Eight hermits' calligraphy achievements are quite high, but they are covered by painting names, and few people pay attention to them. Huang once said "one painting and two pictures", which is indeed a truth. Eight calligraphy styles are applied to cursive scripts with rounded lines such as seal script, which naturally cuts off and avoids the state of hiding the head and protecting the tail, and hides the fall, rise, walk, live, fold, surround and return of calligraphy without trace with superb techniques. It is better to hide clever than clumsy, and the pen is astringent and simple, and the true meaning must be studied for a long time before it can be understood. In short, it is to write cursive script with the brushwork of seal script, which is the same as writing seal script with official script in Tianfa Shensi □ Monument.
The calligraphy styles of these eight hermits in their middle age are all reflected in the eight self-topics of A Little Elephant on a Mountain. He writes in six fonts: seal script, official script, xing and Zhen, and his skill is unparalleled, which can be described as a collection of reclusive calligraphy. On the eve of the death of the Eighth National Congress, the level of calligraphy reached its peak, and cursive writing was no longer strange. For example, the four essays written at the age of 80, such as the running script, Prajna Paramita Heart Sutra and official posts (that is, the story of Zhou Jintang), are light and natural, without embellishing Zhu Da's introduction, quiet and simple, without a trace of human dust. The calligraphy of a monk is roughly like this. Master Hongyi is the only one who knows the true meaning of being close to others.
The Eighth National Congress of the Communist Party of China is also good at seal cutting, and the seals of hermits are often unique and varied. The Eighth National Congress of the Communist Party of China also attaches great importance to the artistic noumenon of seals, such as the two seals of Donkey House, and the first seal of the White House magnifies the "human", just like an iron tent covering the house, resulting in the contrast between the vertical line and the horizontal line on the right side. There are many rounded corners on the right side, so the whole printing surface is not rigid, stagnant, ingenious and natural. The latter design is particularly clever, using only the words donkey, house and person, and expressing the complete meaning through the arrangement of up, down, left and right. .
Eight hermits, snow, etc. He was loyal to the Ming Dynasty all his life, pretending to be a adherent of the Ming Dynasty and refusing to cooperate with the Qing Dynasty. His works often use symbolic means to express his feelings, such as painting fish, ducks and birds. They all look at the sky with white eyes and are full of stubbornness. This image is a portrayal of Zhu Da's self-mentality. When painting landscapes, we take more desolate and desolate scenery, leaving only mountains and water, and the feeling of being stuck overflows on the paper. It can be said that "no more ink and more tears, the mountains and rivers are still old mountains and rivers." "People who want to meet each other can also write Song Shanhe". It can be seen that Zhu Da attached his feelings to painting and expressed his attachment to the old dynasty through painting and calligraphy. Zhu Da's pen and ink are characterized by boldness, profundity, grace and elegance. No matter big or small, there is a rich, carefree, clear and healthy spirit. The structure of rules is unconventional, seeking completeness in incompleteness. Zhu Da's paintings have a great influence on later generations.
After the death of the Ming Dynasty, descendants of the Ming imperial clan became monks. There are many new words, new names and new aliases, mainly including: Faming Chuanba, Xuege, Geshan, Family Donkey, Family, especially Eight Hermits. According to records, he also abandoned the monk and changed his name to Zhu. There are also many paintings in calligraphy and painting, such as March 19th, Eating Like Eating, Picking Up, Heyuan, etc., which have profound meanings. In addition, he often used "crying" and "laughing" to write "Eight Hermits" as a brief introduction to Zhu Da to express his dissatisfaction. As a descendant of the Ming imperial clan, Zhu Da suffered from subjugation and genocide, and never cooperated with the Qing Dynasty all his life. He is lonely, stubborn and crazy. He used poetry and calligraphy to vent his sadness and depression. The poor life and ill-fated fate have formed the necessary hardships for a talented artist and also created his artistic value.
Zhu Da is good at flowers and birds and landscapes, and his flower-and-bird paintings inherit the freehand brushwork traditions of Chen Chun and Xu Wei. It developed into a kind of freehand brushwork, characterized by exaggerating the painted flowers, birds, fish and insects by symbolizing their feelings. With its peculiar image and simple modeling, the image in the painting is raised, the theme is distinct, and even the eyes of birds and fish are painted as "white eyes to people" to express their lonely and cynical character, thus creating an unprecedented flower-and-bird modeling. His brushwork is simple and bold, vigorous and vigorous, dripping and carefree, his composition is quaint and strange, and his style is magnificent and quaint. His landscape painting was first studied by Dong Qichang, then by Huang and Ni Zan. He mostly makes ink and wash landscapes, with simple and vigorous brushwork and desolate and lonely artistic conception. He is also good at calligraphy and cursive script, living in Wang Xizhi, Wang Xianzhi, Yan Zhenqing and Dong Qichang. The written book is very poor and the style of writing is smooth and healthy.
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