What are the painters and representative works of the old Chinese painting machinery?

A powerful painter with great appreciation potential, and his works are good! But the work is not easy to sell. I have asked for his oil painting. The price is about 5000/piece, which is versatile and calligraphy seal cutting is also good! There is no way for me to be artistic in Buddhism. It is naturally taken from the fourth issue of Dezhou Monthly (Wang Juan) in 2005-Young painter Li Zhenkai Documentary Li Zhenkai, whose real name is Song Li,No. Kethleen, a professional painter, a member of the Canadian World Painters Association, the executive director of China Popular Painting and Calligraphy Society, a calligrapher, a first-class painting and calligraphy tutor, and an outstanding student of China Painting and Calligraphy Correspondence University. 200 1 Graduated from the Department of Chinese Painting, School of Modeling, Central Academy of Fine Arts. His works have won more than 40 awards in the national art competition, won the second prize in the junior group in the 9300 Tianjin-Civilization Cup National Writing Competition, won the second prize and the first prize in the painting group in the joint exhibition of painters and poets on the 45th anniversary of the founding of the People's Republic of China in 1995- 1997, and many writers have been visited by foreign friends. From 200/KLOC-0 to 2003, he held solo exhibitions in Beijing, Zhengzhou, Jinan and other places, which were well received by people from all walks of life. Li Zhenkai, 1979 was born in Chaihudian Town, Ningjin County, Shandong Province. I like calligraphy and painting since I was a child. I practice China's calligraphy, using the ground as paper and water as ink. At the age of nine, he studied under Mr. Bai Bing, a famous peasant calligrapher. 1994 Attended the Correspondence College of Painting and Calligraphy in China, studied grass. After several years of hard work, his calligraphy has reached a brand-new realm in creative practice and theoretical research, and has made remarkable achievements. His works have won many awards in the National Art Works Competition, and have been well received. Li Zhenkai's achievements in calligraphy first benefited from his profound understanding of calligraphy art and correct learning methods. He believes that China's calligraphy art is the product of the accumulation of ancient civilization in China and represents the basic spirit of oriental culture. As calligraphers, we must deepen our understanding and knowledge of the spirit of oriental culture. Calligraphy is an art of expressing individuality and spirit, and works actually reflect the calligrapher's spiritual temperament and aesthetic taste. For calligraphers, the most important thing is to strengthen their self-cultivation and attach importance to the cultivation of temperament. The training of skills is only to collect these "extra-word kung fu" at the bottom of the wrist and show them through specific stippling forms. Because Li Zhenkai attaches great importance to enriching his self-cultivation, his words are subtle and elegant, full of "bookish spirit" and have the calmness and calmness that ordinary young and middle-aged calligraphers lack. In the method of re-learning, Li Zhenkai adopted the principle of "learning from foreigners to control foreigners". Although he is good at cursive script, he also has the beauty of many bodies and seal characters. His jade rib prints are neat and beautiful, personable and skilled. He also studied and copied Han steles for a long time. His famous stone carvings, such as Zhang Qianbei, Cao Quanbei, ritual monument and ode to Shimen, are very interesting. His regular script is broad in structure, sparse in stippling, clear and neat. Tuoba is so extensive that it is rare among young and middle-aged calligraphers. Li Zhenkai is good at all kinds of calligraphy styles, but not to show off his skills, but to consciously train his ability to control lines by learning calligraphy styles such as seal script and regular script, thus enriching the expressive force of cursive script and infiltrating cursive script into other calligraphy styles, which is of great benefit. Li Zhenkai believes that the basic principle of calligraphy art should be to express individuality and express emotions, and cursive script is the most expressive in calligraphy art, which is convenient for calligraphers to play freely by stippling and composition. "Reaching its temperament and becoming its joys and sorrows" is also direct and strong in exerting its spiritual temperament. His calligraphy combines books and paintings. Mr. Mo Shi, a famous painter, said after seeing Li Zhenkai's personal painting and calligraphy exhibition: "Li Zhenkai's brushwork is smooth and unpretentious, both rigid and flexible, and has a majestic trend, which is very in line with the temperament and style of calligraphers and is a model for everyone." Mr. Jian Yao, president of China Dazhong Calligraphy and Painting Society, once said: "Li Zhenkai's works are both rigid and flexible, simple and natural, and the center uses a pen. The lines are thick, heavy and noble, awkwardly showing the edge of quick success and instant benefit. Fiona Fang is mutual, dynamic and static, initially rich, beautiful and harmonious, thick and smart, suddenly like a rock falling, suddenly like flowing water. He can try his best to show his strength through pen and ink. Li Zhenkai is also very experienced in painting. His oil paintings and Chinese paintings have won many awards in national art competitions. And many oil paintings have been collected by foreign friends. " A gentleman strives for self-improvement ",and Li Zhenkai has great potential to revitalize the calligraphy art in China.