1. The three rare works in Sanxitang are Wang Xizhi's "Quick Snow and Clear Tie", Wang Xianzhi's "Mid-Autumn Tie" and Wang's "Boyuan Tie".
2. Sanxi Hall, in ancient times, was the study room of Emperor Qianlong, Emperor Gaozong of the Qing Dynasty. "Three Hopes" means "Scholars hope for virtuous people, virtuous people hope for saints, and saints hope for heaven." Scholars hope to become wise people, wise people hope to become saints, and saints hope to become people who know heaven, which means to encourage themselves to pursue unremittingly and work hard to encourage themselves.
3. The study is called "Sanxi Hall". In the 11th year of Qianlong's reign (AD 1746), "Kuaixueshiqingtie" by Wang Xizhi, a great calligrapher of the Jin Dynasty, and "Kuaixueshiqingtie" by Wang Xianzhi were collected here. "Mid-Autumn Tie" and Wang_'s "Boyuan Tie". By the fifteenth year of Qianlong's reign (AD 1750), the "Sanxi Hall" also collected the works of 134 famous artists from the Jin Dynasty onwards, including 340 pieces of ink and 495 kinds of rubbings.
4. Wang Xizhi's "Quick Snow Shi Qing Tie" is a Tang Dynasty copy. It has four lines of running script and twenty-eight characters. It is made on ruler-slip paper. It is seven inches high and one minute wide and four inches six minutes wide. It is Wang Xizhi's forty His works after the age of 18 are also one of Wang Xizhi's masterpieces handed down from generation to generation. At that time, it was just a note. It got its name from the words "quick snow and clear weather" in the note. The writing style of this post is free and easy, the fonts are smooth, and the movement is stable. It is a masterpiece of Wang's running script. It is said by later generations to have the potential of "dragon leaping over the mountain gate, tiger crouching in the wind pavilion". This post was originally a family heirloom belonging to Feng Yuanji, who offered wine at the Imperial Academy during the Kangxi period. Feng Yuanji presented it to Emperor Kangxi, and later passed it to Emperor Qianlong. During the more than 60 years of Qianlong's reign, his enthusiasm for this calligraphy never diminished. He often copied and pondered it in Sanxi Hall, and wrote inscriptions and postscripts on it repeatedly. He actually wrote seventy-three inscriptions and postscripts on this calligraphy in his life.
5. The full text of Wang_'s "Boyuan Tie" has six lines and 47 characters, which is a typical running script of the Jin Dynasty. The content of the post is narrative. The name of the post comes from the word "Bo Yuan" in the first sentence of the post. The writing style of "Bo Yuan Post" is dynamic and it is a superior cursive work.
6. Wang Xianzhi's "Mid-Autumn Tie" has no inscription, and it is said to be Wang Xianzhi's book. Some people also suspect that it is a copy of Mi Fu in the Song Dynasty. Paper, eight inches and four cents vertically, three inches and six cents horizontally, running Yan, three lines and twenty-two characters, with que text on the front and back. Wang Xianzhi is the seventh son of Wang Xizhi. His calligraphy was influenced by his father and was innovative. He further sublimated and refined the calligraphy of Wang's running script. This post is close to cursive writing. Wang Xianzhi's brushwork is like flowing clouds and flowing water, and the fonts are processed to perfection. This post was written after he was fifty years old and is a note-taking work. Wang Xizhi is revered as the "Sage of Calligraphy", while Wang Xianzhi is known as the "Little Sage".