What are Huang Tingjian's calligraphy achievements?

Huang Tingjian's calligraphy achievements are mainly manifested in his running script and cursive script. On the origin of its artistic style from the cursive script. The Song Dynasty is close to the prosperous Tang Dynasty, so it is hard for calligraphers not to be influenced by the calligraphy style of the Tang Dynasty. In the Song Dynasty, calligraphers paid more attention to the appeal of inner spiritual interest, so the running script integrated with the desk style became the mainstream form of calligraphy style development in an era.

The achievements of calligraphers such as Song Sijia in the Song Dynasty are all reflected in the running script. Huang Tingjian dates back to the Jin and Tang Dynasties. Su Shi and Su Dongpo had the greatest influence on him when he studied the classic calligraphy of his predecessors. It can even be said that Huang Tingjian learned Su Shi's calligraphy to a great extent.

Huang Tingjian's profound understanding and mastery of cursive brushwork is to copy the brushwork of Zhang Xu, Huai Su and Gao Xian, three famous cursive writers in the Tang Dynasty, and finally get a glimpse of the mystery of cursive brushwork. At the same time, the final maturity of his cursive brushwork also benefited from his understanding of things other than calligraphy.

Huang Tingjian wrote cursive script, relying on the feeling in his heart and using his intention as a pen. He practices Zen and doesn't drink. Although he was not as wild as Zhang Dian when he wrote weeds after drinking, his works were a little more rational, which enabled his cursive script to be spread and folded, and entered the realm of ease.

Huang Tingjian uses a pen, which is more leisurely and refined than Zhang Dian's vegetarian madness. Although he has the same ups and downs, he can also keep people everywhere. Huang Tingjian's Buddhist scriptures such as Zhushangtie and cursive copybook are the embodiment of Huang Tingjian's cursive realm. It is from this that Huang Tingjian created another new realm of China cursive script.

In calligraphy, Huang Tingjian opposes obsolescence and emphasizes the spiritual inheritance of excellent traditions and the creation of individuality. Pay attention to the influence of mind and temperament on calligraphy creation; In style, he opposes originality and emphasizes clumsiness. As Feng Ban's "Miscellaneous Notes on Dull Songs" said: The pen starts from painting, returns to the left wrist, and actually draws to the right, but it jumps again, just like a cloud returning to the wind.

He began to write from right to left, from the hidden front in the painting to the left pen, and then spread it out flat. There was no flat or evil, and the pen front was deliberately changed, and the pen front was hidden and clever, giving people the feeling of "painting bamboo as a book".

Its structure comes from the news of Yan's Baguan Pavilion. The middle palace tightens, radiates outward from the center, and stretches horizontally, such as boating and supporting a boat. It is full of verve and momentum, and its personality characteristics are very obvious.

There are many works by Huang Tingjian, such as Poems of Pang Jushi from Hanshanzi, Biography of Fan Pang, Poems of Songfengge, etc. Cursive scripts include Biography of Lian Po and Lin Xiangru, Duxi, and Li Bai's Memories of Time Past, all of which have been handed down from generation to generation.

Pa express Guan