Su Shi is an outstanding writer in the history of Chinese literature. His artistic achievements are reflected in poetry, lyrics, prose, calligraphy and other aspects, representing the highest level of Northern Song Dynasty literature.
First of all, Su Shi is a great poet. He left more than 2,700 poems to future generations. His poems have a wide range of themes and styles. First, because the author lived in the middle of the Northern Song Dynasty, the temporarily stable environment and prosperity that the poet came into contact with naturally aroused his beautiful longings; at the same time, amid the sharp old and new party struggles and the perils of his personal career, the poet pinned his life ideals on the mountains, rivers, wind and moon. Between relatives, friends, teachers and friends, he poeticized everything he came into contact with in life, thus leaving the largest number of poems expressing personal emotions and singing about natural scenery. Second, the poet was repeatedly demoted and had to work hard for food and clothing in a difficult life, which further shortened the distance between him and the people and prompted him to write many works that reflected the suffering of the people and cared about the fate of the country. Third, the poet combines the situations he comes into contact with in life to show his new insights into new things. For example, "Inscribed on the Silin Wall", this is an ordinary phenomenon in ordinary life, but he derived a philosophy of universal significance from it.
Secondly, Su Shi expanded the field of Ci, created the Bold Ci School, left more than 300 Ci works for later generations, and became an outstanding leader in the Ci world of the Northern Song Dynasty. Su Shi's poetry has strong artistic creativity. He expanded the subject matter of Ci, improved the artistic conception of Ci, extended the poetry innovation movement to the field of Ci, and formed the artistic characteristics of boldness, unrestrainedness, romance and self-confidence. Among them, the works that best represent the style of Su Ci are "Shui Diao Ge Tou. Mid-Autumn Festival" and "Nian Nujiao. Chibi Nostalgic". In the first poem, the author shifts from imagining that "it is too cold at high places" to reality, and to his love for human life; the latter poem describes the majestic scenery of the Red Cliff battlefield and the lives of heroes such as Zhou Yu and Zhuge Liang. The image gives people a magnificent feeling. Although the author was experiencing political setbacks at the time, his optimistic attitude towards loving life and his heroic mood of caring for the country could not be concealed in his works.
Thirdly, Su Shi used his rich experience and profound knowledge to create a large number of prose that are "natural in nature and full of gestures", forming his own unique writing style. First, Su Shi's political treatises, such as "Strategy", "Ce Farewell", "Ce Judgment", etc., start from Confucian political ideals and use historical facts to demonstrate and elaborate on his political opinions. The second is the letters, miscellaneous notes, miscellaneous stories, short poems, etc. he left behind. They are a combination of narratives, discussions, and free essays, which express the author's frank mind, attitude towards life, and opinions and interests in literature and art. The third is to express feelings about the country, the wind, the moon, and the historical figures, such as "Red Cliff Ode". This article uses poetry-like language, explores the philosophy of the universe and life through the dialogue between guest and host, and the metaphor of water and moon. It expresses the author's depressed mood when he suffered political setbacks and his thoughts from the perspective of Zhuangzi and Buddhism. A free and easy attitude when observing the universe and life.
Su Shi is a versatile artist. Such a comprehensively developed character is unprecedented and unprecedented.
Qiu Wen, together with Ouyang Xiu, is called "Ou Su" and is one of the eight great writers of the Tang and Song Dynasties. The articles are unbridled and unbridled, clear and fluent, drawing on the strengths of each school, full of gestures, natural in literature and science, with the momentum of Mencius, the magnificence of Zhuangzi, the vertical and horizontal galloping of "Warring States Policy", and the thoroughness and thoroughness of Jia Yi. "When Su Wen is cooked, he eats mutton; when Su Wensheng is alive, he eats vegetable soup." Representative works such as "Red Cliff Ode" and so on.
His poems are known as "Su Huang" together with Huang Tingjian. His poems are fresh and bold, good at using exaggerated metaphors, and have a unique style. Su Shi regarded writing poetry as a daily homework and persisted in it until his later years. There are more than 2,700 existing poems. His poems are casual, humorous, free and unrestrained, and full of romanticism. Firstly, it is imaginative and fantastic, with bold exaggeration and colorful metaphors; secondly, it uses writing as poetry, discussion as poetry, and talent and learning as poetry; thirdly, it is good at combining fascinating scenery with thought-provoking philosophy, which is thought-provoking. Su is good at all styles of poetry, and is especially good at seven-character styles. Representative works such as "Inscription on the West Forest Wall" and so on.
