I asked myself calligraphy, compared with a hill, the mountain is not high and the ground is not aura; Compared to a pool of water, the pool is not deep and the water is not clear enough; Calligraphy is not very refined, and it is not well known. Later, my understanding of calligraphy deepened, and I was particularly wary of the "hiding" and "truth" of calligraphy, but I gave up because of gout. This state has been maintained for nearly four years, and now the exaggerated romantic brushwork is further than in previous years.
Recently, the confusion about calligraphy has decreased slightly. Now, this bizarre writing style is likely to come from outer space, and I am often confused myself. Yesterday I saw Wang Xizhi's "Two Thanks" and found the answer in it. Only then did I understand that the way of writing is indeed the case.
The Book Sticks on Continued Materials was first recorded in Xuanhe, Pu Shu, and finally entered the palace of the Qing Dynasty, with a history of 1200 years. Compared with the masterpiece "Self-report Post", this post controls the strokes of the center, highlighting the rounded and euphemistic strokes, light flying, deep spine and full flesh and blood. Although occasionally implicated, it is not suspected of procrastination. Pen and ink flow down, heroic, meteorological detachment.
Its structure, flat and unchanging, scattered and scattered, presents the style of "dignified and beautiful, vigorous and graceful", which can be called the work of a generation of grass saints.
In terms of artistic style, Lun Shu Tie is different from Huai Su's other wild grass works, such as Self-narration Tie and Eating Fish Tie, which are all created with ancient and semi-inkless pen, and have the characteristics of continuous brushwork, fantastic posture, extreme exaggeration and romance. The works are obviously permeated with the calm and peaceful atmosphere of Wang Xizhi of the Eastern Jin Dynasty.
This position is carefree, peaceful, disciplined, precise and skillful. Every time he writes a word, the ups and downs are distinct. Although there is no trend of vertical and horizontal cooperation, he is good at controlling the center, so he can make his brushwork smooth, light, strong back and full of flesh and blood.
Although occasionally implicated, it is not suspected of procrastination. Pen and ink flow down, heroic, meteorological detachment. Its structure is fair and constant, dense and elegant, showing the style of "dignified and beautiful, vigorous and graceful".