The Literary Talent of Emperor Yang Di

Yang Guang loves literature and art, and once ordered his men to copy the books in the Forbidden Secret Pavilion into volumes, divide them into three classes, and hide them in the east and west stacks of the Guanwen Temple in Luoyang, and build two other sets behind the temple to collect famous calligraphy and painting since Wei Dynasty.

Yu Xin, a beginner in literature. When he was king of Jin, his name was Liu, and he was an old official and scholar of the Chen Dynasty. Yu Shinan, etc. /kloc-more than 0/00 people, "learning from teachers and friends" ("Northern History Liu? Biography), so I like Liang Chengong's figure. "Preface to Sui Shu Literature" said: "The early literature and art research of Emperor Yangdi is not light. I'm about to ascend the throne, which is a change. "Today, most of his poems are Yuefu songs, and their contents are either given for entertainment or written for entertainment, which is obviously contaminated with the wind of Qi and Liang Dynasties. However, he also has an elegant style, showing the respect of the emperor. " Although deliberately arrogant, his words are not floating, such as "drinking horses in the Great Wall Grottoes to show his disciples" and "White Horse Articles". In the Qing Dynasty, Shen Deqian thought that such works were "full of enthusiasm, but failed to arouse their strength" and "better than Chen Houzhu" (the source of ancient poetry). Because he experienced frontier fortress and expedition to Liaodong, the natural scenery and military life described in the poem also have its realistic basis. He also has exquisite poems, such as "The waves will go to the moon, and the tide will return to the stars" ("Moonlit Night on the Spring River"), which Hu Yinglin considered as "the law of the unique Tang Dynasty" ("Poem Internal Compilation"), which had a certain impact on the development of the early Tang Dynasty.

The Annals of Sui Shu's Classics contains 55 volumes of Yang Ji, and The Collection of Poems of the Sui Dynasty contains more than 40 poems. For the story, see Biography of Sui Shu.

"Su Su autumn wind, long journey. What did Wan Li do to build the Great Wall?

Is the wisdom of children really the camp of sages? Trees are the eternal strategy, one trillion years.

Dare to worry, high pillow in Beijing. See budo festival in the north river, rolling for thousands of miles.

The mountains and rivers are intertwined, and Yuanye is too poor to be reasonable. Strike gold to stop the line, beat drums to make soldiers.

Thousands of flags in the Great Wall Cave drink horses. Autumn clouds are beyond the Great Wall, and fog is dark in Guan Shanyue.

Fate is strict, and it is sent by an empty bonfire. Excuse me, Khan called on North Korea at the time of the Great Wall.

Turbid air calms the Tianshan Mountains, and the morning light shines high. Releasing soldiers or motivating the brigade, everything will be abolished.

After drinking the story, you will return to the front of the Qing palace. "

This is Yang Di's "Drinking Horses in the Great Wall Cave" when he went to the Western Ocean, which has become a masterpiece throughout the ages. "The first one is full of vigor, which is quite Wei Wu style." Later scholars spoke highly of his poems. "Mixing North and South, Yang Di's talent is really high." , "Sui, we have a strong character. Emperor Yangdi got the essence from China. Compared with safflower, the standard is clear. As soon as Emperor Yang Di washed away the decadent wind, he tried his best to make specimens. The ancient road remains here. " The other is "Moonlit Night on a Spring River" written by Yang Di, "Twilight is boundless, and spring is blooming. The waves will go to the moon and the tides will come to the stars. " , enough to show his literary talent. "Being able to make elegant and correct language is better than Chen Houzhu." , "Emperor Yangdi's poems are far from being washed away by Pan and Lu. However, it is still close to the body of the south. " The poetry of Emperor Yang Di of Sui Dynasty occupies an important position in the history of China literature and poetry.