Fine gold is a font invented by Song Huizong, which belongs to regular script. You can clearly see the traces of strokes and brushes. But it also has some limitations. It takes a lot of effort to practice such fonts, because there are certain requirements for brushwork.
It is precisely because the thin gold body has certain requirements for brushwork that it is very rigorous. We must write according to certain requirements, otherwise we will not reach the beauty of the fixed pattern presented by the thin gold body. In other words, there will be less room for people to play freely, and they must write in an orderly manner according to the prescribed style. This is also the limitation brought by the thin gold fuselage itself.
There are certain requirements for watching the national calligraphy exhibition. On the one hand, Shoujinti is not a representative font in the heyday of calligraphy development. The most prosperous period in the history of calligraphy is some calligraphy brought by Wei, Jin, Southern and Northern Dynasties and Tang Dynasty. Therefore, in comparison, the calligraphy styles of these three dynasties will be more popular in national exhibitions. For the platform of national exhibition, we should not only have a certain calligraphy skill, but also have a certain artistic creativity, that is, we should have a certain space for free play. For example, cursive script and running script give people the feeling that they can write freely and are more popular with people. On the other hand, this is also the disadvantage of being thin, so it has never been respected.
This has also formed a cycle, and the national exhibition itself does not like fine gold fonts very much. This font is not respected, resulting in a corresponding decrease in the number of people writing this font. This cycle is not conducive to the development of thin gold, so it is rare to see thin gold enter the national exhibition.