His Ci, together with Xin Qiji, was called "Su Xin". He was a bold and unrestrained person and had a great influence on later generations.
He further broke through the old framework of Ci poems focusing on love affairs and parting emotions between men and women since the late Tang and Five Dynasties, expanded the subject matter of Ci poems, extended the poetry innovation movement to the field of Ci poems, and founded the Bold and Bold school that was opposed to the traditional graceful school. Representative works such as "Nian Nujiao·Chibi Nostalgia" and so on.
His books, together with Huang Tingjian, Mi Fu and Cai Xiang, are known as the "Four Schools of Song Dynasty". He is good at running script and regular script, and can create his own ideas. His writing style is rich and ups and downs, and he has an innocent and lively charm. Representative works include "Huangzhou Cold Food Poems" and so on.
In his paintings, he is good at painting ink and bamboo, attaches great importance to spiritual resemblance, advocates feelings outside the painting, emphasizes the need for sustenance in painting, opposes resemblance in form, opposes the constraints of procedures, and advocates "the originality of poetry and painting, natural craftsmanship and freshness". Clearly put forward the concept of "literati painting". Representative works such as "Ancient Trees and Strange Rocks".
Su Shi (1037-1101), courtesy name Zizhan and alias Dongpo, was born in Meishan, Sichuan. He was born in a relatively poor intellectual family. His father Su Xun and his younger brother Su Che are both famous political commentators, and they both belong to the eight great writers of ancient literature in the Tang and Song Dynasties. In his childhood, Su Shi received a rich upbringing and influence from feudal culture, which had a profound impact on his later thoughts and creations. Su Shi's life was spent in fierce political struggles. The era when he grew up was the era when the situation of poverty and weakness in the Northern Song Dynasty gradually took shape and the social crisis developed rapidly. Since the failure of Fan Zhongyan's Qingli New Deal, political reform movements were still brewing among the scholar-bureaucrats, and some local reforms were gradually carried out. In the second year of Jiayou reign of Emperor Renzong of the Song Dynasty (1057), the 21-year-old Su Shi passed the Jinshi examination and became a local official such as chief bookkeeper and appraiser. He quickly got involved in this wave. The political thoughts of this period were concentratedly reflected in the examination paper "Jin Ce" when he was taking the entrance examination at the age of 26, and in the "Ideology and Governance Theory" written two years later. In the article, he analyzed the crisis-ridden situation in the economy, politics, and military at that time, and based on Confucian political ideals, he put forward requirements for reforming bad governance. He also made some "explorations" on specific measures, but most of them were just temporary solutions. For example, the reason why there are no great rulers in the world is that the failure lies in appointing people, and the crime of legal system also reflects his initial conservative tendency. The changes in Su Shi's life from advocating reform, opposing reform to defending certain new laws typically reflect the duality of the common people landlord class that is transforming into wealthy landlords. His attitude of compliance between the old and the new parties prevented him from receiving all sympathy and support from either party, and his tragic fate followed him throughout his life.
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Su Shi is an eternal literary and artistic genius who cannot have one or two. He has made pioneering contributions in the fields of poetry, lyrics, literature, calligraphy, painting and other fields, which are beyond the reach of Li Bai and Du Fu.
Poetry, calligraphy, and painting reached their peak in the prosperous Tang Dynasty, and all the things in the world were accomplished.
The poems of the prosperous Tang Dynasty include Li Bai and Du Fu, the books include Yan Zhenqing and Liu Gongquan, and the paintings include Wu Daozi and Yan Liben. They have established extremely high artistic heights in their respective fields, and it will be difficult for future generations to surpass them.
Su Shi used his genius artistic practice to create a new artistic style of the Song Dynasty after the prosperous Tang Dynasty.
Su Shi ranks first among the four great poets of the Song Dynasty. Song poetry, starting from Su Shi, incorporated theory into poetry and text into poetry, which was different from the Tang Dynasty that used imagery to write poetry, forming a new artistic style.
