He is currently a member of China Calligraphers Association, Zhejiang Artists Association, Deputy Secretary-General of Seal Carving Committee of Zhejiang Calligraphers Association, Deputy Secretary-General of Shaoxing Artists Association, special painter of Xiling Painting and Calligraphy Institute and cooperative painter of Zhejiang Jubao Art Co., Ltd.
Zhang Yuezhong made his debut very early, saying that he made his debut early because he was engaged in calligraphy since he was a child and was successfully recognized as a member of the China Book Association. The skill of calligraphy provided the necessary training foundation for him to slowly turn to Chinese painting creation. It can be said that without his calligraphy, there would be no flower-and-bird painting art today. Because as a freehand brushwork flower and bird, it is very important to master the ability, line and cycle of "pen". Without a good hand and a deep understanding of China's calligraphy practice, it is difficult to reach a higher level.
Zhang Yuezhong's flower-and-bird painting is an extension of tradition, to which he has become accustomed. His works not only have the shadow of modern Qi Baishi and Wu Changshuo, but also have the charm of ancient Chen Baiyang, Xu Gu and Zhao. He is old and reserved, and pays attention to the beauty of rhythm and change.
Apart from small lyricism and great freehand brushwork, the Mid-Moon painting is even more impressive because of its large scale and great influence from my tutor, Mr. He Shuifa. He is not limited to the traditional themes of Mei Lan and Zhu Ju, but directly faces life and nature, showing distinctive characteristics of life, which makes people in our time feel the extension of China's flower-and-bird painting in contemporary life.
The moon is strong and the flowers and birds are beautiful.