The so-called "moving" is mainly manifested in the fact that words crossing are rarely straight and symmetrical, but mostly swing from side to side and up and down, and the beauty lies in their instability.
The so-called "autumn" is mainly manifested in the fact that the pen tip is often moved in stippling with a pen, and the thick position is taken with a pen. Only at the turning point, the center is supplemented by the side peak. Although the thickness of strokes does not change much, it plays a natural role, often penetrating the back of the paper, with less exposure, more content, flexibility, power and charm; Coupled with the structure of the word, it is often tight inside and loose outside, forming a cohesive structural force, with tendons and bones, round and intriguing.
The so-called "embellishment" is mainly manifested in the pen and ink embellishment. Probably Jiang Niao belongs to water, and there is more water in the word, less dry pen and less dry front. Because the amount of ink can be controlled by wrist force and finger force, the ink on the paper is not bloated, does not rise or stay, is smooth and moist, and flows like a jade plate. Line is the first vitality of calligraphy art.
Studying Mr. Shen's calligraphy works, we can find that the lines are thick and solid, the spirit is simple, and the Gu Zhuo is rich. The masculine side is born with the shape, the disease is slow and smooth, the center is deep and vigorous, the side is beautiful and vigorous, the hidden wind is simple, and the dew is obvious. Brush power is the source of calligraphy vitality, and brush power is the basis of calligraphy beauty. The strength of the pen has two levels: bone strength and muscle strength. People who get bones are strong and tall, and people who get muscles are simple and rich. The lines and brushwork of Mr. Shen's calligraphy constitute a very high realm of hiding the tendons and holding the bones.