Su Shi ranks first among the four major calligraphers in the Song Dynasty. Since Su Shi, the Song Dynasty's calligraphy has been free from the strict laws of Tang poetry. His "Han Shi Tie" is known as the third running script in the world.
Su Shi is a representative figure of the Huzhou School of Painting. With his own theory and practice, he pioneered Chinese literati painting. There are two surviving paintings of his that are of inestimable value. Among them, the picture of dead trees and strange rocks has been exiled overseas and has not returned to the motherland so far.
Since the beginning of the Tang Dynasty, Ci has always been regarded as a remnant of poetry. Poetry is a beautiful subject, and it was once difficult to reach the level of elegance.
Su Shi pioneered the bold style of poetry with "Going to the east of the Yangtze River to find everything" and "I am talking about being a teenager".
Bold and unrestrained words opened up a new trend in poetry, and together with graceful words, they were called the brightest words in poetry, gradually establishing the status of poetry in the history of Chinese literature.
Su Xin is also said to occupy half of the Chinese poetry world.
Su Shi's poems are bold and varied in style, and all of them reach the state of perfection.
For example, the ethereal beauty of the sparse tung trees hanging in the moonlit sky, the elegance of the faded red and green apricot flowers, and the melancholy of ten years of life and death are all examples of poetry.
When will the bright moon come? Asking the blue sky for wine can be called an eternal masterpiece. People said that as soon as this word came out, all Mid-Autumn Festival poems were useless.
Su Shi’s articles are unique in the world. Ouyang Xiu, the leader of the literary world in the Northern Song Dynasty, sweated over his writing when he saw it, and wanted to kill him.
Among the eight great masters of the Tang and Song Dynasties, Su Shi and Han Yu were both called Han Chao and Su Hai.
Han Yu's composition is like the tide of the sea, with layers upon layers, analysis and analysis, and is full of power. Su Shi's compositions are like the sea itself, vast and vast, indescribable.
When Su Shi was exiled to Huangzhou, he wrote the poems on the Red Cliffs before and after, embodying emotions in the scenery and expounding profound philosophical thoughts. It is a rare and famous prose piece throughout the ages.
His essay "Remembering a Night Tour at Chengtian Temple" has only a few crosses, but it shows the brightness of the moonlight and the tranquility and loneliness of the mood. It is a work of genius accidentally obtained by a skilled hand.
Dongpo layman was not only a cultural figure of the Song Dynasty, but also a shining symbolic figure in the context of Chinese culture. They are all outstanding experts in all the fields they are involved in. In terms of poetry, he is as famous as Huang Tingjian, the founder of Jiangxi School, and is called "Su Huang". Ci started a generation, and together with Xin Qiji, he was a representative of the Bold and Unconstrained School. He is one of the eight literary masters of the Tang and Song Dynasties, and is as famous as Ouyang Xiu, a leading figure. Calligraphy ranks first among the four masters of Song Dynasty. Even the paintings are unique, with dead trees and rocks, ancient and vast scenery. People in the world work hard to achieve something, but they can't get even one end of it, but he is reaching the peak of his achievements. From this, we have to marvel that nature has its lovers. To use a word to praise the emperor, Su Shi should be the most appropriate, that is, the god of heaven.
Su Shi, the ancient writer of the Song Dynasty, wrote numerous prose in various styles, which can be roughly divided into argumentative essays, narrative essays, and essays. The emergence of these essays marked the highest achievement and complete victory of the ancient prose movement in the Song Dynasty.
