(Yuan Feng traveled from Uncle Liu to Nanshan in Sizhou on December 24th, 2007. )
Drizzle and oblique wind created Han Xiao, while light smoke created sunny beaches in Liu Mei. The time to enter Huaihai and Luo Qing is getting longer and longer.
Snow foam and milk flowers float in the afternoon, and Artemisia annua shoots try spring vegetables. Human taste is pure happiness.
Interpretation of inscriptions
[Textual research] Book of Southern Tang Dynasty: "The influence of the king is good, the sound is melodious, and the trees are clear, which is the color of Yuefu. Yuan Zong tasted the word [Huanxisha] as the word, which was influenced by handwriting. " This [Huanxisha] song was written in the Southern Tang Dynasty in the Five Dynasties. The so-called "Huanxisha" is to split one sentence into two sentences and add seven words as a cross to the original tune structure. Later generations are famous for Li Jing's "The First Drizzle" and a small building couplet, hence the name [South Tang Huanxisha]. The word "sand adjustment" means yarn; Or [Huanshaxi], it should be used to make yarn, but it has been impossible to detect for a long time. This sound is alias [Shanhuazi].
[Practice] Originally called forty-eight characters, it looks like a seven-character poem, but the couplet and the couplet are missing four words each. The first and second sentences are the first two sentences of a seven-character poem. The third sentence is the same as the third sentence of the seven-character poem. The fourth sentence is only three words, and it is the fourth sentence of an incomplete seven-character poem. The second half of the two syntax is no different from the seven-character poem. The third sentence is the same as the seventh sentence of the seven-character poem, and the last three sentences are the same as the last three sentences of the seven-character poem. According to the example of reducing words, this piece of music can also be called a seven-character poem with reducing words.
Xiang Lian sells green leaves,
⊙●⊙χ ⊙●△ (Yunping)
The west wind worries about the green waves.
⊙⊙●●χ△ (Xie Pingyun)
Also haggard and young,
⊙⊙♀♀ (sentence)
Ugly.
●○△ (Xie Pingyun)
The drizzle dreams of a chicken,
⊙●⊙χχ ● (sentence)
The small building blew through the jade cold.
⊙⊙●●χ△ (Xie Pingyun)
How many tears of hatred,
⊙●⊙χχ ● (sentence)
Lean on dry ground.
●○△ (Xie Pingyun)
Make an appreciative comment
This poem was written in the seventh year of Yuanfeng (1084). Su Shi went to Ruzhou (now Ruxian County, Henan Province) as an envoy, passing through Sizhou (now Sixian County, Anhui Province) and traveling to Nanshan with Liu Tong of Sizhou. The first part of this poem is about the scene of early spring, and the second part is about the smell of green tea picnics when writers and fellow travelers travel in the mountains. The work is full of the breath of spring and the vitality of life, which embodies the author's love and enterprising spirit for real life.
The first paragraph of the word is about the scenery along the way. The first sentence is written in the early morning, the wind is oblique and the rain is fine, and it is freezing. It's hard to look back at the waning winter and the waning moon, but Dongpo only uses the word "Han Xiao" to show his indifference.
The second sentence is about the scenery at noon: the rain feet are gradually closing, the smoke clouds are light, and the river beach is sparse. The word "Mei" conveys the author's happy heart very dynamically. The author noticed that in the days when the clouds are light and the wind is light and the sun is shining, sparse willows are dragging the spring tide in the bud. The new machine for grasping objects in the dead of winter is the expression of Dongpo's escape and heroism, which is the place where his spiritual realm is more unchanged. The phrase "entering the Huai River" has far-reaching significance and far-reaching influence. The "Luo Qing" in the sentence, that is, "Luo Jian", originated in Hefei and flowed northward to Huaiyuan to join the Huai River, not near Sizhou (Song Zhi Lin Huai), out of sight, out of sight. Luo Qing is mentioned in the words, which is a virtual brushwork. The Huaihe River in front of us is connected with the clear and blue Luohe River in the upper reaches. When it flows into the muddy Huaihe River, it becomes chaotic and vast.
The next movie is about the author's green tea picnic and happy mood during his visit. Two sentences together, the author caught two distinctive things to describe: a milky tea and a plate of jade-like spring vegetables. The two set each other off and become interesting, with a strong festive atmosphere and attractive power. "Snow foam" milk flower, like white foam floating when frying tea. It is a metaphor, an exaggeration and a vivid image to describe the whiteness of brown with snow and milk. Afternoon light refers to afternoon tea. This sentence can be said to be an image description of the tea ceremony of the Song people. "Bamboo shoots of Polygonum multiflorum Thunb." That is Polygonum multiflorum Thunb. And Artemisia stems are seasonal things at the beginning of spring. In the old custom of spring, friends and relatives will receive fresh and tender spring vegetables, fruits and cakes, which are called "spring vegetables".
These two sentences vividly describe the delicious colors of tea and fresh vegetables, and let readers feel the joy and comfort of the poet when he first tasted tea. This technique of casting life images into artistic images shows the poet's elegant aesthetic taste and broad-minded attitude towards life. "Man's taste is pure joy" is a philosophical proposition, but the ending of the words is natural and humorous, which adds joy, poetry and rational interest to the whole article.
This poem, in a vivid picture with gorgeous colors and an open realm, embodies the author's open and elegant aesthetic taste and attitude towards life, giving people beautiful enjoyment and endless reverie.
Brief introduction of the author
Su Shi (1037 ~110/) was born in Meishan, Northern Song Dynasty. He is a famous writer, one of the eight masters in Tang and Song Dynasties. He is knowledgeable and versatile, and has high attainments in calligraphy, painting, poetry and prose. His calligraphy is called "Song Sijia" with Cai Xiang, Huang Tingjian and Mi Fei; He is good at painting bamboo and strange stones, and also has outstanding opinions on painting theory and calligraphy theory. He is a literary leader after Ouyang Xiu in the Northern Song Dynasty, and his prose is as famous as Ouyang Xiu. Poetry is like the name of Huang Tingjian; His writing is magnificent, bold and unconstrained, and graceful. Known as "Su Xin" with Xin Qiji in the Southern Song Dynasty, * * * is an uninhibited poet.
In the second year of Jiayou (1057), he was a scholar, and was appointed as the master book of Fuchang County, and the bookmaker of Fengxiang Prefecture was called the History Museum. In the second year of Yuanfeng (1079), when Zongshen knew Huzhou, he was appointed as the censor. In the third year, he was demoted to Huangzhou Yong ying ambassador, built a room in Dongpo, and was named Dongpo layman. Later, the money was transferred to the United States. In the first year of Yuan You (1086), Zhezong returned to Korea, where he worked as a calligrapher in China and obtained a bachelor's degree in Hanlin. Know the patent. He was dismissed in nine years and exiled to Huizhou and Danzhou for three years (1 100). He was recalled to the north and died in Changzhou. The existing Complete Works of Dongpo 1 15 volumes.