Common sense of official script and Cao Quanbei's brushwork 1. How to start from Cao Quanbei?
(How to Learn Cao Quanbei-Structural Features Cao Quanbei's structural features are mainly manifested in: smooth and unrestrained stretching, horizontal modeling, long and square knots at intervals, smooth horizontal opening, and reserved and steady vertical structure, which makes the structure look elegant.
The extension of the structure, the indulgence of the pen and the mellow artistic conception of Cao Quanbei reflect the calligrapher's artistic ingenuity and creative self-confidence in seeking stability in turmoil and freedom, which makes his works beautiful and heroic. The unique personality and specific connotation of this monument's elegant style are far from being comparable to other Han Li.
Before analyzing the structural characteristics of Cao Quanbei in detail, let's talk about the problems that should be paid attention to when studying the monument structure. To write the structure of Cao Quanbei well, we should try our best to achieve accurate vertical and horizontal positions and clear strokes.
"Vertical and horizontal occupation" refers to the position of each stroke and how many positions are occupied vertically and horizontally. The positions of strokes are different, so the vertical and horizontal positions are also different.
Eating the right vertical and horizontal space occupation is directly related to writing a good structure. Then clarify the echo relationship of each stroke or each part, and at the same time, be sure to see the brush gesture clearly and show it in the pen.
According to this method, Cao Quanbei can quickly master a variety of ways to use pens, and the effect of temporary study is very remarkable. But first of all, we must read the copybook carefully, that is, we must carefully observe the copybook and recite every stroke to the whole word.
Only by seeing clearly, observing carefully, paying attention to the arrangement of stippling structure in copybooks and memorizing strokes, turns or Fiona Fang one by one can we better grasp the style of fonts and improve our appreciation ability. This is the first step of the post.
Secondly, observe the words accurately. As Wang Xizhi said: "Concentrate on thinking, predict the font size, droop, vibrate directly, and dredge the tendons and veins, with the intention of writing."
"Before you start writing, you should use your head and try to find out the length, skew, thickness, turning point, lifting and arrangement of shelf structure, and keep it in mind, so as to write accurately. Third, write steadily.
In other words, in the process of writing, the pen should be steady, the pen should be sent to the end, and the pen should be fully prepared. This requires the trainees to work hard and have real skills.
Only by practicing repeatedly can we be comfortable and use it freely. Let's analyze the structural features of Cao Quanbei in detail.
1. The oblate structure is Han Li's * * * nature, which is determined by Han Li's tendency to take a horizontal position.
However, some of the writing structures are almost flat, which is rare in other Han steles. As shown in Figure 1, the word "* * *" indicates that two beams are bound and unfolded, and two vertical beams correspond to two lower beams, indicating the tight knot of the middle palace, which is in contrast with the middle painting.
The horizontal painting of the word "straight" and "Deng" in Figure 2 is like a gymnast stretching his legs, and his upper body is symmetrical and tight. In Figure 3, the word "Yuan" is like a big umbrella, which completely covers the middle part, while the vertical hook of the word "Yuan" extends as far as possible to the right, making the whole word elegant and stretched.
2. The size is alternating. This is also the structural feature of Cao Quanbei.
The big one is like the word "Xue" in Figure 4, and the small one is like the word "Gang". The size ratio of the two is about twice. Because of the wide spacing and sparse lines on this monument, the size of the knot appears uneven in the orderly grand composition, which is full of variability and adaptability, so the big one does not see its big, and the small one does not show its small, thus achieving a dialectical unity that complements each other.
It can also be seen that the author is very good at using the method of contrast to enrich the composition of this monument through the size and length of the text. This cloth is well-proportioned.
This is mainly manifested in the coordination between stippling of a word, the distance between the same stippling is roughly equal, and the stroke combination of the word is also dense and symmetrical. As shown in figure 5, the left half of the word "tide" is painted in dense rows, and the right half is painted in sparse rows. The gap between strokes is very uniform, the left and right are consistent, and the density is good.
Those who circle repeatedly, such as the two "Yao" in the word "You", are the same size but not rigid. This structural arrangement endows Cao Quanbei with neat, steady, exquisite and elegant temperament.