?1. Argumentative essays, with political and historical essays being the most prominent ones. Many of his argumentative essays are eloquent and full of momentum, blending argumentation with literary talent, paying attention to both emotion and reason. His language is clear and expressive, and he is good at reasoning with images, which is of great literary value. 2. Narratives include stele biographies, narrative texts, and prose, among which landscape travel notes and pavilions and pavilions notes are the most representative. He uses arguments to create a new realm for the article, and is good at expressing the integration between the appreciation of natural scenery and the understanding of life philosophy. Landscape travel notes, such as the "Red Cliff Ode" before and after, show the characteristics of using scenery to formulate arguments. Pavilion notes, such as "Happy Rain Pavilion Notes", first narrate the reasons for writing the preface to the pavilion, then record the rain, and then exaggerate people's joy. The article is like water waves spreading out layer by layer, with natural literary and scientific elements. Most of the narratives are literary prose, which use narrative, description, and lyricism at will. 3. Essays, short and casually written letters, inscriptions and postscripts, miscellaneous notes and essays are the main literary styles, which can best reflect the author's true temperament and true thoughts. Miscellaneous notes and essays describe the author's various experiences and feelings in daily life, such as "Record of a Night Tour at Chengtian Temple" by Su Shi on his artistic achievements. This type of essay is informal and expresses one's own spirit. The characteristic of writing is that it is easy to pick up and written in a casual way. The general artistic characteristics of Su Shi's prose are: 1. "Expressive speech"; 2. Good use of metaphors and multi-image thinking. For example, "Qian Chibi Ode" has a poetic tendency, uses emotion and talent as its text, and is full of imagination. The content of Su Shi's poetry: According to the subject matter and content, Su Shi's poetry can be roughly divided into: 1. Social and political poems: poems that reflect the sufferings of the people and the gains and losses of current politics, such as "Litchi Sigh". 2. Landscape poetry: a lyrical and joyful work that integrates life insights into the description of landscapes, such as "Looking at the Mountains on the River", which writes about flowing scenery; "Dengzhou Sea City", which writes about fantasy smoke and clouds; and philosophies about life insights that are sublimated by describing scenery. The height may contain a strong sense of life experience, such as "I don't know the true face of Mount Lu" in "Inscription on the West Forest Wall". Su Shi's artistic achievements and Tao's poems: his love for landscapes and his interest in self-adaptation are stronger. For example, "Six Poems with Tao Returning to the Garden and Living in the Fields" is simple yet profound, artistically grasping the luxury and simplicity of Tao's poems. It is characterized by the ability to describe the life scenes experienced personally, plainly and naturally, to the point of being "spiritually similar" to Tao's poems.
4. Poems on paintings: transform the painted scenery into a poetic state, be good at writing the dynamics of the picture, and make artistic associations with the meaning of the painting to reveal the charm outside the painting, such as "Huichong Spring River Scene". An attempt to describe the artistic characteristics of Su Shi's poetry 1. "Using text as poetry" is one of the distinctive features of Su Shi's poetry, which mostly uses prose syntax and runs through it with style, such as "Song of Stone Drums". 2. Rich metaphors, also known as Su Shi's artistic achievements - "Bo Yu", such as "Hundred Steps of Hong". 3. Keen and meticulous observation and excellent writing expressive power, ordinary things, once written by his hand, make people feel A sense of spring, such as "Jijiang Sencha". 4. Using talent and learning as a poem is reflected in being good at discussing things and being good at using allusions. Consciously use discussion in poems to combine the image feelings of things with philosophical thinking. "Inscribed on Xilinbi" "I don't know the true face of Mount Lu, just because I am in this mountain. " 5. Su's poems have all kinds of styles, but the seven-character poem is the best. There are various styles, and the seven words are beautiful and exquisite. 6. There are two basic styles of Su's poems, one is vigorous, clear and majestic, the other is bold and plain, open and leisurely. Gao Feng Jue Chen is the dominant tendency of his poetic style, that is, an aesthetic realm that transcends the secular world. Let's try to describe the important position and contribution of Su Shi's Ci in the development and transformation of Song Ci. 1. Briefly describe Su Shi's artistic achievements in developing the realm of Ci. Su Shi's previous poems were composed in response to songs, mostly about the lovesickness of men and women, and about farewells over wine between flowers. Su Shi's poems expressed his upright and unrestrained mind, breaking away from the melodiousness of Huajian's poems and fully expressing the author's excitement and boldness. Personality. For example, in "Red Cliff Nostalgia" "The great river goes eastward, and the waves are gone, and the romantic figures of the ages are gone." ” 2. Su Shi returned the subject matter orientation of his poems from responding to songs to expressing himself, and extracted creative themes from real life. Therefore, Su Shi’s poems are mostly sentimental works, and some even use the form of small prefaces to the lyrics to determine the purpose of expression. Content, explain the creative motivation. For example, "When will the moon shine in the water tune" and "Ding Fengbo". Use recording techniques to write your own life feelings, so that the lyrics of the poems are close to real life, and the lyrical characters and creative themes in the poems are also adapted from the poems. Separation leads to unified correspondence, which leads the creation of poetry towards facing reality, facing society and real life, and greatly broadens the scope of poetry. 