Zong Jiuqi's main works include poetry collections "Wild Birds Collection", "Miscellaneous Flowers Collection", "New Translation of Qu Yuan's Poems", "New Translation of Zhuangzi", "Biography of Chen Sanli", "Tengwang Pavilion Ancient and Modern Pictures and Texts" "Integration", "Tengwang Pavilion Chronicles", "Tengwang Pavilion Historical Stories", "Jiangxi Tourism Chronicles" (main author), "Bada Shanren and Qingyun Pu", "Nanchang Ancient and Modern Talks", "Nanchang, a Famous Historical and Cultural City", "Lushan Chronicle Review" (Wu Zongci's version), "College of Lushan Poems, Essays and Stones", "Compilation of Jiangxi Materials on the History of Chinese Gardens", etc. The calligraphy works mainly include the couplets in the Tengwang Pavilion, Baihuazhou Stele Pavilion, many cliff stone carvings in Meiling Qingshan, as well as many works in national exhibitions and diplomatic gifts. This person often said: "Human life is limited, facing the past is infinite, and facing the future is also infinite. Human life is 'finiteness sandwiched between two infinities'. Human beings can become all things by the aggregation of many elements The "human" spirit is already a great miracle, so as a human being, we must cherish life and let life produce miracles..." This person covers a wide range of fields and is an ancient architect, historian, poet, and calligrapher. He has achieved many achievements and has a certain influence in Japan, Southeast Asia, Hong Kong and Taiwan. In terms of poetry, he is the successor of the "Tangyin" chant of Chu tune. The beauty of the mode, melody and rhythm of his chant is unparalleled. His name has been included in many large dictionaries such as "Dictionary of Chinese Experts' Names", "Who's Who in the Chinese Contemporary Art Circle", "Dictionary of Contemporary Chinese Poets", "Son of the East" and "Who's Who in the World".