4. put it away at will. Structural expansion is the main feature of Han Li's historic sites, especially in Cao Quanbei.
Its retraction is mainly reflected by the left and right stretching of the pick wave and the skim wave. As shown in Figure 6, the word "Kan" is loose on the left and tight on the right, while the word "Yi" is reversed, that is, the word "Jing" is put down and the word "forbearance" is put down.
In this way, the height is scattered, the width changes, and the density of the two parts is properly reconciled, making the characters vivid and flexible. It can be said that the collection has reached its acme in Cao Quanbei, which has become an indispensable main feature of this monument and a symbol of its maturity. Most of these characters are fluent in strokes, moving silently, swallowtail, comfortable in posture, and the contrast between density and vertical convergence is particularly strong.
Cao Quanbei's elegant and beautiful style is mainly reflected here.
2. How to learn official script from Cao Quanbei?
(How to Learn Cao Quanbei-Structural Features Cao Quanbei's structural features are mainly manifested in: smooth and unrestrained stretching, horizontal modeling, long and square knots at intervals, smooth horizontal opening, and reserved and steady vertical structure, which makes the structure look elegant.
The extension of the structure, the indulgence of the pen and the mellow artistic conception of Cao Quanbei reflect the calligrapher's artistic ingenuity and creative self-confidence in seeking stability in turmoil and freedom, which makes his works beautiful and heroic. The unique personality and specific connotation of this monument's elegant style are far from being comparable to other Han Li.
Before analyzing the structural characteristics of Cao Quanbei in detail, let's talk about the problems that should be paid attention to when studying the monument structure. To write the structure of Cao Quanbei well, we should try our best to achieve accurate vertical and horizontal positions and clear strokes.
"Vertical and horizontal occupation" refers to the position of each stroke and how many positions are occupied vertically and horizontally. The positions of strokes are different, so the vertical and horizontal positions are also different.
Eating the right vertical and horizontal space occupation is directly related to writing a good structure. Then clarify the echo relationship of each stroke or each part, and at the same time, be sure to see the brush gesture clearly and show it in the pen.
According to this method, Cao Quanbei can quickly master a variety of ways to use pens, and the effect of temporary study is very remarkable. But first of all, we must read the copybook carefully, that is, we must carefully observe the copybook and recite every stroke to the whole word.
Only by seeing clearly, observing carefully, paying attention to the arrangement of stippling structure in copybooks and memorizing strokes, turns or Fiona Fang one by one can we better grasp the style of fonts and improve our appreciation ability. This is the first step of the post.
Secondly, observe the words accurately. As Wang Xizhi said, "concentrate on your mind, predict the font size, droop, vibrate directly, dredge the tendons and veins, and then write."
Before writing, you should use your head and try to make clear the arrangement of length, skew, thickness, turning point, lifting pressure and frame structure, and keep it in mind, so as to write accurately. Third, write steadily.
In other words, in the process of writing, the pen should be steady, the pen should be sent to the end, and the pen should be fully prepared. This requires the trainees to work hard and have real skills.
Only by practicing repeatedly can we be comfortable and use it freely. Let's analyze the structural features of Cao Quanbei in detail.
1. The oblate structure is Han Li's * * * nature, which is determined by Han Li's tendency to take a horizontal position.
However, some of the writing structures are almost flat, which is rare in other Han steles. As shown in Figure 1, the word "* * *" indicates that two beams are bound and unfolded, and two vertical beams correspond to two lower beams, indicating the tight knot of the middle palace, which is in contrast with the middle painting.
The horizontal painting of the word "straight" and "Deng" in Figure 2 is like a gymnast stretching his legs, and his upper body is symmetrical and tight. In Figure 3, the word "Yuan" is like a big umbrella, which completely covers the middle part, while the vertical hook of the word "Yuan" extends as far as possible to the right, making the whole word elegant and stretched.
2. The size is alternating. This is also the structural feature of Cao Quanbei.
The big one is like the word "Xue" in Figure 4, and the small one is like the word "Gang". The size ratio of the two is about twice. Because of the wide spacing and sparse lines on this monument, the size of the knot appears uneven in the orderly grand composition, which is full of variability and adaptability, so the big one does not see its big, and the small one does not show its small, thus achieving a dialectical unity that complements each other.