3. Su Shi uses words to show his political ambitions, life emotions, feelings, and mountains and rivers. The scenery expands the realm of poetry and combines the poet's "love" with the poet's "ambition." The quality of poetry and character are highly unified and integrated. 2. Briefly describe Su Shi’s “poetry as words” 1. First of all, it refers to the expansion of the life content reflected in words, breaking through the traditional system of “words as Yanke” and developing towards “literary-official style”. ". By Su Shi's time, he developed the preface to the title of the poem, and incorporated the poet's syntax into the lyrics, introduced arguments into the lyrics, used a large number of classics and allusions, and broke through the constraints of music on the style of lyrics, such as "Linjiang Fairy". Su's poems fully reflected It is a typical scholar-official poem that reflects the aesthetic taste of literati. The positive significance of Su Shi's use of poetry as lyrics is that he changed the old tradition of poetry, increased the content of poetry, enriched the style of poetry, and promoted the development of poetry into an independent lyric poetry style. . Su Shi's artistic achievements 3. Briefly describe the style of Su Shi's poems The style of Su Shi's poems is bold and unrestrained. Su Shi is the representative of the bold and unrestrained style of Song poetry, but there are also many extremely clear and elegant works with diverse styles.
Su Shi’s literary achievements:
1. Ci writing: Su Shi made extraordinary achievements in the creation of Ci. In terms of the development of a literary style itself, Su Shi’s historical contribution exceeds that of Su Shi’s Ci writing. Wen and Su Shi. Su Shi, following Liu Yong, carried out a comprehensive reform of the style of Ci, finally breaking through the traditional pattern of Ci as "Yanke", improving the literary status of Ci, and transforming Ci from an accessory to music to a This independent lyric poetry style has fundamentally changed the development direction of the history of Ci. r 2. Poetry: Su Shi's views on society and thoughts on life are unabashedly expressed in his literary works, among which poetry is the most vivid. In more than 2,700 Su poems, the themes of intervening in social reality and thinking about life are very prominent. Su Shi has an "out-of-touch" attitude towards various unreasonable phenomena in social reality, and always regards criticizing reality as poetry. important topics.
r What's more valuable is that Su Shi's criticism of society is not limited to the New Deal, nor is it limited to the present. He criticizes the long-standing bad policies and bad habits in feudal society, reflecting a deeper critical consciousness.
3. Articles: Su Shi’s literary thought places equal emphasis on literature and Tao. He praised Han Yu and Ouyang Xiu's contributions to ancient prose, both of which focused on both literary and Taoist aspects. However, Su Shi's view of literature and Taoism was very unique in the Northern Song Dynasty. r First of all, Su Shi believed that the art of articles has independent value, such as "fine gold and beautiful jade. Articles are not just tools for conveying the truth, but their own expressive function is an advanced form of human spiritual activity. Secondly, in Su Shi's mind The word "Tao" is not limited to Confucianism, but refers to the laws of things. Therefore, Su Shi advocates that articles should be as natural as the objective world and full of gestures. r He advocates diversity and vividness in artistic styles and opposes uniformity. Su Shi was also good at running script and regular script, and was known as one of the "Four Masters of the Song Dynasty" together with Huang Tingjian, Mi Fu and Cai Xiang. He studied the famous masters of Jin, Tang and Five Dynasties, and learned from Wang Sengqian, Li Yong, Xu Hao, Yan Zhenqing and Yang Ningshi, and became his own style.
Su Shi painted ink and bamboo in painting, and he discussed calligraphy and painting. All have outstanding opinions, and their influence on painting is even more profound. For example, he attaches great importance to spiritual similarity, advocates that there is emotion outside the painting, and the painting must have sustenance, opposes similarity in form, and opposes the constraints of routine. He advocates "the originality of poetry and painting, natural craftsmanship and freshness", and clearly states that "scholarship" The concept of "human painting" laid the theoretical foundation for the subsequent development of "literati painting".
Su Shi, as the leader of the literary world in the Northern Song Dynasty after Ouyang Xiu (Ouyang Xiu made it clear that he would hand over the important task of presiding over the literary world to Su Shi, Su Shi also said it himself) can be said to be the highest achievement of Song Dynasty literature. Song prose, Song poetry, and Song lyrics all reached a peak in his hands.
