In the story of Embroidered Spring Knife, the characters are defined on three cadres at the bottom of the Commission for Discipline Inspection. They have their own desires, families, people they love and people who love themselves, and also have their own troubles. This narrows the perspective of the protagonist of the story. The three brothers were involved in a conspiracy and vendetta in blood shed because of an incident that seemed accidental but had an inevitable character and fate, and thus came this interesting story. This is a typical man's play, and women are mostly foil. Although it is a foil, the story design has not been spared. For example, the second brother loves prostitutes, and prostitutes love constantly chauffeured. Love has the truth of love, and not love has the truth of not loving. The brothel woman clearly said to her second brother: I don't love you, I'm afraid of you. I'm afraid of your flight suit. When I was twelve years old, it was a Royal Guards who copied my house. I always remember your face clearly. Story design After the fall of Wei Zhongxian, when the Royal Guards caught the remnants of eunuchs, the people who did things were still those people, but they changed from "people who did bad things" to "people who did good things". The interpretation of the three brothers is remarkable. The boss is honest and timid; The second child is deep and vicious; The third child is innocent and pure, and the three brothers are homogenized in the constant brotherhood, which is easy to be accepted by male audiences. What impressed me most was that Wang Qianyuan was the boss. Eldest brother Lu Jianxing is modest, but all he wants is to put on a white suit and give his parents an explanation. However, it is always the responsibility of a big brother to treat his own brother. The audience's songs lie in real life. There really is such a big brother. Other characters in the story also have their own characteristics, such as the bandit eldest brother of the third child and Wei Ting, a diehard Wei Zhongxian, who can tell stories. Jin Shijie, who plays Wei Zhongxian, is my favorite drama actor. No matter in "Peach Blossom Spring" or "Tonight I Talk Crosstalk", she has a good performance. However, in this play, Wei Zhongxian's part is slightly overdone, which may be related to the actor's birth in the theater industry.
Finally, it is said that the opera has the style of Japanese martial arts "Thirteen Assassins" and "Blind swordsman". The director's intention is concise and lively, showing that Japanese martial arts are clean and tidy, but this concept has not been thoroughly implemented, and some scenes seem sloppy. In fact, there are not many martial arts dramas, but fine ones. Good martial arts movies don't win by the length of fighting. In the martial arts drama with a bright snowy night, the bright Japanese courtyard style is very obvious, and there are cherry trees in full bloom. Snowflakes slowly fall on Jianghu people who are fighting to the death, beautiful and bloody. The whole environment design is very similar to the duel in the last scene of Kill Bill.
The only flaw is that if director Lu Yuan can work hard on the details, he will have a sense of rhythm. The sense of rhythm is the most difficult part of all works of art, regardless of calligraphy, painting, writing and sculpture, when the sense of rhythm is brewed from the details, this work of art will not be much worse. There are too many ordinary faces in the bustling rivers and lakes, and there are too many stories behind too many ordinary faces.