Zhu, a calligrapher in the Northern Song Dynasty, said: Its method is based on beauty and vigorous, calling itself a family.
Liu Gongquan studied Yan Zhenqing's calligraphy, mainly learning Yan Zhenqing's statutes when he wrote. Yan Zhenqing's regular script is well prepared in terms of brushwork and word formation. Liu gained and lost on this basis, making it more complete and forming his own calligraphy characteristics.
Secondly, he studied Yan Zhenqing's calligraphy style. Change the charm of Yan Zhenqing's book style into a hero in his own show. He studied the combination of Yan Zhenqing's personality and books. Yan Zhenqing's noble personality and Yan Shu's style are both beautiful, and Yan Zhenqing's noble personality can be seen between the lines. After careful experience, Liu Gongquan finally perfected his calligraphy, which is also a typical combination of book beauty and human beauty.
Finally, he studied the spirit of reform in Yan Zhenqing's calligraphy. Beyond the realm of Wang Xizhi's calligraphy, Yan Zhenqing has opened up a magnificent realm, and its achievements are not only comparable to Wang Xizhi's, but also created its own calligraphy style for the prosperous Tang Dynasty, which played a new voice for the prosperous Tang Dynasty's calligraphy.
On the basis of learning and inheriting, Liu Gongquan reformed Yan Zhenqing's calligraphy, and finally created a new calligraphy style, which enriched the calligraphy culture in the Tang Dynasty. Liu Gongquan is very knowledgeable. He not only learned calligraphy skills from other calligraphers, but also drew nutrition from folk calligraphy, such as the North Monument.
The transformation of Liu Gong's power into a master of calligraphy requires not only wise heart, quality, quantity, degree, shape, spirit and rhyme, but also extraordinary skill and hard training, especially his own spirit and personality. This is the reason why Liu Gongquan is a Liu Ti.
"Send Pear Sticks" was written by Wang Xianzhi, a famous calligrapher in the Eastern Jin Dynasty. The overall shape of the word is long: for example, the word "three" is written in three horizontal directions, almost vertical, such as a stone falling from a mountain. The word "Bai" is long and draws two strokes, and its body is strange. "Exceptional, excellent" also presents a long and vertical trend, and the word "exceptional" stands out from the right.
There are four words in the "Send Pear Post", "Today's pears are 300", and the word spacing is average. At first glance, it doesn't change much, but the boutique is still ingenious. The word "pear" sees grass in the line and disease in the middle. On the left side of the word "Li" at the top, it is written in running script. After sweeping the pen to the left, it is the original road, dragging it for a long time, spreading it out and making an arc. The relationship between motion and stillness, and the relationship between point and line are all reflected in the word "pear". The word "late" is tight outside and loose inside, and the last stroke is a stroke.
The book style of "Send Pear Post" is different from "Duck Head Pill Post" and "Goose Group Post", but it is similar to "Bitter Bamboo Shoot Post" written by Huai Su, with moderate opening and closing, leisure and elegance. The words "late, strange and excellent" in the left and right structure of "Send Pear Post" are open and broad. The beauty lies in the treatment of points, such as the first long peck of the word "pear", the first short stroke of the word "snow" and the first short stroke of the word "Jia" to the right, and the most obvious is the word "three". Under the long-term traction of the pen gesture, the point presents a bright meaning.
Liu Gongquan studied the calligraphy techniques of the two kings since childhood, and finally saw Wang Xianzhi's works again after reaching the great brushwork. Combined with my own understanding, I improved my calligraphy and further improved my calligraphy level.