Su Shi is one of the eight great writers in prose. His contribution is mainly different from the literary view of Han Yu, Ouyang Xiu and others who emphasize both literature and morals. His articles, Wen Si Quan Yong, can be said to be a true portrayal of Su Shi. His argumentative essays are well-targeted, his words are sharp, and his essays and other essays are perfectly combined with lyrical narratives, and his essays and poems are poems. Si Liu Wen emphasizes expressive words and flowing words.
In the history of Ci and the development of Ci in the Northern Song Dynasty, Yan Shu, Zhang Xian, Liu Yong and others were very important, but the most important one was Su Shi. Ci has always been regarded as a minor path, and in the eyes of literati and officials. The status of poetry here is far inferior to that of poetry, that is, the so-called poetry, which is a lower-level person who cannot be refined. Ouyang Xiu, a generation of literary giants, also regarded poetry as a game of Yuli. Su Shi believed that poetry has the same origin and considered poetry as the descendant of poetry. , and also proposed that Ci should be of its own kind, thereby improving the literary status of Ci and truly making it possible to keep pace with poetry. At that time, more people thought that Su Shi's Ci did not match the rhythm, which was not the true nature of Ci. The greatest contribution of later generations of poets lies in this. They strengthened the literary nature of Ci and weakened its dependence on music. In the final analysis, they wanted to improve the status of Ci as a genre. Only in this way did Song Ci achieve its glory in the history of literature. .
Su Shi’s poetry is in the Yuanyou period in the history of poetry development. He, Wang Anshi, Huang Tingjian and others pushed the poetry of the Song Dynasty to a climax:
1. Because he is so talented, he uses allusions, antitheses, metaphors and other techniques in his poems to the extreme, reaching a state of maturity, such as "I have talked about ancient battlefields all my life, and I have been fascinated by the five colors of the sun in the past." "One sentence, see the Internet for detailed analysis...
2. Zhao Yi commented that Su Shi was "born with a strong pen, as refreshing as a sad pear, as fast as cutting together, with hidden answers that must be answered, and no difficult feelings to reveal." In other words, Su Shi's poems are open to all rivers, just like Du Fu, there are no intentions that cannot be entered, and nothing that cannot be said.
3. Su Shi's poetry pays attention to eclecticism, focusing on the fusion of two different styles or even opposing styles, forming a Qingxiong that combines hardness and softness, just like Jiaxuan's poetry, with diverse styles.
4. Using text as poetry and text as poetry did not begin with Su Shi. Han Yu vigorously advocated it. However, because Su Shi was more talented, his use of text as poetry was more natural and appropriate.
5. Su Shi has strong artistic compatibility. We know that the art of poetry has reached its peak in the Tang Dynasty. If the Song people want to continue the art of poetry, they must seek changes. With the Song Dynasty, Poets all pursue novelty, but they often use too much force, resulting in a rigid and boring situation. Su Shi's poems are eclectic and avoid this shortcoming.
Su Shi, like Tao Yuanming, Li Bai, Du Fu and others, had a transcendent status not only in the Northern Song Dynasty, but also in the hearts of later generations of scholar-bureaucrats.
Su Shi's Ci is a milestone in the development of Song Ci. "Ci is Yanke" can be said to be a solid tradition at the time, and Su Shi successfully converted to this trend. He broke through the old framework of writing about love affairs and separation between men and women since the late Tang and Five Dynasties, expanded the subject matter of Ci, and improved the artistic conception of Ci. He can use words to express themes that have always been used by poets, such as nostalgia, nostalgia, travel notes, and reasoning. This makes words get rid of the status of existing only as lyrics of music and become a new poetry style that can develop independently. This is Su Shi's greatest contribution to Song Ci. This new style of poetry shows its strong vitality and has a profound influence on contemporary and later writers. The Yuanyou Ci Forest, with Su Shi as the center, represented the heyday of the Ci world in the Northern Song Dynasty. At that time, famous writers emerged in large numbers, such as Qin Guan, Huang Tingjian, Chen Shidao, Wang Anshi, Xie Yi, etc., all of whom wrote many excellent Ci works.
