Collectors and scholars in past dynasties have highly appraised the book "Poems of General Pei". Although this post is not widely circulated and rarely seen, anyone who sees this post will fall in love with it at first sight. He once sighed: "I have been idle for more than ten years. Now I can't help but marvel! " Love is beyond words. In the Qing Dynasty, Wang Shizhen made an incisive description of the characteristics of this book in Yizhou Mountain Man Draft: calligraphy has both official and running scripts, and the font has the meaning of seal script, which is clumsy and powerful. Stamp it with a hammer and smash it into mud; Draw sand with a hairpin, break the iron with a hairpin; The old house leaks rain, the walls are covered with stains and spots, and so on.
In the postscript of Virtual Boat, A Qing Wang Shu explored the contents of General Pei's poem in a deeper level: the poem said that "the sword dance jumps and swims with electricity, and returns with the wind", which is a summary of Pei Min's sword dance description in Historical Records. When Peimin was an ambassador of Longhua in Peiping (Beiping was in Wanxian County, Hebei Province in Tang Dynasty), there were many tigers in Peiping, and Peimin was good at shooting. He once shot 3 1 tiger a day. (According to "Tang Shi Supplement") Therefore, there is another sentence in the poem, "Shoot down a hundred horses and shoot ten thousand people again." "Huns dare not fight, each to his own place" is about Pei Min's Northern Expedition, which scared off the enemies of Xi nationality. There is not a word of praise in Yan's poems.
This poem gives people a sense of bravery and heroism, as if they were in an ancient battlefield on horseback, feeling nervous and heroic. The combination of poetry (poetry), calligraphy (calligraphy) and people (characters) has made this "spectacle". Poems with bold words, magnificent words and awe are second to none throughout the ages. The letters, lines and grass in the poem are intertwined, opening and closing vertically and horizontally, sometimes vigorous and powerful, and sometimes Youlong dances, which has a strong impact and is soul-stirring and eye-catching. This is the result of General Pei's unswerving passion and Yan's constancy. Shi Zan Yan Zhenqing's "brave words, such as burning the sun with severe frost" (Biography of Yan Zhenqing in the New Tang Dynasty), after reading this poem, you can imagine that Yan Zhenqing's loyalty to the liver and bravery in those days was really awe-inspiring, such as "Autumn frost blows the air, Changhong shines through the sun". (Biography of Yan Zhenqing in the New Tang Dynasty)
Amin poet Wang Shizhen commented on General Pei's poems: "The book is awe-inspiring and clumsy in ancient times, but the brushwork is vigorous and free, with the power of ten thousand strokes." All kinds of bodies in the poems look forward to life, among which the official books stand tall as Taishan town; Grass is dragon and tiger, don't stare at it. There are words in the post, which is very strange. For example, the word "Bi" should have been "Xuan", which means brilliant. But Yan Zhenqing's radical writing is upright, and writing "Dan" and "Bi" is even more exciting. Another example is the word "return", which is coherent in brushwork and strange in structure. All this makes people feel amazing. General Pei's poems deeply influenced later generations. Calligraphers such as Dong Qichang in Ming Dynasty, He in Qing Dynasty, and Sha Menghai in modern times all learned the essence from this book. 1998, China issued two sets of stamps 1 for the Year of the Tiger, and the pattern of the second stamp was the word "tiger" in General Pei's poems.
The ancients said that the calligraphy features of this poem volume are Qi Jie's flying, the combination of calligraphy and calligraphy, strong escape, thunderous rush, electric switch and so on, which is very appropriate. It surpasses the calligraphy style of other inscriptions in Yan Zhenqing, but it has the essence of Yan Shu. It is precisely because of this that the book "Poems of General Pei" has become the soul treasure of the book forest and is cherished by calligraphers and collectors of all ages.
In the late Tang Dynasty, in the third year of Huichang, in 843 AD, Pei Jing paid a visit to Li Bais Tomb. On the tombstone of Gong Li, a bachelor of Hanlin, he confirmed the statement of Wenzong: "At the beginning of Taihe, Emperor Wenzong ordered the bachelor of Hanlin to praise the three wonders, and the public poem, general sword dance and Zhang Xu long history cursive script were the three wonders." The general mentioned in the article is called Pei Min, who is Pei Jing's great-uncle.
In September in Liaodong, reed leaves are broken, and children in Liaodong collect reed pipes.
Poor new manager, a wind is floating all over the sea.
The sea tree is bleak, the rain is frosty and cold, the flute is declared, and the moon is gray.
The white wolf in Hebei is sad and hateful, and the mysterious rabbit in the south of the city is heartbroken.
Chang 'an Mansion of Liaodong General is a good guest of the beautiful Reed Flute Club.
Playing music is not as good as playing the flute.
In the middle of the night, Gao didn't come back, so he only sent the reed pipe to Junbei.
Cleverly, I can drop the willow on a stranger by surprise and return to the garden to drop the plum by mistake.
The guests are not satisfied, and the high rolling bead curtain is lined with red candles.
The general was drunk and refused to give up, which made the beauty play a song.
("All Tang Poems" Volume 1999 "Song of the Reed Pipe" at General Pei's home)