Representative of graceful and restrained poets

1. Qin Guan

Qin Guan's words are too empty, and his words are few. Han nationality, a native of Gaoyou (now Gaoyou City, Jiangsu Province) in the Northern Song Dynasty, was called "Four Bachelor of Sumen", alias Hangou lay man and Huaihai lay man, and was known as Mr. Huaihai in the world. He is regarded as a graceful and restrained school, an official to a doctor of imperial college, and edited by the National History Museum. Representative works: Que Qiaoxian, Huaihai Collection and Huaihai Jushi Long and Short Sentences; Quite appreciated by Su Shi.

2. Wen Tingyun

Wen Tingyun was a poet in China in the late Tang Dynasty. Formerly known as Qi, the word Fei Qing, a native of Bingzhou Qi (now Qixian County, Shanxi Province), the grandson of Wen Yanbo in the Tang Dynasty, was a famous poet in ancient China, and two Books of the Tang Dynasty were circulated. Although Wen Tingyun is a native of Bingzhou, like Bai Juyi and Liu Zongyuan, he spent most of his life in other places.

When Wen Tingyun was a child, he toured Jianghuai with his family, and then settled in the countryside of Yixian County (now Huxian County, Shaanxi Province), close to Duling, so he tried to call himself a tourist of Duling.

3. Li Yu

Li Yu was a monarch of the Southern Tang Dynasty during the Five Dynasties and Ten Kingdoms, Han nationality, who was in office (961 -975). His first name was Cong Jia, and his first name was Zhong Yin and Lian Feng lay man.

Li Yu knows nothing about politics, but his artistic talent is extraordinary. Li Yu is good at calligraphy, painting, intonation, poetry and writing, especially Ci.

The content can be mainly divided into those written before the Song Dynasty, mainly to reflect the court life and the love between men and women, with a narrow theme; After the Song Dynasty, Li Yu remembered the past with his own feelings because of the deep pain of national subjugation. The achievements of his works in this period far exceeded those in the previous period, which can be described as "divine products".

4. Liu Yong

Liu Yong was a poet of the Northern Song Dynasty in China. At the beginning, his name was changed to three changes, the word Jingzhuang, and later he was renamed Yong, and the word Qing was born in Chong 'an (now Wuyishan City, Fujian Province). In 134, the first year of Emperor Renzong's reign, he was a scholar. He has worked as an official in Muzhou Tuanying, a magistrate in Yuhang County, a supervisor in Xiaofeng Salt Field (in Dinghai County, Zhejiang Province) and a judge in Sizhou. After the official to wasteland YuanWaiLang, worldly called "Liu wasteland".

Throughout the Tang and Five Dynasties, the style of ci was mainly Xiao Ling, and there were only a dozen slow ci. In the early Song Dynasty, it was still the poem that poets were good at and used to.

Zhang Xian, Yan Shu and Ouyang Xiu, who were a little later than Liu Yong, only tried to write 17, 3 and 13 slow words respectively. Liu Yong made great efforts to create slow ci, which fundamentally changed the pattern that the poem circles dominated the whole country since the Tang and Five Dynasties, and made the two styles of slow ci and poem go hand in hand.

5. Li Qingzhao

Li Qingzhao was a poet of the Song Dynasty in China. No. Yi An Jushi, a native of Zhangqiu, Jinan, was an outstanding poetess at the turn of the Song Dynasty, a master of graceful school, and was called a pronoun of graceful school.

Li Qingzhao was born in a scholarly family. Her father, Li Gefei, is proficient in classics and history and is good at prose. Her mother, Wang Shi, also knows how to write and write. Influenced by her family, she was gifted at an early age.

Li Qingzhao is familiar with poetry, ci, prose, calligraphy, painting and music, among which the achievement of ci is the highest. Zhao Mingcheng, the son of Tingzhi Zhao, assistant minister of official department, is a textual research scholar. Li Qingzhao lived a comfortable life in his early years, and he was proficient in writing and music. After marriage, he and Zhao Mingcheng devoted themselves to the arrangement of calligraphy and painting epigraphy, and compiled the Record of epigraphy.