The Original Text and Appreciation of Huang Tingjian's Gong Jing Wang Ji

Wang's calligraphy is based on Yang and was learned by the ancients. Bai Xu wrote a poem in the book: "The floating world has passed for more than half a century, ten years later than in Qu Boyu." The two outposts in Gong Jing are very close. In the past, Li Xitai was fond of learning books, the title of which was "Clouds Behind the Big Wall in Shao Shi": "The withered Chinese fir is falling, first frost is old, pine smoke and musk coal are rainy and cold. I am also a born nerd. I went to the temple once and watched it again. " Hitta really appreciates music. Today, there are hundreds of words written by Gong Jing on the wall of Ding Lin Temple in Jinling, and there are no music lovers.

-"Valley Series"

[Note] Yang: (873-954) real name, number. Huayin (now Shaanxi) people. Calligraphers in the late Tang and Five Dynasties. The handwriting is vigorous and powerful, especially the works are magnificent. Qu Boyu: Guardian of the Spring and Autumn Period. The word "Apollo". "The Original Road of Huainanzi" contains "fifty years old and forty-nine years old". Li Xitai: Li Jianzhong (945- 10 13). Jing Zhao (now Xi 'an, Shaanxi) was born. Calligraphers in the early song dynasty. He once consulted Si Liu Yushitai in Xijing, and was called "Li Xitai". Shao Shi: Yang Ningshi. Yang Zengguan, Prince of Shao Shi.

Wang Anshi is a great politician, scholar and outstanding poet. He actively promoted the new law and was opposed by conservatives, so he was falsely accused for thousands of years. How much can his contemporaries know about this "great man of my life"? In this article, Huang Tingjian lamented that Wang Anshi's calligraphy "has not seen music reviews", which may have implications!

Wang Anshi's calligraphy has not been handed down from generation to generation. Judging from the existing ink book "Guo Cong Tie", Wang Anshi's calligraphy is smooth and flying, not bound by general rules, and naturally not appreciated by laymen. Valley is a discerning connoisseur. He praised Wang Anshi's poem, saying that it "can't be treated with common sense" (Postscript of Gong Jing Wang Chan Lun), and praised Wang Anshi's calligraphy, saying that it is "ancient calligraphy, like the pen and ink of people in Jin and Song Dynasties" (Postscript of Wang Yinyi's Tomb in Chinese), indicating that the valley is based on Wang Anshi's "appreciation of music".

Wang Anshi's calligraphy was deeply influenced by Yang Ningshi. Yang Ningshi, known as the "son of the wind", is unruly and crazy. It is said that he has lived in Luoyang for a long time, visited Buddhist temples, enjoyed the mountains and rivers, enjoyed singing, looked at the wall and recited. If he's with god. When Huang Tingjian arrived in Luoyang, he visited all the books between the walls of monks, and thought that all the books were exquisite and exquisite, which, combined with Wu Daozi's paintings, was the second best in Luoyang. Wang Anshi's calligraphy is written with great care and requires no effort, but its artistic interest is similar to that of Yang Fengzi. As a great calligrapher, Gu can understand this. At the same time, calligrapher Mi Fei is also a madman. He said: "Wen Gong (Wang Anshi) has studied Yang Ningshi, but few people know it. The next story is like this, and the public rewards it. " It can be seen that there are still some artists who really appreciate music.

The most feared thing in the world is prejudice. Zhang Wei, a philosopher, said, "I have read Wang's books all my life, and I didn't know that the police were so busy." Zhu introduced Wang Anshi's impatience and urgency, and sighed: "Although the book is detailed, it is related to people's morality." Zhu's theory, on the other hand, is an excuse, which favors one over the other.