Su Shi changed the graceful style of the poets of the late Tang Dynasty and the Five Dynasties, and became the founder of the later bold and bold style of poetry. In terms of the language of his lyrics, Su Shi also made an evolution. He changed the style of the Huajian poets who used embroidery and gold, and incorporated verses from Tao Qian, Li Bai, Du Fu, Han Yu and others into his lyrics. Occasionally, he also used the spoken language of the time. It gives people a fresh and simple feeling.
Therefore, Su Shi’s role in the development of Song Ci is not only to create a style of Ci, but also to liberate Ci from its narrow scope, expand the world of emotions it expresses, and contribute to the content of Ci and style diversity. In this sense, Su Shi was a key figure in making Song Ci a representative literary style of its generation.
There are about 4,000 Su poems in existence. His poems are broad in content and diverse in style. They are mainly bold and unrestrained, with vertical and horizontal strokes, endless changes, and romanticism, which opened up a new path for the development of Song poetry. . Xie Zhou's "Original Poems" said: "Su Shi's poems have opened up a realm unprecedented in ancient and modern times. Everything in the world laughs and curses, and they are all inspired by the writing." Zhao Yi's "Oubei Poetry Talk" said: "Take text as poetry , starting from Changli, to Dongpo, he became more and more eloquent, opened up new perspectives, and became a grand view of the generation... Especially those who are unreachable, they are born with a strong pen, as refreshing as a mourning pear, and they can be cut quickly, and there is a hidden secret that can be reached without difficulty. Love, this is why Su Shi became a great poet after Li and Du, but it is not as good as Li and Du."
Su Shi's poems are more than 340 in existence, breaking the rule of writing specifically about love between men and women. The narrow theme of separation and separation has broad social content. Su Shi occupies a special position in the history of Chinese poetry. He expanded the spirit of the Northern Song Dynasty's poetry innovation movement to the field of Ci, swept away the traditional Ci style since the late Tang and Five Dynasties, and created the Bold Ci School that stood side by side with the Graceful School. He expanded the subject matter of Ci and enriched the artistic conception of Ci. It broke through the boundaries of poetry in Shizhuang and made a significant contribution to the innovation and development of poetry. Famous works include "Nian Nujiao", "Shui Diao Ge Tou", etc., which pioneered the bold style of poetry, and was called "Su Xin" together with Xin Qiji. Liu Chenweng's "Preface to Xin Jiaxuan's Ci" said: "When the words reach the east slope, they are upright and upright, like poetry, like writing, and like the wonders of heaven and earth."
Su's Ci occupies a special position in the history of Ci, pioneering the development of Ci. New world. With his unrestrained talent, Su Shi penetrated into all aspects of social life, such as nostalgic travel notes, descriptions of scenery and objects, family friendships, pastoral scenery, Zen meditation and reasoning, etc., breaking through the stereotype of "Yan Ke" in Ci, and turning Ci into The social function of poetry was mentioned on the same level as poetry, and it comprehensively expressed the life and spiritual outlook of scholar-bureaucrats and literati. Su Shi deliberately broke through the boundaries of "Shizhuang Ci Mei" and created a large number of bold and bold works with his free and unrestrained writing style, creating a new generation of Ci style. He incorporated poetry into his lyrics, which formed the characteristic of Su Ci's "poetry as lyrics". At the same time, he also changed the status of lyrics from music to music, turning them into an independent lyric poetry style. direction development.
Boldness is the main style of Su's poetry, and in the boldness there are sometimes expressions of broad-minded feelings.
Su Dongpo was a great talent, proficient in music, chess, calligraphy and painting, and many of his arts were derived from daily life. He was especially fond of Yixing and designed the Dongpo Liang Teapot, as well as other things that everyone likes. Pork.
The answers given by all the teachers were very professional and detailed, so I won’t go into details. I want to say that these achievements of Su Shi are inseparable from his character. Su Xueshi is an optimist with an open-minded and cheerful personality. No matter what environment he is thrown into, he can deal with it calmly and enjoy himself. After arriving in Huangzhou, he not only wrote "Ding Feng Bo" with a free and unrestrained attitude, but also spread delicious delicacies to us, Dongpo Pork and Dongpo Pork Pork! Unlike some people nowadays, who are depressed in adversity and decadent in good times, they have neither the ability to withstand pressure nor the enterprising spirit.