"The Cunning Mind" (Renmin University of China Press, 1991)
"From History to Reality" (Nanhai Publishing Company, 1995)
"Green Island Foolish Thoughts" (Hainan Publishing House, 1997)
"Introduction to Special Economic Zones" (Hainan Publishing House, 1995)
"Cross-Century Choice: Second Entrepreneurship of Special Economic Zones" (Nanhai Publishing Company, 1998)
"Not a Foolish Thought" (Hainan Publishing House, 2002) "Kant" (China Social Sciences Press, 1990)
"Reason and Pursuit of Knowledge" (Shanghai Translation Press, 1990)
"Introduction to Contemporary Epistemology" (Renmin University of China Press, 1990); "Library of International Practices" (Hainan Publishing House, 1993)
"Contemporary International "Routine Series" (Hainan Publishing House, 1999)
"Qiongtai Agricultural Cooperation Research" (Hainan Publishing House, 1999)
"Hainan History and Culture Series" (***10 Volume 104), etc. "Collection of Speeches and Reports on Propaganda and Cultural Work" (2002-2008, ***7 volumes).
Created a self-contained system of "subject cognitive schema" theory and special economic zone theory.
He has won the Provincial Outstanding Scientific Research Achievement Award, the Provincial and Ministerial “Five One Project Award” and the China Book Award for many times.
Published more than 200 papers including "What Transcendences Do We Need in Our Thoughts". Zhou Wenzhang, whose pen name is Hongtao. Since studying calligraphy, *** has published more than three million words and participated in many national book fairs. His works have been reviewed and reviewed by "People's Daily", "Chinese Calligraphy", "Calligraphy News", "Chinese Talents·Youth Calligraphy and Painting Circle", Japan's "Calligraphy", etc. He also compiled and printed "Hong Tao Xi Shu Lu" and "Hong Tao Cursive Script Qian". "Zi Wen", "Hongtao Cursive Script Qian Chibi Fu", "Hongtao Cursive Script Pipa Xing", etc. Some calligraphy critics believe that Hongtao combined his own insights and gradually mastered the majestic and ups and downs of composition and layout, forming a unique creative style. His cursive calligraphy works are vigorous and smooth, ranging from small to full feet to large to several feet. They can be controlled with ease and ease, and the writing is like a gust of wind and rain. However, upon careful review, they are calm and calm, with a natural mood and a sense of the times.