Picture Appreciation of Calligrapher Wu Zhongqi's Calligraphy Works
Pictures of calligrapher Wu Zhongqi's calligraphy works 1
Fig.2 Calligraphy works of calligrapher Wu Zhongqi.
Fig. 3 Calligraphy works of calligrapher Wu Zhongqi.
Fig. 4 Calligraphy works of calligrapher Wu Zhongqi.
Wu Zhongqi's personal data
Wu Zhongqi, born in 1907, is from Houdayan Village, Gushan Town, Changqing County, Shandong Province. His family has been farming for generations. 1936, joined the China * * * production party. From 65438 to 0937, he participated in the anti-Japanese armed uprising in Culaishan. Born in the army, he has served as monitor, platoon leader, squadron leader and deputy head of the military region. After the founding of the people's Republic of China, he served as deputy battalion commander of the South Brigade. After the brigade settled in Shanghai, it served as the deputy director of Shanghai Prison and the deputy director of Nanjing Cultural Management Committee. After retirement, he still devoted himself to the artistic creation of calligraphy, and published the Collection of Wu Zhongqi Calligraphy Seal Carvings. Shandong Provincial Government and Jinan Municipal Government built it in Wulongtan Park in Jinan City. Wu Zhongqi Calligraphy and Seal Cutting Exhibition Hall? . He used to be chairman of Jiangsu Branch of China Calligraphers Association, director of China Calligraphers Association and consultant of China Calligraphers Association. Young people once scavenged for a living, using green hemp as a pen, square bricks as paper, and clear water instead of ink. Learn from Zheng Wengong Monument, chase Qin and Han Dynasties, and attack stones. In his early years, he devoted himself to calligraphy and seal cutting, and wrote Dan for the revolutionary martyrs monument many times. Good at cursive script, dabbling in seal script and official script. Calligraphy works have participated in the first, second and third national calligraphy seal cutting exhibitions.
The brushwork of calligraphy is the natural expression of the subject spirit.
Although the brushwork is the product of the subjective world, it still comes from the understanding, feeling and sublimation of the objective world by the creative subject. Therefore, a colorful inner world will be formed in creation. In addition, people have physical and psychological personality characteristics, which also opens up great differences in artistic views and aesthetic tastes between people. Thus, the artist's different psychological pursuit and unconscious artistic expression are cast. Before writing? Ideas? It is the brewing of the author's mind and the leakage of his heart. When writing, the brush faithfully displays the subconscious functions such as artistic viewpoint, knowledge, interest, accomplishment, spiritual and emotional accumulation in the long-term artistic pursuit through the author's eyes, heart and hands, such as? Electrocardiogram machine tests the weak electric wave naked picture of the heart. Horizontally, calligraphy is divided into different categories, each leading the way. In Qing dynasty, Bao divided the types of calligraphy into five categories, namely? Peace, simplicity, elegance, beauty, beauty, no traces of brewing, horizontal and vertical harmony, a wonderful product of heaven, pursuing its source, thinking about it, it can be called a song, it can be called not decadent and elegant, it can be called a product, and it is a good product of heaven. . From a vertical perspective, Liu Xizai in the Qing Dynasty, in his Introduction to Art, called the first breath and style of the works received by the appreciators scholarly, and emphasized? Scholar? Angry, he said? Where books are angry, morale is the highest. If women's spirit, military spirit, rural spirit, city spirit, craftsman spirit, rancid spirit, ethical spirit, foreign spirit, Jianghu spirit, courtesy and etiquette, wine and meat spirit and vegetable and bamboo shoots spirit are all abandoned. ? Regardless of horizontal or vertical analysis, the ancients regarded calligraphy as the external expression of subjective understanding. Famous since the Western Han Dynasty? Books, heart paintings? On Liu Xizai in the Qing Dynasty? Books, for example, their knowledge, for example, their talents, for example, their aspirations, in short, are like people? A famous paper. Both emphasize? What is this book? . Of course, this person does not mean his class position, political views and moral standards, but his knowledge, intelligence and artistic accomplishment. This consistency between man and book just proves that the natural expression of the author's subjective spirit is irresistible. If learners want to bypass the cultivation and improvement of the subjective spirit, blindly engage in ostentatious forms and gain temporary grandstanding, then they will inevitably go to crooked ways unrelated to calligraphy.