Introduction of horse characters

Ma Gong Yu

Ma (1890- 1969 February 2 1), whose real name was Fan, was later changed to Leng Weng. Because of its fasting name "_ stone _", it is also called _ stone _ Lord, and is from Yongjia City (now Lucheng District, Wenzhou).

The history of horse in Yongjia has been handed down for 200 years since the Qing Dynasty with poems, epigraphy and calligraphy. Great-grandfather Yu Zhong (born) and grandfather Lan Sheng (named Yuanxi) are both poets, painters and calligraphers. Gong Yu inherited his family studies from childhood, a little older than Ryan Sun Yirang and Zhou Ding Qin Quan, and carved strange words on stones. Later, I went to Wenzhou High School with my brother Meng Rong.

Chinese name: Ma.

Alias: Ma Fan, Ma, Ma

Nationality: China.

Ethnic group: Han nationality

Place of birth: Wenzhou, Zhejiang

Date of birth: 1893

Date of death: 1969 February 2 1.

Occupation: painter

Graduation school: Wenzhou Affiliated High School

Representative Works: Calligraphy History, Calligraphy Speech, Applied Patterns.

all one's life

Before the founding of People's Republic of China (PRC).

In the thirty-fourth year of Guangxu in Qing Dynasty (1908), he was admitted to Zhejiang Higher Education College. Three years after graduation, she returned to Li's side (19 1 1) and founded Yongjia Girls' School the following year. Dong 'ou Art Association was founded in 19 14, and later taught in Zhejiang No.10 Middle School. 19 19 In July, Zheng Zhenduo and others initiated the organization of Yongjia News Agency, put forward the idea of "getting rid of the old and innovating", and published the New Magazine the following year. From 65438 to 0924, he went to Shanghai and successively served as a teacher of Shanghai Middle School, chairman of Cunde Middle School and Qinye Middle School, professor of Shanghai Academy of Fine Arts, secretary of Daxia University, and professor of Chinese Department of China Literature Department. From 65438 to 0929, he founded China Art Institute with Zheng Manqing and Ma Mengrong as a professor of calligraphy. In the same year, the Ministry of Education held the first national art exhibition and was hired as a member. Later, he was hired as a member of the "West Lake Expo" art museum. From 65438 to 0933, his works participated in the "Sino-German Art Exhibition" in Berlin, and then participated in the "Sino-Japanese Joint Exhibition" and the British and Italian art exhibitions. 194 1 year, he and Ma Yi held "Yongjia Wuma Art Exhibition" in Shanghai Daxin Art Gallery. His works have also participated in postwar American art exhibitions and major domestic art exhibitions. During this period, he also served as the director of Shanghai Fine Arts Association and Chinese Painting Association, the executive director of China Fine Arts Education Association, and the designer of the preparatory office of Shanghai Art Museum.

After the founding of

After the establishment of People's Republic of China (PRC), he served as a librarian of Shanghai Literature and History Museum, a painter of Shanghai China Painting Academy, a member of China Character Reform Committee, and participated in China Artists Association Shanghai Branch and Shanghai China Calligraphy and Seal Cutting Research Association.

Horses are known as "all-rounders in art gardens". Its calligraphy, seal script, official script and genuine grass are all exquisite. True grass takes the bell and the king, and the brushwork is vigorous and elegant. The transfer is relatively skilled, and the titles are all over the country. Painting is good at landscapes, flowers, birds, fish and insects. Seal cutting takes the method of Qin and Han dynasties to explore the source, and there is no habit of being close to the people, but the title is covered.

During the Cultural Revolution

During the "Cultural Revolution", he was tortured, but he kept on studying art. 1969 February 2 1 died in Shanghai at the age of 75, and his body was buried in Wenzhou. He is the author of History of Calligraphy, Calligraphy Quotations, Applied Patterns, Pu Yin of Gong Yu, Records of Stone Inscription and Ink, and Miscellany of Stone Inscriptions. China's book Selected Works of Modern Seal Cutting (III) contains 53 seals.

works

He is the author of History of Calligraphy, Calligraphy Speech and Plough Stone. Calligraphy and painting, seal cutting, poetry and prose are all family heirlooms. Qi Ling learned books from his father. When he 15 or 16 years old, he can study. When studying in Zhejiang Normal University, he was appreciated by Zhang Zongxiang. Ma has been writing books for 200 years, studying under Linchi, with endless mechanics, talented people and strong family style.

The patriarchal clan system of seal script "Qin Zhao Edition" and "Shi Guwen" is simple and elegant. The inscriptions in the Han Dynasty, such as Zhengshu, Shimen, Huashan and Cao Quan, are characterized by concise words, flexible waves and both rigidity and softness. The real book was written by Mr. Zhong Fa, with vigorous brushwork, broad structure and cursive style. It is elegant, graceful and fluent after learning from Wang Youjun. The depth of Lin Chi's skill is confusing, and the world pushes it like the hand of God. Middle-aged people living in Shanghai, suffering from the occupation, had to resign and make a living by writing. In their later years, their book style tends to be old-fashioned, concise, rigorous and free and easy. There are many inscriptions in my life. I like to use a pen with toughness and agility, combining rigidity with softness, being clumsy but not sluggish, being the most handy and used the most; Oolong pen is also often used to write Cao Zhang's elegant opening charm. Seal cutting adopted the method of Qin and Han Dynasties, and the small seal made by Bai Han has ancient significance. You can also grow flowers, as beautiful as a book.

domestic

The famous painter Ma Mengrong (1892- 1932) and Ma (1893- 1969) are brothers. They entered school at the same time, graduated at the same time, got married at the same time, and came to Shanghai to dabble in art, so they were known as the "Gemini of the Maritime Art Garden" in the 1930s.