Zhu Yun Ming calligraphy
Zhu Yunming studied hard and practiced calligraphy since childhood. Its calligraphy is the best of all schools and the only one in the Ming Dynasty. It absorbed the essence of Chu Suiliang's and Zhao Meng's calligraphy, the charm of Wang Xizhi's and Wang Xianzhi's running script, and developed the momentum of Huai Su's cursive script in Tang Dynasty. His Wild Grass is known as "the first in Ming Dynasty", and it is also called "the three great calligraphers in the middle of Ming Dynasty" with Zhu Yunming, Wen Zhiming and Wang Chong.
Zhu Yunming's calligraphy began with his grandfather Xu Youzhen. Xu Youzhen is good at cursive writing. His cursive script has the elegant demeanour of Huai Su and Mi Fei, and it is very quaint with its magnificence and straightness. Zhu Yunming is the true biography of his grandfather. Zhu Yunming believes that to write calligraphy well, it is necessary to pay equal attention to sex and merit. Sex refers to human spirit, while merit refers to the ability and kung fu of calligraphy creation. Both are indispensable, and they must have both, so as to reach the ultimate destination of "spirit".
The main achievements of Zhu Yunming's calligraphy are cursive and regular script. Its regular script is quite rigorous, catching up with Wang Xizhi and Wang Xianzhi. The cursive script is magnificent, elegant and natural, mainly from Huai Su and Zhang Xu, and closer to the Yellow Valley.
For Zhu Zhishan's calligraphy, all dynasties have a good evaluation. The more representative works are Luo Shen, Fu on the Red Wall, Ruoyin and so on.
Zhu Yunming's cursive poem Zhu Yunming's cursive poem 16, each head is 26.8 cm, and the width is 15 cm. It was published by Rong Baozhai Bookstore in August 2002, also known as Rong Baozhai's Ink Collection.
Zhu Yunming's Before and After Red Cliff Fu
Mo Bao, a great master of Ming and Qing Dynasties, was selected from Zhu Yunming's cursive script before and after Chibi Fu, which was collected and divided into four pig bodies: Zhen, Cao, Li and Zhuan. In order to make it as convenient as possible for readers to experience and copy, the whole work is partially displayed and edited and enlarged.
Zhu Yunming's "Before and After Red Cliff Fu", calligraphy is crazy grass, and the content is two essays by Su Shi. This book was written by Zhu Yun tomorrow evening, and it is a masterpiece through the ages. It is a masterpiece that uses pens to form the art of calligraphy. This volume of calligraphy is like Youlong, changeable and random, with different sizes and slender structure. Throughout the whole volume, it seems like flowing water, flying naturally in one go, and the meaning is too simple.
Zhu Yunming, together with Tang Yin, Wen Zhiming and Xu Zhenqing, are called the four great talents in Wuzhong. I studied hard and practiced calligraphy since I was a child, and I have a solid foundation. His calligraphy is the highest of all schools, and it is the only one in the Ming Dynasty. Its weeds are called "the first in Ming Dynasty", and it is also called "the three great calligraphers in the middle of Ming Dynasty" with Zhu Yunming, Wen Zhiming and Wang Chong. Wang Shizhen once commented: "The calligraphy in the world belongs to Wu, good wishes".
Zhu Yunming absorbed the essence of Chu Suiliang's and Zhao Meng's calligraphy, the charm of Wang Xizhi's and Wang Xianzhi's running script, and carried forward the momentum of Huai Su's cursive script in the Tang Dynasty, forming his own family. His calligraphy began with his grandfather Xu Youzhen, and his father-in-law, Li Yingzhen, a servant of Hongzhi Dynasty, taught him. Zhu Yunming was deeply impressed and worked hard. Among the four gifted scholars in Wuzhong, calligraphy is the most outstanding.
Zhu Yunming's Ode to Peony, Zhu Yunming's famous cursive script, is 30.6 cm long and 529.6 cm wide. It's in the Palace Museum now. This cursive script was written by Zhu Yunming at the age of sixty-five. There is a self-titled cloud, "Looking at the sun in March, Tangjia Xiyuan saw the peony in full bloom, and the court wrote it on peony fu with wine paper, so the book was returned and promised."
Zhu Yunming's Peony Fu
Zhu Yunming, a native of Changzhou (now Suzhou, Jiangsu), was a calligrapher and poet in the Ming Dynasty. Zhu Yunming was able to write poetry and calligraphy all his life, especially his calligraphy attainments were unique in the Ming Dynasty. Later generations rated it as "Tang Bohu's paintings and Zhu Zhishan's poems", which shows his calligraphy.
