Liu Wusi's Artistic Features

China porcelain carving art has a long history. It originated in the Song Dynasty, developed in the Ming Dynasty and flourished in the late Qing Dynasty and the early Republic of China. Known as a bright pearl of oriental art, it is different from other arts. It engraves the charm of calligraphy and artistic conception of painting on porcelain with exquisite knife technique, which integrates calligraphy, painting and carving, making porcelain have high artistic appreciation value and collection value, so it is favored by the world. Just because its technological process is complicated, time-consuming and laborious, and its success rate is low, there are not many artists and even fewer experts. Since China's reform and opening up, the times have called for the emergence of porcelain carving artists, and Liu Wusi of Xi 'an is a rising star in recent years. Liu Wusi, a beginner in carving porcelain, is neither a teacher nor a master. With his persistent pursuit of art and constant exploration, he finally stepped into the palace of art. He loved calligraphy and painting since childhood, and then learned to manage printing, and gained Fu Jiayi's artistic experience successively. Liu Wusi was born in Xi, an ancient capital, and he was nurtured by the cultural accumulation and profound artistic fertile soil in Zhou, Qin, Han and Tang Dynasties. The elegant inscriptions on the Western Zhou Dynasty in Gu Zhuo, the glowing four-god tiles and the simple and fresh masonry paintings are inexhaustible artistic sources. Whether it is the stone lion plate, the head of terracotta warriors and horses, or the pictures of Confucianism and chariots and horses, its creative vision is broad, the theme selection is unique, and its works are full of rich ancient flavor. The works of Du Wen porcelain plate are a new creation from subject matter to expression. Under his sword, people, trees, stones and animals are full of life, because he broke the single-level decoration technique.