Most of his ink lotus flowers are white, which originates from the praise of Li Bai in the Tang Dynasty that "clear water produces hibiscus, which can be carved naturally", and from the praise of Dunyi in the Song and Zhou Dynasties that "the mud produces no dye, and the lotus leaves no demon", especially the praise of "the fragrance overflows far away, the stem is thin and straight, and it is not ridiculous from a distance", and its holy, quiet and elegant image is vividly displayed.
He painted lotus flowers, gave full play to his creative advantages in calligraphy, and studied the mutual transformation of the two artistic creation forms of "writing and painting". Although it does not represent a specific image, the seemingly abstract lines and figures left in the writing process are originally "everything in an image", and various combinations of lines and surfaces constitute various forms, so they have the characteristics of painting. He wrote the lotus leaf with a calligraphy brush, and drew the lotus leaf rolling back and forth, showing the lotus leaf swaying in the breeze in an orderly way, especially when the tip of the pen turned, the wind lotus leaf whirled on the paper. It can be seen that his ink-and-wash lotus has the same aesthetic style as his calligraphy, which is the remarkable feature of Cai Maoyou's lotus painting.
Huang Jucai (post-933 -993) [Five Dynasties] was born in Chengdu (present-day Sichuan), a famous painter in the Five Dynasties and Ten Countries, and was born in ji zi. He is good at painting flowers, birds and bamboos, and is good at sketching. His pen is steady and colorful, and the image of bamboo feathers in his garden is vivid and wonderful. The grotesque mountains and rivers surpass Nai's father. After becoming an official with his father, Shu is waiting for a letter from Hanlin. Try the wall of the cooperation hall and the screen of the palace, which is unforgettable. Sheng Xing Temple has murals such as Longshui, Tiantai Mountain and Shi Shui. Xuanhe Huapu recorded 332 of his works, including Spring Mountain Map, Spring Shore Flying Flower Map and Peach Blossom Mountain Pomfret Map.
Huang Ju painted the lotus flowers neatly. The lotus leaves in the painting are mottled and yellow, half immersed in water, and a crab is waving its claws on the leaves. Lotus leaves are painted in light ink, stripes and thorns on Ye Jin and moustache are neatly painted, and crabs are carefully painted with pens, with rigorous modeling. The artistic conception of this picture is vivid, elegant and ethereal, with detailed description and rich texture, which shows the lotus rhyme of Huang. Huang Ju pays more attention to the brushwork expression of ink lines and ink dyeing modeling. Among them, there are some problems such as focusing on ink and brushwork modeling. Typical features tend to be meticulous, emphasizing the power of ink, the way of brushwork and the meticulous modeling. This work was originally published in "Gathering Smoke Painting Collection" (the sequel of Shiqu Baodi). No money, sign it as Huang Ju Mining. The house is a basket.