Peony Flower Fu is an elegant and beautiful play. It is quite different from Zhu Yunming's magnificent cursive script in the past, which fully shows that Zhu Yunming has studied all kinds of calligraphy and has multiple adaptability in his creation. In Qing Dynasty, Zhu Hegang wrote in Linchi New Street that "I wish Jingzhao grass the right army, which sometimes makes people sick;" Grass is pure and harmonious, lines are dense, and it is also rich, leading to Xiao Yuan, comparable to Gong Chu. "Peony Fu is the masterpiece of Zhu Yunming's many calligraphy works, which was widely copied in later generations.
Zhu Yunming's calligraphy is influenced by his grandfather Zhu Hao. He is good at poetry and prose, especially cursive, and enjoys a good reputation. Grandfather Xu Youzhen, a scholar during the reign of Xuande, was brilliant, knowing astronomy above and geography below, and Huai Su's brushwork was profound. Zhu Yunming, who cultivated his temperament since childhood, is a calligrapher Zhu Zhishan, one of the "Three Masters of Ming Dynasty" in Wumen School of Calligraphy. Zhu Zhishan summed up "nature" and "merit" in the process of calligraphy creation, and thought that calligraphy ultimately belonged to "spirit", which had a far-reaching influence on later generations.
What kind of person is Zhu Yunming? Zhu Yunming, a famous calligrapher and poet in Ming Dynasty, was born in 1460 and died in 1527 at the age of 67. Zhu Yunming, known as Xizhe, whose real name is Shan Zhi, and Tang Yin, Wen Zhiming and Xu Zhenqing are also called "Four Great Talents in Wuzhong". Because he is the judge of Jingzhao Yingtianfu, the world also calls him "Zhu Jingzhao".
Zhu Yunming's portrait
Zhu Yun studied with his grandfather Xu Youzhen when he was young, and he was very respected in the village. He is often asked to be an epitaph. Therefore, apart from Grandpa, Zhu Zhishan has been in contact with many people for many years. Under Grandpa's careful guidance, at the age of five, he achieved talents that ordinary people can't reach. When he was young, he studied hard, wanted to become famous like his elders, and determined to become a generation of literary giants like his elders. He works hard in strict accordance with the teachings of his elders. He combined reading and writing to study, and Dong Qichang commented that his writing was "iron in cotton".
Zhu Yunming's calligraphy is the best of all schools of thought, and he, together with Wen Zhiming and Wang Chong, is called "the three masters in the middle of Ming Dynasty". He absorbed the essence of Chu Suiliang's and Zhao Meng's calligraphy, learned the charm of Wang Xizhi's and Wang Xianzhi's running script, and developed the momentum of Huai Su's cursive script in the Tang Dynasty. His Wild Grass is known as the "No.1 in the Ming Dynasty", and there are countless masterpieces in his life. Mo Bao handed it down from generation to generation, represented by Red Wall Poetry, Poetry and Taihu Book. Zhu Zhishan also painted, but rarely wrote, and few works were handed down from generation to generation. People can't help but think of the "chicken eats rice" in Tang Bohu Fenchouxiang. Of course, that was just a joke.
Zhu Yunming had a great influence on the development of calligraphy in the Ming Dynasty, leaving many masterpieces, the most famous of which were 30 volumes of Zhu Shi's Biography and 30 volumes of Huaixingtang Collection.
Zhu Yunming's Small Letters Whether in ancient China or in modern society, calligraphy is undoubtedly the most convenient way for literati to display. Many people who like watching TV know the stories of the four great talents in Jiangnan. As we all know, Zhu Zhishan in TV series is the Zhu Yunming we mentioned today. In fact, the main reason why Zhu Yunming became a talented person in Jiangnan is his outstanding achievements in calligraphy. Today, let's take a look at the well-known lower case letters in Zhu Yun.
Zhu Yunming Xiao Kai
Zhu Yunming was born in an official family with a scholarly family. Influenced by his family since childhood, he is proficient in calligraphy, painting and poetry. His grandfather was a scholar during the reign of Xuande, so it goes without saying that he was also a celebrity at that time. His father-in-law is proficient in calligraphy and is a famous calligrapher. Zhu Yunming grew up in such a scholarly environment, which contributed to Zhu Yunming's later historical achievements.
What Zhu Yunming has to mention in his lower case is "Thousand Characters", which was written by Zhu Yunming at the age of 27 and should be regarded as his early works. Zhu Yunming's lower case letters have a vivid feeling in the form and brushwork of words. Judging from his writing style, they have the feeling that there are two kings for reference, but they are not completely controlled by them. Judging from their posture and charm, they already have their own style.
Before and after the model is one of Zhu Yunming's famous representative works in lower case, and it is also a work that we young people are familiar with and appreciate. In fact, the reason why people often copy and write, whether it is a thousand-character essay or a model essay, is entirely based on Zhu Yunming's extremely high attainments in small letters. Now, do you know Zhu Yunming's sketch?