Appreciation of Lu Jianzhi's Literary Works

Lu Jianzhi Wen Fu, the pen and ink composition and charm of this work, learn more from Wang Xizhi. The book 144 lines, 1658 words. The fonts are mainly block letters and running letters with cursive characters in the middle. Although it is used for three purposes, it is natural to take care of it from top to bottom, wait and see from left to right, and cooperate tacitly. The pen is round and sharp, showing a peaceful and simple artistic conception. The brushwork is vertical, without stagnation, superb and handsome, and won the charm of Jin people, which shows the deep foundation of Lanting.

Xie Xisi, a calligrapher in the Yuan Dynasty, once commented on this post: "The book" Wen Fu "is a volume, and the calligraphy in the Tang Dynasty is vigorous and powerful, with the style of Jin people, but I only look at this volume. Although Sui monks are wise and brave, they still hate being too charming and neat. Loneliness is a sigh in this book. " Yuan Zhao Mengfu spoke highly of this, saying, "Lu Jianzhi's calligraphy and prose were authentic in the right Tang Dynasty, and the person who was good at calligraphy in the early Tang Dynasty was called Ou Yu Chuxue. As far as calligraphy is concerned, he is the fourth son. However, there are few traces of the world, and those who know the ancient times like it "(Postscript of Zhao Mengfu's Wen Fu). Zhao Mengfu studied this post, from which he learned the brushwork and structure of Jin people and benefited a lot. Sun Chengze wrote a postscript in Chinese ink, saying, "Zhao's calligraphy has been powerful since then, and people seldom see Si Jian's book, so they don't know what to say. "