It can also be seen that the author is very good at using the method of contrast to enrich the composition of this monument through the size and length of the text. This cloth is well-proportioned.
This is mainly manifested in the coordination between stippling of a word, the distance between the same stippling is roughly equal, and the stroke combination of the word is also dense and symmetrical. As shown in figure 5, the left half of the word "tide" is painted in dense rows, and the right half is painted in sparse rows. The gap between strokes is very uniform, the left and right are consistent, and the density is good.
Those who circle repeatedly, such as the two "Yao" in the word "You", are the same size but not rigid. This structural arrangement endows Cao Quanbei with neat, steady, exquisite and elegant temperament.
4. put it away at will. Structural expansion is the main feature of Han Li's historic sites, especially in Cao Quanbei.
Its retraction is mainly reflected by the left and right stretching of the pick wave and the skim wave. As shown in Figure 6, the word "Kan" is loose on the left and tight on the right, while the word "Yi" is reversed, that is, the word "Jing" is put down and the word "forbearance" is put down.
In this way, the height is scattered, the width changes, and the density of the two parts is properly reconciled, making the characters vivid and flexible. It can be said that the collection has reached its acme in Cao Quanbei, which has become an indispensable main feature of this monument and a symbol of its maturity. Most of these characters are fluent in strokes, moving silently, swallowtail, comfortable in posture, and the contrast between density and vertical convergence is particularly strong.
Cao Quanbei's elegant and beautiful style is mainly reflected here. 5. The pen is broken.
As shown in Figure 7, the strokes in the left and right corners of the upper half of the word "Guo" are broken, which makes it full but not forced, while the "or" in the middle leads to ethereal and more ethereal. Another example is the left side of the word "Lu", which should be the place where the second horizontal line in the upper part and the vertical line in the lower part are connected, but now they are separated and combined with the right side to form a word. The left side is broken and the right side is connected, but they set each other off.
6. Tighten and loosen. The word "Cao Quanbei" is beautiful and elegant, just like a fairy coming down from the earth, she is outside the cloud nine.
It is not only flatter than the general Han tablet, but also closely related to the upper beam and the middle and lower extension of its center of gravity. As shown in Figure 8, the word "Yi" is short on the top and high on the bottom, or vertical or scattered.
Another example is that the whole word "Li" is folded up, tightly wound in the upper half of the palace, and escapes to the left in a thick arc, which is more rhythmic in the strong contrast of density. This close-fitting structure is one of the key elements to form a beautiful artistic style. It is beautiful with Gu Zhuo's simple and natural beauty and cannot be biased.
[This post was last edited by GPL 526201June 6, 2006+03: 44] 40. (1.2 1 KB) download times: 222006-June 5 13: 365438+. Number of downloads: 232006-6-5 13:3 1 Figure II 42. (1.67 KB) Download times: 182006-6-5 13:35 Figure 3 108. (.Download times: 162006-6-5 13:35 Figure 4 109. (8.76 KB) Download Times: 172006-6-5 13:37 Figure 5 165438.
3. Cao Quanbei official script writing
In the company, there are no tools at hand. Please provide the text version first. Prominent word skipping; Kang middle horizontal stroke is the main stroke (wave stroke); Needless to say, welcome highlights the last stroke of "help"; Fortunately, you can choose the bottom horizontal line, or the horizontal line below the earth word as the horizontal line (note: a single word cannot have two horizontal lines); The word "fu" is written as "reality" Don't tick the small print below, write the left and right strokes vertically, and add a little vertical on the right mouth; Remember to highlight the last stroke on the right.
In addition: if the strokes are uncertain, you can refer to the copybook, such as the word "should". You don't have to find this word. Any word with "gang" on the copybook can be referenced, as well as words like "Mao" and "Liu" ...
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Forgot, Zhuang is also the last horizontal highlight of local people.
4. Cao Quanbei official script writing
In the company, there are no tools at hand. Please provide the text version first.
