How to understand the breath in calligraphy? What does this mean?

China's artistic spirit is rooted in Chinese classical philosophy. Taoist thoughts of "Zhuangzi" and "Zen" can be found in the pursuit of returning to one's own inner spiritual rhythm, so as to understand the life connotation in the universe. This is the spirit and thought of China's artistic "vivid charm". In art, it is manifested in the pursuit of a lasting appeal between "likeness and dissimilarity", which goes beyond the requirement of simple appearance, and shows its unique artistic style while absorbing and depicting charm. It makes people forget the judgment of "like" or "unlike" when facing works, and enter an artistic realm of true feelings and life flow. Vivid charm means that the works and the images portrayed in the works have vivid charm and appear full of vitality. In the Sheikh era, charm, as the standard of evaluation and creation, mainly depends on the degree of description of the charm of the object in the works, and then gradually contains more factors of subject performance. Charm refers to the overall internal characteristics of the image form as the integration of subject and object. Being able to show the vivid charm of the combination of things and me is one of the highest goals of painting and even the whole plastic arts. "Vivid portrait" is a proposition put forward by Gu Kaizhi in painting. He stressed the need to break through the limited image of external appearances and achieve vividness. This theory is just "get carried away" propaganda. Poetry, painting, music and calligraphy are the soul of China's art, and the most dazzling of these souls is the aesthetic proposition of vivid portraits. The aesthetic thoughts and connotations expressed in vivid portraits are extremely profound. It covers.