Calligraphy is a kind of traditional culture in China, which is rooted in the soil of traditional culture and is also the carrier of cultural development in China. The calligraphy we see today comes from a series of calligraphy theory in the Han Dynasty, with a series of standards and systems. Calligraphy is an art system, characterized by its brushwork, layout, structure, composition, brushwork and brushwork. Usually, people's comments on calligraphy are based on the fluency of strokes and the structure of fonts. With the arrival of new culture, there are fewer and fewer people who know calligraphy and have high attainments. The origin and evolution of calligraphy The evolution of calligraphy is actually a process of font change. The earliest recorded font in China is Oracle Bone Inscriptions, that is, hieroglyphics gradually evolved into inscriptions on bronze inscriptions, seal script, seal script and official script. Later, we became more familiar with cursive script, regular script and running script. Copybook for calligraphy. The appearance of official script represents a great breakthrough in the history of Chinese writing, which makes Chinese characters more square and lays the foundation for later calligraphy. Because of the strong national strength and prosperous calligraphy in the Tang Dynasty, there were many calligraphers in the Tang Dynasty. In the Song Dynasty, calligraphy made a new breakthrough, and calligraphers from all walks of life were brilliant and unconventional.
In the Song Dynasty, the four great calligraphers in the Southern Song Dynasty advocated calligraphy, which made calligraphy pay more attention to philosophy, style and artistic conception, and also led to the individualization and originality of calligraphy creation, which made the calligraphy in the whole period rush in style and made the four great calligraphers in the Song Dynasty: Su, Huang, Mi and Cai. Su Dongpo is good at running script, and many of his calligraphy works still exist today. His running script was widely circulated in the copybooks of the Southern Song Dynasty, with far-reaching influence. There are Huang Tingjian, Cai Xiang and Mi Fei, which can be regarded as the representatives of calligraphy in the Song Dynasty.
Beautiful and elegant calligraphers are the most fluent among the four great calligraphers in the Song Dynasty. Mifei's calligraphy style is the most fluent. Someone once laughed at his calligraphy as ancient Chinese characters, but it was this ancient font that gave him a solid foundation and made his calligraphy unique.