Prominent word skipping; Kang middle horizontal stroke is the main stroke (wave stroke); Needless to say, welcome highlights the last stroke of "help"; Fortunately, you can choose the bottom horizontal line, or the horizontal line below the earth word as the horizontal line (note: a single word cannot have two horizontal lines); The word "fu" is written as "reality" Don't tick the small print below, write the left and right strokes vertically, and add a little vertical on the right mouth; Remember to highlight the last stroke on the right. In addition: if the strokes are uncertain, you can refer to the copybook, such as the word "should". You don't have to find this word. Any word with "gang" on the copybook can be referenced, as well as words like "Mao" and "Liu" ........................................................................................
5. What are the essentials of writing Cao Quanbei's calligraphy with official script?
-press the upper part of your thumb against the inside of the pen tube and lean back slightly, just like pressing the flute hole when playing a flute.
Grip-apply force with the first inclined surface of the index finger and stick it on the outside of the pen tube, which is equivalent to the inside and outside of the thumb, and cooperate to hold the pen tube.
Hook-hook the outside of the pen tube from the first section of the middle finger and coordinate with the thumb and forefinger.
Grid-means to block, that is, use the nail of the ring finger to cling to the pen holder, and use the hook of the middle finger to block the pen holder inward.
Touch-the little finger touches the back of the ring finger to increase the thrust of the ring finger, indicating dependence.
Calligraphy is a line modeling art. The so-called brushwork mainly talks about how to shape ideal lines (stippling). News. When the pen is pressed, the strokes are thick, and when it is lifted, it is thin. Just like a person's walking feet, one falls and the other rises, constantly alternating, and the pen keeps pressing in the process of writing. Only in this way can lines with different thicknesses be produced. Every time you write a stroke, there are three processes: input, writing and receiving. There is a method of "exposing the front" to make the pen tip sharp or square; There is a method of "hiding the front", in which the front enters the pen, the horizontal painting wants to be straight first, and the vertical painting wants to be down first, so that the front of the pen is hidden in the stroke, and the beginning of the stroke is basically round. Learn to "use the pen from the middle" when writing, so that the front tip often runs in the middle of the strokes. In order to make strokes more powerful, we should learn to use the pen unsmiling, leaving lines in the middle and lines in the middle to avoid glitz. There are "exposed front" (the pen is gradually lifted off the paper, drawing a sharp point, such as hanging the needle vertically, skimming, pressing and hooking) and "hidden front" (the pen tip is retracted into the painting, such as hanging vertically, and the pen tail is round). Knot is also called knot structure or shelf structure. Mr. Qi Gong once pointed out that to write a brush, it is necessary to grasp the structure of the pen holder and practice the characteristics of strokes. Frame structure is more important than stippling. Words with good spacing are not prominent in stroke characteristics and pleasing to the eye; Not the other way around. Therefore, it is very important to study and master the structural rules of words carefully. The so-called "beginner distribution, but seeking fairness".
6. What are the characteristics of Cao Quanbei's official script?
The full name of "Cao Quanbei" is "Heyang makes Cao Quanbei", which is engraved on 185, 10, 2 1.
In the early Wanli period of the Ming Dynasty, it was unearthed in Shencun, the ancient city of Heyang, Shaanxi Province, and the seal was lost. The monument is about1.7m high and 0.86m wide. It is rectangular, has no forehead, and the stone is very strong.
Both sides of the monument are engraved with official script inscriptions. Beiyang 20 lines, full of 45 words; The tablet is divided into five columns, and the number of rows and words in each column is different.
The inscription records the family background and life of Cao Quan, a descendant of Cao Can. This monument is a stone carved by members of its subordinate groups to raise funds to praise their achievements.
The name of the deceased official and the number of donations are engraved on the tablet. This tablet is an important masterpiece of official script in Han Dynasty, which is unique in Han Lizhong, and it is a tablet with more words in official script in Han Dynasty.
The handwriting is elegant, the font is beautiful, the knot is flat and symmetrical, the strokes are straight, and the length is used together. It belongs to a rest work and has always been famous for its elegant style and even knot.