Tang Bohu died of illness. In the second year of Jiajing in Ming Dynasty (1523), he went to the Wangs' home in Dongshan at the invitation of a good friend, and saw two sentences in the word of Su Dongpo's original works: "A hundred years is strong and a half, and there is not much suffering in the future", which just touched Tang Yin's mood. He was sad for a while, and after leaving home, he was ill from now on, and soon ended his bleak life.
Tang Yin, whose name is Bohu, was later changed to Ziwei. His name is six, such as lay man, owner of Peach Blossom Temple, Tang Sheng of Lu State, immortal official who escaped from Zen, etc. He was a painter, calligrapher and poet in Ming Dynasty. With Zhu Yunming, Wen Zhiming and Xu Zhenqing, they are also called "four gifted scholars in Wuzhong". In painting, Shen Zhou, Wen Zhiming and Chou Ying are also called "the Four Houses of Wumen", also known as "Ming Sijia".
The artistic achievement of Tang Yin's landscape painting lies in, on the one hand, breaking the stereotype, embracing the landscape paintings of the North-South School, the Southern Song Academy and the Yuan Dynasty literati, mainly learning from the Academy School of Li Tang and Liu Songnian in the Southern Song Dynasty, and also learning from the rigorous and vigorous style of the Song people. The layout of the picture is rigorous and put in order, the modeling is real and vivid, the mountains are majestic, the rocks are steep, the axe is chopped, the brushwork is vigorous and the ink is dripping. On the other hand, I have personal observation and real feelings about natural mountains and rivers. Representative works include Lonely Lonely in the Sunset, Companion in the Spring Mountains, Cool in the Night in the Empty Pavilion, and Cottage with Apricot Flowers.
Tang Yin's calligraphy originated from the integration of Zhao Mengfu, with rich and flexible style, elegance and elegance, and his masterpiece "Poems of Falling Flowers". Wang Shizhen commented in "The Mountain Man's Draft in Yizhou": "The book of Bohu entered the Xing Wu Temple, but it was weak." According to the documentary records and surviving works, he has extensively studied Zhao Mengfu, Li Yong, Yan Zhenqing and Mi Fei, with different emphases in different periods, thus forming a constantly changing stage outlook.
Tang Yin's poems and poems win with talent. His poems are full of travels, paintings and sentimental works. In his early years, his works were neat and beautiful, with the breath of parallel prose in the Six Dynasties. After releasing the topic case, most of them are works that hurt the world, and they use a lot of spoken language, which is fresh in artistic conception and often contains pride and injustice.
Tang Bohu, who is afraid of writing, is beautiful or light, refined or broad, and has no normality. Not willing to work for exercise, there are many strange ideas, but they are not used. His poems are beautiful at first. It is both a release of Bai's family and a matter of affection. And the language is bright at the end, and the good news is mostly in harmony with the ancient.