems to have no design, and reaching a higher realm of calligraphy art.